Environments

Achieving the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body in their slim shell. Offering the kind of seating experience that energizes in the morning, helps ground you during the day, and invites you to unwind in the evening, the Harbor chair effortlessly adapts to any environment, instantly becoming ideal for a kitchen, office, private dining room, or busy café, and making us feel right at home.

Pure lines. Materials that are pleasing to the touch. Superior comfort. The Harbour collection was conceived with all of this in mind. When a design concept is reduced to the essentials of comfort, utility, and aesthetics, it becomes a standard. From its initial conception, it has taken on countless forms, adapting its shape and function to various needs while remaining its identity intact. Thus began the story of the Harbour collection's evolution. The result is an infinitely versatile and comfortable collection of chairs and tables for modern spaces.

Achieving the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body in their slim shell. Offering the kind of seating experience that energizes in the morning, helps ground you during the day, and invites you to unwind in the evening, the Harbor chair effortlessly adapts to any environment, instantly becoming ideal for a kitchen, office, private dining room, or busy café, and making us feel right at home.

Pure lines. Materials that are pleasing to the touch. Superior comfort. The Harbour collection was conceived with all of this in mind. When a design concept is reduced to the essentials of comfort, utility, and aesthetics, it becomes a standard. From its initial conception, it has taken on countless forms, adapting its shape and function to various needs while remaining its identity intact. Thus began the story of the Harbour collection's evolution. The result is an infinitely versatile and comfortable collection of chairs and tables for modern spaces.

Achieving the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body in their slim shell. Offering the kind of seating experience that energizes in the morning, helps ground you during the day, and invites you to unwind in the evening, the Harbor chair effortlessly adapts to any environment, instantly becoming ideal for a kitchen, office, private dining room, or busy café, and making us feel right at home.

Pure lines. Materials that are pleasing to the touch. Superior comfort. The Harbour collection was conceived with all of this in mind. When a design concept is reduced to the essentials of comfort, utility, and aesthetics, it becomes a standard. From its initial conception, it has taken on countless forms, adapting its shape and function to various needs while remaining its identity intact. Thus began the story of the Harbour collection's evolution. The result is an infinitely versatile and comfortable collection of chairs and tables for modern spaces.

Achieving the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body in their slim shell. Offering the kind of seating experience that energizes in the morning, helps ground you during the day, and invites you to unwind in the evening, the Harbor chair effortlessly adapts to any environment, instantly becoming ideal for a kitchen, office, private dining room, or busy café, and making us feel right at home.

Pure lines. Materials that are pleasing to the touch. Superior comfort. The Harbour collection was conceived with all of this in mind. When a design concept is reduced to the essentials of comfort, utility, and aesthetics, it becomes a standard. From its initial conception, it has taken on countless forms, adapting its shape and function to various needs while remaining its identity intact. Thus began the story of the Harbour collection's evolution. The result is an infinitely versatile and comfortable collection of chairs and tables for modern spaces.

Achieving the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body in their slim shell. Offering the kind of seating experience that energizes in the morning, helps ground you during the day, and invites you to unwind in the evening, the Harbor chair effortlessly adapts to any environment, instantly becoming ideal for a kitchen, office, private dining room, or busy café, and making us feel right at home.

Pure lines. Materials that are pleasing to the touch. Superior comfort. The Harbour collection was conceived with all of this in mind. When a design concept is reduced to the essentials of comfort, utility, and aesthetics, it becomes a standard. From its initial conception, it has taken on countless forms, adapting its shape and function to various needs while remaining its identity intact. Thus began the story of the Harbour collection's evolution. The result is an infinitely versatile and comfortable collection of chairs and tables for modern spaces.

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

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As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

As a furniture designer, Poul Cadovius was primarily known for his iconic shelving systems, such as the ROYAL SYSTEM® from 1948. But with the launch of the PIA CHAIR dining chair in 1959, he was also able to add the title of chair designer to his CV.
I wanted to create a chair in the spirit of the era, inspired by other designer chairs from the 1950s, but lighter and "smaller," both in its physical weight and its expressive design. The chair was developed based on a "less is more" concept, focusing on minimal material consumption while maintaining a high level of detail and excellent comfort.

The slender, tapered solid wood legs provide a very light visual expression, further emphasized by two precise details: the hand-sanded rounded finish on the top of the rear legs, and the finger-joint of the front legs. The seat is made of hand-woven paper rope, and the backrest is molded, providing optimal seating comfort. Hand-weaving the seat alone takes two hours, making the chair a time-consuming process that requires patience and great precision.

