Environments

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

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Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

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Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

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This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

The Domus collection is based on a statement by its creator: "It's a collection I would love to produce myself in a wood workshop because of its simplicity and robust shape." An exercise in simplicity, sobriety, and character, with two defining details: the cut of the leg and its connection to the tabletop. The collection of side and coffee tables is completed with stools in two heights.

The Domus collection is based on a statement by its creator: "It's a collection I would love to produce myself in a wood workshop because of its simplicity and robust shape." An exercise in simplicity, sobriety, and character, with two defining details: the cut of the leg and its connection to the tabletop. The collection of side and coffee tables is completed with stools in two heights.

The Domus collection is based on a statement by its creator: "It's a collection I would love to produce myself in a wood workshop because of its simplicity and robust shape." An exercise in simplicity, sobriety, and character, with two defining details: the cut of the leg and its connection to the tabletop. The collection of side and coffee tables is completed with stools in two heights.

The Domus collection is based on a statement by its creator: "It's a collection I would love to produce myself in a wood workshop because of its simplicity and robust shape." An exercise in simplicity, sobriety, and character, with two defining details: the cut of the leg and its connection to the tabletop. The collection of side and coffee tables is completed with stools in two heights.

The Domus collection is based on a statement by its creator: "It's a collection I would love to produce myself in a wood workshop because of its simplicity and robust shape." An exercise in simplicity, sobriety, and character, with two defining details: the cut of the leg and its connection to the tabletop. The collection of side and coffee tables is completed with stools in two heights.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

The Mini Barcelona clock is a piece with clean lines. A smaller version of the successful Barcelona model. It features a double black fiberglass ring, combining walnut pieces with metal details.

Nomon's interior clocks are handcrafted. These visually striking pieces are perfect for creating contemporary environments with a distinctly avant-garde accent.

The Mini Barcelona clock is a piece with clean lines. A smaller version of the successful Barcelona model. It features a double black fiberglass ring, combining walnut pieces with metal details.

Nomon's interior clocks are handcrafted. These visually striking pieces are perfect for creating contemporary environments with a distinctly avant-garde accent.

The Mini Barcelona clock is a piece with clean lines. A smaller version of the successful Barcelona model. It features a double black fiberglass ring, combining walnut pieces with metal details.

Nomon's interior clocks are handcrafted. These visually striking pieces are perfect for creating contemporary environments with a distinctly avant-garde accent.

The Mini Barcelona clock is a piece with clean lines. A smaller version of the successful Barcelona model. It features a double black fiberglass ring, combining walnut pieces with metal details.

Nomon's interior clocks are handcrafted. These visually striking pieces are perfect for creating contemporary environments with a distinctly avant-garde accent.

The Mini Barcelona clock is a piece with clean lines. A smaller version of the successful Barcelona model. It features a double black fiberglass ring, combining walnut pieces with metal details.

Nomon's interior clocks are handcrafted. These visually striking pieces are perfect for creating contemporary environments with a distinctly avant-garde accent.

The Mini Barcelona clock is a piece with clean lines. A smaller version of the successful Barcelona model. It features a double black fiberglass ring, combining walnut pieces with metal details.

Nomon's interior clocks are handcrafted. These visually striking pieces are perfect for creating contemporary environments with a distinctly avant-garde accent.

El Aparador Tabwa de Ethnicraft transforma la artesanía en el auténtico protagonista del diseño. Inspirado en los motivos geométricos de la cultura Tabwa, originaria de África Central, este aparador de diseño combina una silueta minimalista con un elaborado trabajo artesanal que convierte cada pieza en una creación única.

Los característicos patrones lineales son cuidadosamente tallados a mano por expertos artesanos, aportando textura, profundidad y una identidad propia imposible de reproducir de forma industrial. Este minucioso trabajo convierte las puertas del aparador en un auténtico elemento escultórico, donde la tradición artesanal y el diseño contemporáneo dialogan con equilibrio.

Además de su marcada personalidad estética, el Aparador Tabwa ofrece un amplio espacio de almacenaje para organizar vajilla, cristalería, textiles o cualquier objeto del día a día. Su diseño atemporal permite integrarlo con naturalidad en comedores, salones o proyectos de interiorismo donde la calidad de los materiales y la artesanía ocupan un lugar protagonista.

Un aparador de madera concebido para perdurar, que refleja la esencia de Ethnicraft: materiales nobles, diseño honesto y una artesanía contemporánea capaz de transformar el mobiliario en una auténtica pieza de arte funcional.

Descubre más aparadores de diseño de Ethnicraft disponibles en MIDIMAL.

Ver producto relacionado

El Aparador Tabwa de Ethnicraft transforma la artesanía en el auténtico protagonista del diseño. Inspirado en los motivos geométricos de la cultura Tabwa, originaria de África Central, este aparador de diseño combina una silueta minimalista con un elaborado trabajo artesanal que convierte cada pieza en una creación única.

