Environments

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

The PH Artichoke chandelier was designed in 1958 by Poul Henningsen. He originally created it for the Langelinie Pavilionen, a modernist restaurant in Copenhagen, where the PH Artichoke continues to delight diners. It was conceived to be as impressive as a classic chandelier, while providing a beautiful, glare-free light with its sculptural properties.

Its sculptural design and the exceptional light it generates have given this pendant lamp its status as an international design icon. Each of the 72 leaves is carefully assembled in the perfect position, by hand, to ensure that the light is glare-free and the light source cannot be seen from any angle. With its iconic and undeniably timeless design, the PH Artichoke is a beautiful addition to any home.

A design that transcends time and space: that's what makes it an icon.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 4/3 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downward, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

The PH light model number refers to the size of the shade. Each upper shade had a corresponding set of middle and lower shades. In "pure" models, such as the 2/2, the upper shade measures approximately 20 cm, with corresponding lower shades. The PH 4/3 Table Lamp consists of an upper shade of approximately 40 cm, but uses lower shades from the 3/3 model. These "hybrid" models were created to address the desire to hang lamps from the ceiling at a lower height. The system was also used in table lamps, floor lamps, and wall lights. The PH 4/3 Table Lamp, as we know it today, was born in 1966.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 4/3 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downward, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

The PH light model number refers to the size of the shade. Each upper shade had a corresponding set of middle and lower shades. In "pure" models, such as the 2/2, the upper shade measures approximately 20 cm, with corresponding lower shades. The PH 4/3 Table Lamp consists of an upper shade of approximately 40 cm, but uses lower shades from the 3/3 model. These "hybrid" models were created to address the desire to hang lamps from the ceiling at a lower height. The system was also used in table lamps, floor lamps, and wall lights. The PH 4/3 Table Lamp, as we know it today, was born in 1966.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 4/3 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downward, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

The PH light model number refers to the size of the shade. Each upper shade had a corresponding set of middle and lower shades. In "pure" models, such as the 2/2, the upper shade measures approximately 20 cm, with corresponding lower shades. The PH 4/3 Table Lamp consists of an upper shade of approximately 40 cm, but uses lower shades from the 3/3 model. These "hybrid" models were created to address the desire to hang lamps from the ceiling at a lower height. The system was also used in table lamps, floor lamps, and wall lights. The PH 4/3 Table Lamp, as we know it today, was born in 1966.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 4/3 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downward, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

The PH light model number refers to the size of the shade. Each upper shade had a corresponding set of middle and lower shades. In "pure" models, such as the 2/2, the upper shade measures approximately 20 cm, with corresponding lower shades. The PH 4/3 Table Lamp consists of an upper shade of approximately 40 cm, but uses lower shades from the 3/3 model. These "hybrid" models were created to address the desire to hang lamps from the ceiling at a lower height. The system was also used in table lamps, floor lamps, and wall lights. The PH 4/3 Table Lamp, as we know it today, was born in 1966.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 4/3 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downward, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

The PH light model number refers to the size of the shade. Each upper shade had a corresponding set of middle and lower shades. In "pure" models, such as the 2/2, the upper shade measures approximately 20 cm, with corresponding lower shades. The PH 4/3 Table Lamp consists of an upper shade of approximately 40 cm, but uses lower shades from the 3/3 model. These "hybrid" models were created to address the desire to hang lamps from the ceiling at a lower height. The system was also used in table lamps, floor lamps, and wall lights. The PH 4/3 Table Lamp, as we know it today, was born in 1966.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 4/3 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downward, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

The PH light model number refers to the size of the shade. Each upper shade had a corresponding set of middle and lower shades. In "pure" models, such as the 2/2, the upper shade measures approximately 20 cm, with corresponding lower shades. The PH 4/3 Table Lamp consists of an upper shade of approximately 40 cm, but uses lower shades from the 3/3 model. These "hybrid" models were created to address the desire to hang lamps from the ceiling at a lower height. The system was also used in table lamps, floor lamps, and wall lights. The PH 4/3 Table Lamp, as we know it today, was born in 1966.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 4/3 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downward, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