Ver producto relacionado

Chariot is a mobile side table made up of three simple, connected elements: wheels, trays, and a frame. The wheels, which are typically small on bar carts or waitress carts, have been taken to the extreme by increasing their size, becoming the iconic element of this renowned design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments, and the metal frame also doubles as a handle: by slightly lifting the cart, it can be moved.

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Chariot is a mobile side table made up of three simple, connected elements: wheels, trays, and a frame. The wheels, which are typically small on bar carts or waitress carts, have been taken to the extreme by increasing their size, becoming the iconic element of this renowned design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments, and the metal frame also doubles as a handle: by slightly lifting the cart, it can be moved.

Ver producto relacionado

Chariot is a mobile side table made up of three simple, connected elements: wheels, trays, and a frame. The wheels, which are typically small on bar carts or waitress carts, have been taken to the extreme by increasing their size, becoming the iconic element of this renowned design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments, and the metal frame also doubles as a handle: by slightly lifting the cart, it can be moved.

Ver producto relacionado

Chariot is a mobile side table made up of three simple, connected elements: wheels, trays, and a frame. The wheels, which are typically small on bar carts or waitress carts, have been taken to the extreme by increasing their size, becoming the iconic element of this renowned design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments, and the metal frame also doubles as a handle: by slightly lifting the cart, it can be moved.

Ver producto relacionado

Chariot is a mobile side table made up of three simple, connected elements: wheels, trays, and a frame. The wheels, which are typically small on bar carts or waitress carts, have been taken to the extreme by increasing their size, becoming the iconic element of this renowned design. A rubber profile is inserted into the wheels to facilitate movement. The two trays act as storage compartments, and the metal frame also doubles as a handle: by slightly lifting the cart, it can be moved.

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TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

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TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

TERRA is a simple yet characterful collection, whose details define its overall appearance and highlight the artisanal craftsmanship of cabinetmaking, combined with the industrial process of bentwood. The straightness of the structure contrasts with the gentle curve of the seat and backrest. Isaac Piñeiro defines the seat as "a silhouette of soft lines that joins an oak structure." The connection between the seat and the structure plays a crucial role, giving the impression that the seat is supported practically without support by the structure.

The collection has been conceived for both domestic spaces and contract spaces seeking formal and material quality. To provide more options, Isaac Piñeiro has dressed it in fabrics that complement the various wood finishes, including an upholstered version available upon request.

Ver producto relacionado

This mid-century wine rack by Arthur Umanoff combines a black steel frame with faux leather for an industrial look.
With a capacity of 8 bottles, this reissued design is ideal for wine cellars or as a freestanding shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a black steel frame with faux leather for an industrial look.
With a capacity of 8 bottles, this reissued design is ideal for wine cellars or as a freestanding shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a black steel frame with faux leather for an industrial look.
With a capacity of 8 bottles, this reissued design is ideal for wine cellars or as a freestanding shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a black steel frame with faux leather for an industrial look.
With a capacity of 8 bottles, this reissued design is ideal for wine cellars or as a freestanding shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a black steel frame with faux leather for an industrial look.
With a capacity of 8 bottles, this reissued design is ideal for wine cellars or as a freestanding shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a black steel frame with faux leather for an industrial look.
With a capacity of 8 bottles, this reissued design is ideal for wine cellars or as a freestanding shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a black steel frame with faux leather for an industrial look.
With a capacity of 8 bottles, this reissued design is ideal for wine cellars or as a freestanding shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a black steel frame with faux leather for an industrial look.
With a capacity of 8 bottles, this reissued design is ideal for wine cellars or as a freestanding shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a black steel frame with faux leather for an industrial look.
With a capacity of 8 bottles, this reissued design is ideal for wine cellars or as a freestanding shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a black steel frame with faux leather for an industrial look.
With a capacity of 8 bottles, this reissued design is ideal for wine cellars or as a freestanding shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

This mid-century wine rack by Arthur Umanoff combines a black steel frame with faux leather for an industrial look.
With a capacity of 8 bottles, this reissued design is ideal for wine cellars or as a freestanding shelf in a kitchen or dining room to keep bottles within easy reach. A timeless design that also has a sculptural character.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

High stool with an oak seat and a central swivel base made of injected aluminum, height-adjustable, and available in various colors. Seat height range: 680–810 mm. Upholstered seat available upon request. Upholstered versions increase the seat height by 20 mm.

An iconic and functional stool, born as a visual interplay based on the symmetry between the seat, the base, and the orbital position of the footrest. Height-adjustable, it is made of injected aluminum in different colors and has an upholstered or wooden seat. It is available with high and low backrest versions, suitable for work and collaboration spaces, restaurants, hotels, canteens, and the home.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado