Environments

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

Crafted from recycled cast aluminum, the Oyster table lamp has a decorative and organic shape thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic form and the raw surface creates a compelling contrast. Emitting a soft, inviting, diffused light, the Oyster table lamp is a functional yet sculptural piece that will add a high decorative value to your home.

Ver producto relacionado

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

This design is based on Poul Henningsen's famous three-shade system, created in 1925 to create exceptional glare-free lighting.
Henningsen's approach to lighting was distinguished by its scientific approach and served as the basis for the design of many other luminaires. He used the lituus curve as a foundation and achieved uniform light distribution thanks to the multi-shade system, which reduced glare and shadows.
PH 80 was created in 1974 in homage to what would have been Poul Henningsen's 80th birthday, as its name suggests.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

The strict horizontal lines, along with its slim, powder-coated metal legs, give this daybed a sleek, lightweight look. Equipped with two leather harness-style straps, a fresh, modern detail adds to the high-quality feel and keeps the cushion firmly in place. Flip the reversible two-tone cushion over to create an understated, classic statement or a bolder, more distinctive one, depending on your mood or personal style.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

The Pepe Marble Mirror is a beautiful object for everyday use. With its clean lines and iconic aesthetic, the mirror is inspired by Italian design and architecture of the late 1950s, represented by masters such as Caccia Dominioni and Gio Ponti. The Milanese design duo behind the mirror, Studiopepe, is obsessed with materials, like marble, that improve with age and with the passage of time. "We believe that a beautifully designed product should last almost forever," they tell us.

The Pepe Marble Mirror is a beautiful object for everyday use. With its clean lines and iconic aesthetic, the mirror is inspired by Italian design and architecture of the late 1950s, represented by masters such as Caccia Dominioni and Gio Ponti. The Milanese design duo behind the mirror, Studiopepe, is obsessed with materials, like marble, that improve with age and with the passage of time. "We believe that a beautifully designed product should last almost forever," they tell us.

The Pepe Marble Mirror is a beautiful object for everyday use. With its clean lines and iconic aesthetic, the mirror is inspired by Italian design and architecture of the late 1950s, represented by masters such as Caccia Dominioni and Gio Ponti. The Milanese design duo behind the mirror, Studiopepe, is obsessed with materials, like marble, that improve with age and with the passage of time. "We believe that a beautifully designed product should last almost forever," they tell us.

The Pepe Marble Mirror is a beautiful object for everyday use. With its clean lines and iconic aesthetic, the mirror is inspired by Italian design and architecture of the late 1950s, represented by masters such as Caccia Dominioni and Gio Ponti. The Milanese design duo behind the mirror, Studiopepe, is obsessed with materials, like marble, that improve with age and with the passage of time. "We believe that a beautifully designed product should last almost forever," they tell us.

The Pepe Marble Mirror is a beautiful object for everyday use. With its clean lines and iconic aesthetic, the mirror is inspired by Italian design and architecture of the late 1950s, represented by masters such as Caccia Dominioni and Gio Ponti. The Milanese design duo behind the mirror, Studiopepe, is obsessed with materials, like marble, that improve with age and with the passage of time. "We believe that a beautifully designed product should last almost forever," they tell us.

The Pepe Marble Mirror is a beautiful object for everyday use. With its clean lines and iconic aesthetic, the mirror is inspired by Italian design and architecture of the late 1950s, represented by masters such as Caccia Dominioni and Gio Ponti. The Milanese design duo behind the mirror, Studiopepe, is obsessed with materials, like marble, that improve with age and with the passage of time. "We believe that a beautifully designed product should last almost forever," they tell us.

The Pepe Marble Mirror is a beautiful object for everyday use. With its clean lines and iconic aesthetic, the mirror is inspired by Italian design and architecture of the late 1950s, represented by masters such as Caccia Dominioni and Gio Ponti. The Milanese design duo behind the mirror, Studiopepe, is obsessed with materials, like marble, that improve with age and with the passage of time. "We believe that a beautifully designed product should last almost forever," they tell us.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

Reimagining the classic elegance of glass vases and bowls, the Échasse collection offers a minimalist silhouette with a distinguished touch to complement both modern and traditional spaces. Theresa Rand's design concept is a beautiful interpretation of the French word "échasse," meaning "stilt." The slender legs of its stilt-like stand delicately support the glass forms, creating a sense of lightness while ensuring stability.