Los característicos patrones lineales son cuidadosamente tallados a mano por expertos artesanos, aportando textura, profundidad y una identidad propia imposible de reproducir de forma industrial. Este minucioso trabajo convierte las puertas del aparador en un auténtico elemento escultórico, donde la tradición artesanal y el diseño contemporáneo dialogan con equilibrio.

Además de su marcada personalidad estética, el Aparador Tabwa ofrece un amplio espacio de almacenaje para organizar vajilla, cristalería, textiles o cualquier objeto del día a día. Su diseño atemporal permite integrarlo con naturalidad en comedores, salones o proyectos de interiorismo donde la calidad de los materiales y la artesanía ocupan un lugar protagonista.

Un aparador de madera concebido para perdurar, que refleja la esencia de Ethnicraft: materiales nobles, diseño honesto y una artesanía contemporánea capaz de transformar el mobiliario en una auténtica pieza de arte funcional.

Descubre más aparadores de diseño de Ethnicraft disponibles en MIDIMAL.

Ver producto relacionado

El Aparador Tabwa de Ethnicraft transforma la artesanía en el auténtico protagonista del diseño. Inspirado en los motivos geométricos de la cultura Tabwa, originaria de África Central, este aparador de diseño combina una silueta minimalista con un elaborado trabajo artesanal que convierte cada pieza en una creación única.

Los característicos patrones lineales son cuidadosamente tallados a mano por expertos artesanos, aportando textura, profundidad y una identidad propia imposible de reproducir de forma industrial. Este minucioso trabajo convierte las puertas del aparador en un auténtico elemento escultórico, donde la tradición artesanal y el diseño contemporáneo dialogan con equilibrio.

Además de su marcada personalidad estética, el Aparador Tabwa ofrece un amplio espacio de almacenaje para organizar vajilla, cristalería, textiles o cualquier objeto del día a día. Su diseño atemporal permite integrarlo con naturalidad en comedores, salones o proyectos de interiorismo donde la calidad de los materiales y la artesanía ocupan un lugar protagonista.

Un aparador de madera concebido para perdurar, que refleja la esencia de Ethnicraft: materiales nobles, diseño honesto y una artesanía contemporánea capaz de transformar el mobiliario en una auténtica pieza de arte funcional.

Descubre más aparadores de diseño de Ethnicraft disponibles en MIDIMAL.

Ver producto relacionado

El Aparador Tabwa de Ethnicraft transforma la artesanía en el auténtico protagonista del diseño. Inspirado en los motivos geométricos de la cultura Tabwa, originaria de África Central, este aparador de diseño combina una silueta minimalista con un elaborado trabajo artesanal que convierte cada pieza en una creación única.

Los característicos patrones lineales son cuidadosamente tallados a mano por expertos artesanos, aportando textura, profundidad y una identidad propia imposible de reproducir de forma industrial. Este minucioso trabajo convierte las puertas del aparador en un auténtico elemento escultórico, donde la tradición artesanal y el diseño contemporáneo dialogan con equilibrio.

Además de su marcada personalidad estética, el Aparador Tabwa ofrece un amplio espacio de almacenaje para organizar vajilla, cristalería, textiles o cualquier objeto del día a día. Su diseño atemporal permite integrarlo con naturalidad en comedores, salones o proyectos de interiorismo donde la calidad de los materiales y la artesanía ocupan un lugar protagonista.

Un aparador de madera concebido para perdurar, que refleja la esencia de Ethnicraft: materiales nobles, diseño honesto y una artesanía contemporánea capaz de transformar el mobiliario en una auténtica pieza de arte funcional.

Descubre más aparadores de diseño de Ethnicraft disponibles en MIDIMAL.

Ver producto relacionado

El Aparador Tabwa de Ethnicraft transforma la artesanía en el auténtico protagonista del diseño. Inspirado en los motivos geométricos de la cultura Tabwa, originaria de África Central, este aparador de diseño combina una silueta minimalista con un elaborado trabajo artesanal que convierte cada pieza en una creación única.

Los característicos patrones lineales son cuidadosamente tallados a mano por expertos artesanos, aportando textura, profundidad y una identidad propia imposible de reproducir de forma industrial. Este minucioso trabajo convierte las puertas del aparador en un auténtico elemento escultórico, donde la tradición artesanal y el diseño contemporáneo dialogan con equilibrio.

Además de su marcada personalidad estética, el Aparador Tabwa ofrece un amplio espacio de almacenaje para organizar vajilla, cristalería, textiles o cualquier objeto del día a día. Su diseño atemporal permite integrarlo con naturalidad en comedores, salones o proyectos de interiorismo donde la calidad de los materiales y la artesanía ocupan un lugar protagonista.

Un aparador de madera concebido para perdurar, que refleja la esencia de Ethnicraft: materiales nobles, diseño honesto y una artesanía contemporánea capaz de transformar el mobiliario en una auténtica pieza de arte funcional.

Descubre más aparadores de diseño de Ethnicraft disponibles en MIDIMAL.