The PH light model number refers to the size of the shade. Each upper shade had a corresponding set of middle and lower shades. In "pure" models, such as the 2/2, the upper shade measures approximately 20 cm, with corresponding lower shades. The PH 4/3 Table Lamp consists of an upper shade of approximately 40 cm, but uses lower shades from the 3/3 model. These "hybrid" models were created to address the desire to hang lamps from the ceiling at a lower height. The system was also used in table lamps, floor lamps, and wall lights. The PH 4/3 Table Lamp, as we know it today, was born in 1966.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Carrie Brass Portable Lamp by Audo Copenhagen is a stylish and functional table lamp that combines modern design with a touch of Nordic style. The lamp is made of high-quality brushed brass and has an opal glass shade that diffuses the light evenly.

The Carrie lamp is portable, so it can be easily moved from room to room. It's also rechargeable, so it doesn't need to be plugged into an electrical outlet. It lasts approximately 10 hours.

The Carrie lamp has a color temperature of 2700K, which produces a warm and inviting light. The lamp has a power of 3.2W and a brightness of 380lm. The lamp can be dimmed to three brightness levels, so you can adapt the light to your needs.

The Carrie lamp is a great choice for any home looking for a stylish and versatile table lamp. The lamp is perfect for indoor or outdoor use and can be adapted to any decor style.

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Costura armchair pays homage to the noble tradition of tailoring that has guided its design process. In San Sebastián, the birthplace of great designers like Balenciaga, it has been customary for decades for small tailoring workshops to dress passersby in perfectly tailored suits. Stua sought to revive this tradition, collaborating with expert artisans to create an upholstery that is a tailored suit that covers an innovative interior structure.

Beneath its timeless appearance, the Costura collection contains a number of innovations that make a difference.

Innovations:

• Super slim structure: The interior of the sofa is made of molded wood. This slim and strong structure saves space behind the backrest. The subtle curve of the back allows it to be placed anywhere in the room, even as a room divider.
• Legs your way: Legs can be installed straight or angled, as desired.
• Pillow-style cushions: Each Costura seat has two backrest cushions, which are also foldable. The larger one is made of foam, and the smaller, softer one is filled with natural down.
• Movable Chaise Longue: The chaise longue can be moved to the other side of the sofa at any time.
• Removable covers: Costura upholstery is carefully crafted using tailoring techniques. The entire Costura collection has completely removable covers.
• STUA Fabrics: Offers 18 fabrics with different characteristics according to your needs: flame-resistant fabrics, easy-clean fabrics, machine-washable fabrics, durable fabrics for installations, or ultra-soft to the touch.

Ver producto relacionado

The Works™ Mobile Drawer Unit offers space for folders, books, pens, and electronic devices, giving you a complete workspace. The mobile drawer unit has the following dimensions: 30x58x55.5 cm. The top, smallest drawer has internal dimensions of 23.5x44x10 cm. The top, largest drawer has internal dimensions of 23.5x44x25 cm.

To make moving the mobile chest of drawers easier, it has a retractable handle on the back.

The Works™ Mobile Drawer Unit offers space for folders, books, pens, and electronic devices, giving you a complete workspace. The mobile drawer unit has the following dimensions: 30x58x55.5 cm. The top, smallest drawer has internal dimensions of 23.5x44x10 cm. The top, largest drawer has internal dimensions of 23.5x44x25 cm.

To make moving the mobile chest of drawers easier, it has a retractable handle on the back.

The Works™ Mobile Drawer Unit offers space for folders, books, pens, and electronic devices, giving you a complete workspace. The mobile drawer unit has the following dimensions: 30x58x55.5 cm. The top, smallest drawer has internal dimensions of 23.5x44x10 cm. The top, largest drawer has internal dimensions of 23.5x44x25 cm.

To make moving the mobile chest of drawers easier, it has a retractable handle on the back.