The Échasse vase is the first piece in the now iconic collection, inspired by laboratory test tubes. Its teardrop shape is elegant both when placed full of flowers on a desk, the living room floor, or a bedside table, or when left empty. The smoked glass version with brushed brass legs is available in three sizes. The unique color gradients of the glass add depth to the design and contrast with the clean lines of the legs. The smaller vase is also available in clear glass with bronze-finished brass legs; a classic combination to complement any interior, in a size ideal for more compact spaces.

With an ethereal expression and elevated design in every sense, the Échasse Collection offers endless possibilities for experimentation, just like a test tube, its original concept. Alone or together, filled with flowers, fruits, and favorite objects or displayed as sculptural focal points, these pieces enliven modern spaces with boldness and elegance.

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both its base and shade serve as reflectors. The Panthella 320 Table Lamp has a 320 mm diameter shade, making it ideal for generating exceptional light in many different environments.

*This product is usually in stock and delivers within 5 to 7 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both its base and shade serve as reflectors. The Panthella 320 Table Lamp has a 320 mm diameter shade, making it ideal for generating exceptional light in many different environments.

*This product is usually in stock and delivers within 5 to 7 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both its base and shade serve as reflectors. The Panthella 320 Table Lamp has a 320 mm diameter shade, making it ideal for generating exceptional light in many different environments.

*This product is usually in stock and delivers within 5 to 7 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both its base and shade serve as reflectors. The Panthella 320 Table Lamp has a 320 mm diameter shade, making it ideal for generating exceptional light in many different environments.

*This product is usually in stock and delivers within 5 to 7 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both its base and shade serve as reflectors. The Panthella 320 Table Lamp has a 320 mm diameter shade, making it ideal for generating exceptional light in many different environments.

*This product is usually in stock and delivers within 5 to 7 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

La Tolomeo Micro Faretto es la versión más compacta y esencial del icónico aplique de pared diseñado por Michele De Lucchi y Giancarlo Fassina para Artemide. Su diseño minimalista elimina el brazo articulado, concentrando toda la atención en el difusor orientable, ideal para generar luz focal precisa en cabeceros de cama, rincones de lectura o zonas de trabajo compactas.

Fabricada en aluminio pulido con detalles técnicos sutiles, mantiene la estética industrial y atemporal que caracteriza a toda la colección Tolomeo. Su estructura reducida permite instalarla incluso en espacios muy ajustados, sin renunciar al carácter y funcionalidad del diseño original.

Disponible con o sin interruptor integrado, la Tolomeo Micro Faretto es una solución práctica y elegante para quienes buscan luz directa sin ocupar espacio en superficies.

Explora el resto de la colección Artemide en MIDIMAL y descubre por qué sigue siendo un referente del diseño técnico contemporáneo.

Ver producto relacionado

La Tolomeo Micro Faretto es la versión más compacta y esencial del icónico aplique de pared diseñado por Michele De Lucchi y Giancarlo Fassina para Artemide. Su diseño minimalista elimina el brazo articulado, concentrando toda la atención en el difusor orientable, ideal para generar luz focal precisa en cabeceros de cama, rincones de lectura o zonas de trabajo compactas.

Fabricada en aluminio pulido con detalles técnicos sutiles, mantiene la estética industrial y atemporal que caracteriza a toda la colección Tolomeo. Su estructura reducida permite instalarla incluso en espacios muy ajustados, sin renunciar al carácter y funcionalidad del diseño original.

Disponible con o sin interruptor integrado, la Tolomeo Micro Faretto es una solución práctica y elegante para quienes buscan luz directa sin ocupar espacio en superficies.

Explora el resto de la colección Artemide en MIDIMAL y descubre por qué sigue siendo un referente del diseño técnico contemporáneo.

Ver producto relacionado

La Tolomeo Micro Faretto es la versión más compacta y esencial del icónico aplique de pared diseñado por Michele De Lucchi y Giancarlo Fassina para Artemide. Su diseño minimalista elimina el brazo articulado, concentrando toda la atención en el difusor orientable, ideal para generar luz focal precisa en cabeceros de cama, rincones de lectura o zonas de trabajo compactas.

Fabricada en aluminio pulido con detalles técnicos sutiles, mantiene la estética industrial y atemporal que caracteriza a toda la colección Tolomeo. Su estructura reducida permite instalarla incluso en espacios muy ajustados, sin renunciar al carácter y funcionalidad del diseño original.