Ver producto relacionado

El Aparador Tabwa de Ethnicraft transforma la artesanía en el auténtico protagonista del diseño. Inspirado en los motivos geométricos de la cultura Tabwa, originaria de África Central, este aparador de diseño combina una silueta minimalista con un elaborado trabajo artesanal que convierte cada pieza en una creación única.

Los característicos patrones lineales son cuidadosamente tallados a mano por expertos artesanos, aportando textura, profundidad y una identidad propia imposible de reproducir de forma industrial. Este minucioso trabajo convierte las puertas del aparador en un auténtico elemento escultórico, donde la tradición artesanal y el diseño contemporáneo dialogan con equilibrio.

Además de su marcada personalidad estética, el Aparador Tabwa ofrece un amplio espacio de almacenaje para organizar vajilla, cristalería, textiles o cualquier objeto del día a día. Su diseño atemporal permite integrarlo con naturalidad en comedores, salones o proyectos de interiorismo donde la calidad de los materiales y la artesanía ocupan un lugar protagonista.

Un aparador de madera concebido para perdurar, que refleja la esencia de Ethnicraft: materiales nobles, diseño honesto y una artesanía contemporánea capaz de transformar el mobiliario en una auténtica pieza de arte funcional.

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El Aparador Pillar de Ethnicraft transforma los principios de la arquitectura contemporánea en un elegante aparador de diseño donde la proporción, el ritmo y la pureza de las formas crean una presencia serena y atemporal. La colección Pillar desarrolla un lenguaje arquitectónico propio a través de líneas depuradas y una cuidada atención al detalle.

Sus característicos paneles verticales de madera aportan textura y profundidad visual, creando un sutil juego de luces y sombras que realza la belleza natural de la madera maciza. Esta composición rítmica dota al aparador de una personalidad sofisticada, equilibrando solidez y ligereza con una estética que trasciende las tendencias.

Además de su marcada identidad visual, el Aparador Pillar ofrece un amplio espacio de almacenaje para organizar vajilla, cristalería, textiles o cualquier objeto del día a día. Su diseño funcional y atemporal permite integrarlo con naturalidad tanto en comedores y salones residenciales como en proyectos de interiorismo y espacios profesionales.

Un aparador de madera que refleja la esencia de Ethnicraft: materiales nobles, artesanía contemporánea y un diseño arquitectónico concebido para perdurar durante generaciones.

Descubre más aparadores de diseño de Ethnicraft disponibles en MIDIMAL.

Ver producto relacionado

El Aparador Pillar de Ethnicraft transforma los principios de la arquitectura contemporánea en un elegante aparador de diseño donde la proporción, el ritmo y la pureza de las formas crean una presencia serena y atemporal. La colección Pillar desarrolla un lenguaje arquitectónico propio a través de líneas depuradas y una cuidada atención al detalle.

Sus característicos paneles verticales de madera aportan textura y profundidad visual, creando un sutil juego de luces y sombras que realza la belleza natural de la madera maciza. Esta composición rítmica dota al aparador de una personalidad sofisticada, equilibrando solidez y ligereza con una estética que trasciende las tendencias.

Además de su marcada identidad visual, el Aparador Pillar ofrece un amplio espacio de almacenaje para organizar vajilla, cristalería, textiles o cualquier objeto del día a día. Su diseño funcional y atemporal permite integrarlo con naturalidad tanto en comedores y salones residenciales como en proyectos de interiorismo y espacios profesionales.

Un aparador de madera que refleja la esencia de Ethnicraft: materiales nobles, artesanía contemporánea y un diseño arquitectónico concebido para perdurar durante generaciones.

Descubre más aparadores de diseño de Ethnicraft disponibles en MIDIMAL.

Ver producto relacionado

El Aparador Pillar de Ethnicraft transforma los principios de la arquitectura contemporánea en un elegante aparador de diseño donde la proporción, el ritmo y la pureza de las formas crean una presencia serena y atemporal. La colección Pillar desarrolla un lenguaje arquitectónico propio a través de líneas depuradas y una cuidada atención al detalle.

Sus característicos paneles verticales de madera aportan textura y profundidad visual, creando un sutil juego de luces y sombras que realza la belleza natural de la madera maciza. Esta composición rítmica dota al aparador de una personalidad sofisticada, equilibrando solidez y ligereza con una estética que trasciende las tendencias.

Además de su marcada identidad visual, el Aparador Pillar ofrece un amplio espacio de almacenaje para organizar vajilla, cristalería, textiles o cualquier objeto del día a día. Su diseño funcional y atemporal permite integrarlo con naturalidad tanto en comedores y salones residenciales como en proyectos de interiorismo y espacios profesionales.

Un aparador de madera que refleja la esencia de Ethnicraft: materiales nobles, artesanía contemporánea y un diseño arquitectónico concebido para perdurar durante generaciones.

Descubre más aparadores de diseño de Ethnicraft disponibles en MIDIMAL.

Ver producto relacionado