The Works™ Mobile Drawer Unit offers space for folders, books, pens, and electronic devices, giving you a complete workspace. The mobile drawer unit has the following dimensions: 30x58x55.5 cm. The top, smallest drawer has internal dimensions of 23.5x44x10 cm. The top, largest drawer has internal dimensions of 23.5x44x25 cm.

To make moving the mobile chest of drawers easier, it has a retractable handle on the back.

The Works™ Mobile Drawer Unit offers space for folders, books, pens, and electronic devices, giving you a complete workspace. The mobile drawer unit has the following dimensions: 30x58x55.5 cm. The top, smallest drawer has internal dimensions of 23.5x44x10 cm. The top, largest drawer has internal dimensions of 23.5x44x25 cm.

To make moving the mobile chest of drawers easier, it has a retractable handle on the back.

The Works™ Mobile Drawer Unit offers space for folders, books, pens, and electronic devices, giving you a complete workspace. The mobile drawer unit has the following dimensions: 30x58x55.5 cm. The top, smallest drawer has internal dimensions of 23.5x44x10 cm. The top, largest drawer has internal dimensions of 23.5x44x25 cm.

To make moving the mobile chest of drawers easier, it has a retractable handle on the back.

The Works™ Mobile Drawer Unit offers space for folders, books, pens, and electronic devices, giving you a complete workspace. The mobile drawer unit has the following dimensions: 30x58x55.5 cm. The top, smallest drawer has internal dimensions of 23.5x44x10 cm. The top, largest drawer has internal dimensions of 23.5x44x25 cm.

To make moving the mobile chest of drawers easier, it has a retractable handle on the back.

The Works™ Mobile Drawer Unit offers space for folders, books, pens, and electronic devices, giving you a complete workspace. The mobile drawer unit has the following dimensions: 30x58x55.5 cm. The top, smallest drawer has internal dimensions of 23.5x44x10 cm. The top, largest drawer has internal dimensions of 23.5x44x25 cm.

To make moving the mobile chest of drawers easier, it has a retractable handle on the back.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works height-adjustable desk allows you to create flexible and ergonomic workspaces. The desk consists of a height-adjustable table frame and a desktop. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm. The 90 cm deep desk is designed for a conference table or larger workspaces and is therefore available in a width of 180 cm.

The maximum height of the structure is 118.5 cm and the minimum is 71.5 cm, and it fits all desks.

The Works™ height-adjustable conference table allows you to create a flexible and ergonomic meeting environment. The conference table consists of a height-adjustable table frame, an extension leg, and two 180x90 cm desks. The work surface dimensions are 360x90 cm. The maximum height of the conference table is 118.5 cm, and the minimum is 71.5 cm.

The Works™ height-adjustable conference table allows you to create a flexible and ergonomic meeting environment. The conference table consists of a height-adjustable table frame, an extension leg, and two 180x90 cm desks. The work surface dimensions are 360x90 cm. The maximum height of the conference table is 118.5 cm, and the minimum is 71.5 cm.

The Works™ height-adjustable conference table allows you to create a flexible and ergonomic meeting environment. The conference table consists of a height-adjustable table frame, an extension leg, and two 180x90 cm desks. The work surface dimensions are 360x90 cm. The maximum height of the conference table is 118.5 cm, and the minimum is 71.5 cm.

The Works™ height-adjustable conference table allows you to create a flexible and ergonomic meeting environment. The conference table consists of a height-adjustable table frame, an extension leg, and two 180x90 cm desks. The work surface dimensions are 360x90 cm. The maximum height of the conference table is 118.5 cm, and the minimum is 71.5 cm.

The Works™ height-adjustable conference table allows you to create a flexible and ergonomic meeting environment. The conference table consists of a height-adjustable table frame, an extension leg, and two 180x90 cm desks. The work surface dimensions are 360x90 cm. The maximum height of the conference table is 118.5 cm, and the minimum is 71.5 cm.

