Environments

The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.

The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.

The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.

The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.

The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.

Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.

Large, low, and deep, this powder-coated metal Plant Box is ideal for both housing plants and storing everyday clutter, from magazines and books to toys and office supplies. Set on a slim yet sturdy frame, this timeless design can also be used with the matching lid for extra surface space.

Large, low, and deep, this powder-coated metal Plant Box is ideal for both housing plants and storing everyday clutter, from magazines and books to toys and office supplies. Set on a slim yet sturdy frame, this timeless design can also be used with the matching lid for extra surface space.

Large, low, and deep, this powder-coated metal Plant Box is ideal for both housing plants and storing everyday clutter, from magazines and books to toys and office supplies. Set on a slim yet sturdy frame, this timeless design can also be used with the matching lid for extra surface space.

Large, low, and deep, this powder-coated metal Plant Box is ideal for both housing plants and storing everyday clutter, from magazines and books to toys and office supplies. Set on a slim yet sturdy frame, this timeless design can also be used with the matching lid for extra surface space.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.

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The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.

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The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.

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The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.

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The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.

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The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.

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The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.

Ver producto relacionado

The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.

Ver producto relacionado

The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.

Ver producto relacionado

The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.

Ver producto relacionado

The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.

Ver producto relacionado

The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.

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The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.

Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.

Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.

Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.

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The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.

Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.

Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.

Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.

Ver producto relacionado

The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.

Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.

Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.

Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.

Ver producto relacionado

The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.

Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.

Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.

Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.

Ver producto relacionado

The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.

Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.

Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.

Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

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This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

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Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

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Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

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Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

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This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

The Domus collection is based on a statement by its creator: "It's a collection I would love to produce myself in a wood workshop because of its simplicity and robust shape." An exercise in simplicity, sobriety, and character, with two defining details: the cut of the leg and its connection to the tabletop. The collection of side and coffee tables is completed with stools in two heights.

The Domus collection is based on a statement by its creator: "It's a collection I would love to produce myself in a wood workshop because of its simplicity and robust shape." An exercise in simplicity, sobriety, and character, with two defining details: the cut of the leg and its connection to the tabletop. The collection of side and coffee tables is completed with stools in two heights.

The Domus collection is based on a statement by its creator: "It's a collection I would love to produce myself in a wood workshop because of its simplicity and robust shape." An exercise in simplicity, sobriety, and character, with two defining details: the cut of the leg and its connection to the tabletop. The collection of side and coffee tables is completed with stools in two heights.

The Domus collection is based on a statement by its creator: "It's a collection I would love to produce myself in a wood workshop because of its simplicity and robust shape." An exercise in simplicity, sobriety, and character, with two defining details: the cut of the leg and its connection to the tabletop. The collection of side and coffee tables is completed with stools in two heights.

The Domus collection is based on a statement by its creator: "It's a collection I would love to produce myself in a wood workshop because of its simplicity and robust shape." An exercise in simplicity, sobriety, and character, with two defining details: the cut of the leg and its connection to the tabletop. The collection of side and coffee tables is completed with stools in two heights.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse Bowl, available in two sizes in smoked glass and brushed brass, offers a modern take on the traditional serving bowl, worthy of display as a centerpiece. Simple and functional, this object also serves as a storage piece for sideboards and tables, adding a decorative element that is both modern and elegant.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

La lámpara de pie Fontana Alta de Santa & Cole, diseñada por André Ricard, amplía la icónica familia Fontana más de cincuenta años después de su creación, trasladando su lenguaje escultórico a una elegante versión de pie.

Su diseño se define por una pantalla en forma de media esfera, atravesada por una sutil apertura que permite la salida de una luz periférica suave y envolvente. Este gesto, inspirado en la obra de Lucio Fontana, introduce una dimensión artística en la pieza, transformando la luz en un elemento expresivo y contemporáneo.

Apoyada sobre una base circular discreta que integra el regulador de intensidad, la Fontana Alta ofrece una iluminación adaptable a distintos contextos: desde ambientes domésticos relajados hasta espacios de trabajo o entornos contract como restaurantes y hoteles.

Una luminaria que combina historia, arte y funcionalidad en una pieza atemporal, donde la luz se convierte en protagonista silenciosa del espacio.

Descubra más luminarias de Santa & Cole disponibles en MIDIMAL.

Ver producto relacionado

La lámpara de pie Fontana Alta de Santa & Cole, diseñada por André Ricard, amplía la icónica familia Fontana más de cincuenta años después de su creación, trasladando su lenguaje escultórico a una elegante versión de pie.

Su diseño se define por una pantalla en forma de media esfera, atravesada por una sutil apertura que permite la salida de una luz periférica suave y envolvente. Este gesto, inspirado en la obra de Lucio Fontana, introduce una dimensión artística en la pieza, transformando la luz en un elemento expresivo y contemporáneo.

Apoyada sobre una base circular discreta que integra el regulador de intensidad, la Fontana Alta ofrece una iluminación adaptable a distintos contextos: desde ambientes domésticos relajados hasta espacios de trabajo o entornos contract como restaurantes y hoteles.

Una luminaria que combina historia, arte y funcionalidad en una pieza atemporal, donde la luz se convierte en protagonista silenciosa del espacio.

Descubra más luminarias de Santa & Cole disponibles en MIDIMAL.

Ver producto relacionado

La lámpara de pie Fontana Alta de Santa & Cole, diseñada por André Ricard, amplía la icónica familia Fontana más de cincuenta años después de su creación, trasladando su lenguaje escultórico a una elegante versión de pie.

Su diseño se define por una pantalla en forma de media esfera, atravesada por una sutil apertura que permite la salida de una luz periférica suave y envolvente. Este gesto, inspirado en la obra de Lucio Fontana, introduce una dimensión artística en la pieza, transformando la luz en un elemento expresivo y contemporáneo.

Apoyada sobre una base circular discreta que integra el regulador de intensidad, la Fontana Alta ofrece una iluminación adaptable a distintos contextos: desde ambientes domésticos relajados hasta espacios de trabajo o entornos contract como restaurantes y hoteles.

Una luminaria que combina historia, arte y funcionalidad en una pieza atemporal, donde la luz se convierte en protagonista silenciosa del espacio.

Descubra más luminarias de Santa & Cole disponibles en MIDIMAL.

Ver producto relacionado

La lámpara de pie Fontana Alta de Santa & Cole, diseñada por André Ricard, amplía la icónica familia Fontana más de cincuenta años después de su creación, trasladando su lenguaje escultórico a una elegante versión de pie.

Su diseño se define por una pantalla en forma de media esfera, atravesada por una sutil apertura que permite la salida de una luz periférica suave y envolvente. Este gesto, inspirado en la obra de Lucio Fontana, introduce una dimensión artística en la pieza, transformando la luz en un elemento expresivo y contemporáneo.

Apoyada sobre una base circular discreta que integra el regulador de intensidad, la Fontana Alta ofrece una iluminación adaptable a distintos contextos: desde ambientes domésticos relajados hasta espacios de trabajo o entornos contract como restaurantes y hoteles.

Una luminaria que combina historia, arte y funcionalidad en una pieza atemporal, donde la luz se convierte en protagonista silenciosa del espacio.

Descubra más luminarias de Santa & Cole disponibles en MIDIMAL.

Ver producto relacionado