The Works™ height-adjustable conference table allows you to create a flexible and ergonomic meeting environment. The conference table consists of a height-adjustable table frame, an extension leg, and two 180x90 cm desks. The work surface dimensions are 360x90 cm. The maximum height of the conference table is 118.5 cm, and the minimum is 71.5 cm.

The Works™ height-adjustable conference table allows you to create a flexible and ergonomic meeting environment. The conference table consists of a height-adjustable table frame, an extension leg, and two 180x90 cm desks. The work surface dimensions are 360x90 cm. The maximum height of the conference table is 118.5 cm, and the minimum is 71.5 cm.

The Works™ height-adjustable conference table allows you to create a flexible and ergonomic meeting environment. The conference table consists of a height-adjustable table frame, an extension leg, and two 180x90 cm desks. The work surface dimensions are 360x90 cm. The maximum height of the conference table is 118.5 cm, and the minimum is 71.5 cm.

The Works™ height-adjustable conference table allows you to create a flexible and ergonomic meeting environment. The conference table consists of a height-adjustable table frame, an extension leg, and two 180x90 cm desks. The work surface dimensions are 360x90 cm. The maximum height of the conference table is 118.5 cm, and the minimum is 71.5 cm.

The Works™ height-adjustable conference table allows you to create a flexible and ergonomic meeting environment. The conference table consists of a height-adjustable table frame, an extension leg, and two 180x90 cm desks. The work surface dimensions are 360x90 cm. The maximum height of the conference table is 118.5 cm, and the minimum is 71.5 cm.

The Works™ height-adjustable conference table allows you to create a flexible and ergonomic meeting environment. The conference table consists of a height-adjustable table frame, an extension leg, and two 180x90 cm desks. The work surface dimensions are 360x90 cm. The maximum height of the conference table is 118.5 cm, and the minimum is 71.5 cm.

The Works™ conference table creates a flexible and ergonomic meeting environment. The conference table consists of a table frame, an extension leg, and two 180x90 cm desks. The work surface measures 360x90 cm.

The Works™ conference table creates a flexible and ergonomic meeting environment. The conference table consists of a table frame, an extension leg, and two 180x90 cm desks. The work surface measures 360x90 cm.

The Works™ conference table creates a flexible and ergonomic meeting environment. The conference table consists of a table frame, an extension leg, and two 180x90 cm desks. The work surface measures 360x90 cm.

The Works™ conference table creates a flexible and ergonomic meeting environment. The conference table consists of a table frame, an extension leg, and two 180x90 cm desks. The work surface measures 360x90 cm.

The Works™ conference table creates a flexible and ergonomic meeting environment. The conference table consists of a table frame, an extension leg, and two 180x90 cm desks. The work surface measures 360x90 cm.

The Works™ conference table creates a flexible and ergonomic meeting environment. The conference table consists of a table frame, an extension leg, and two 180x90 cm desks. The work surface measures 360x90 cm.

The Works™ conference table creates a flexible and ergonomic meeting environment. The conference table consists of a table frame, an extension leg, and two 180x90 cm desks. The work surface measures 360x90 cm.

The Works™ conference table creates a flexible and ergonomic meeting environment. The conference table consists of a table frame, an extension leg, and two 180x90 cm desks. The work surface measures 360x90 cm.

The Works™ conference table creates a flexible and ergonomic meeting environment. The conference table consists of a table frame, an extension leg, and two 180x90 cm desks. The work surface measures 360x90 cm.

The Works™ conference table creates a flexible and ergonomic meeting environment. The conference table consists of a table frame, an extension leg, and two 180x90 cm desks. The work surface measures 360x90 cm.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.

With a unique design, the Works desk allows for the creation of flexible workspaces. The desk consists of a fixed table frame and a desktop, and its height can be adjusted by 1 cm. The 78 cm deep desks are available in three widths: 120 cm, 140 cm, and 160 cm.

The 90cm deep desk is designed for a meeting table or larger workspaces and is therefore available in a 180cm width.