Disponible con o sin interruptor integrado, la Tolomeo Micro Faretto es una solución práctica y elegante para quienes buscan luz directa sin ocupar espacio en superficies.

Explora el resto de la colección Artemide en MIDIMAL y descubre por qué sigue siendo un referente del diseño técnico contemporáneo.

Ver producto relacionado

La Tolomeo Micro Faretto es la versión más compacta y esencial del icónico aplique de pared diseñado por Michele De Lucchi y Giancarlo Fassina para Artemide. Su diseño minimalista elimina el brazo articulado, concentrando toda la atención en el difusor orientable, ideal para generar luz focal precisa en cabeceros de cama, rincones de lectura o zonas de trabajo compactas.

Fabricada en aluminio pulido con detalles técnicos sutiles, mantiene la estética industrial y atemporal que caracteriza a toda la colección Tolomeo. Su estructura reducida permite instalarla incluso en espacios muy ajustados, sin renunciar al carácter y funcionalidad del diseño original.

Disponible con o sin interruptor integrado, la Tolomeo Micro Faretto es una solución práctica y elegante para quienes buscan luz directa sin ocupar espacio en superficies.

Explora el resto de la colección Artemide en MIDIMAL y descubre por qué sigue siendo un referente del diseño técnico contemporáneo.

Ver producto relacionado

La Tolomeo Micro Faretto es la versión más compacta y esencial del icónico aplique de pared diseñado por Michele De Lucchi y Giancarlo Fassina para Artemide. Su diseño minimalista elimina el brazo articulado, concentrando toda la atención en el difusor orientable, ideal para generar luz focal precisa en cabeceros de cama, rincones de lectura o zonas de trabajo compactas.

Fabricada en aluminio pulido con detalles técnicos sutiles, mantiene la estética industrial y atemporal que caracteriza a toda la colección Tolomeo. Su estructura reducida permite instalarla incluso en espacios muy ajustados, sin renunciar al carácter y funcionalidad del diseño original.

Disponible con o sin interruptor integrado, la Tolomeo Micro Faretto es una solución práctica y elegante para quienes buscan luz directa sin ocupar espacio en superficies.

Explora el resto de la colección Artemide en MIDIMAL y descubre por qué sigue siendo un referente del diseño técnico contemporáneo.

Ver producto relacionado

La Tolomeo Micro Faretto es la versión más compacta y esencial del icónico aplique de pared diseñado por Michele De Lucchi y Giancarlo Fassina para Artemide. Su diseño minimalista elimina el brazo articulado, concentrando toda la atención en el difusor orientable, ideal para generar luz focal precisa en cabeceros de cama, rincones de lectura o zonas de trabajo compactas.

Fabricada en aluminio pulido con detalles técnicos sutiles, mantiene la estética industrial y atemporal que caracteriza a toda la colección Tolomeo. Su estructura reducida permite instalarla incluso en espacios muy ajustados, sin renunciar al carácter y funcionalidad del diseño original.

Disponible con o sin interruptor integrado, la Tolomeo Micro Faretto es una solución práctica y elegante para quienes buscan luz directa sin ocupar espacio en superficies.

Explora el resto de la colección Artemide en MIDIMAL y descubre por qué sigue siendo un referente del diseño técnico contemporáneo.

Ver producto relacionado

Diseñada por Michele De Lucchi y Huub Ubbens, la lámpara Castore de suspensión combina tecnología y elegancia con un lenguaje formal suave y poético. Su esfera difusora de vidrio soplado blanco emite una luz cálida y envolvente, ideal para crear atmósferas serenas en comedores, dormitorios o espacios de descanso.

El tallo de resina termoplástica se estrecha de forma orgánica y continúa visualmente la curva de la esfera, aportando equilibrio y fluidez al conjunto. Esta transición entre materiales acentúa su estética escultórica, haciendo que la lámpara Castore no solo ilumine, sino que decore con sutileza.

Disponible en varios diámetros, se adapta a composiciones individuales o en grupo, permitiendo personalizar la luz según la escala del espacio.

Explora más luminarias contemporáneas en la colección Artemide en MIDIMAL y transforma tu hogar con un diseño de luz que fluye.

Ver producto relacionado

Diseñada por Michele De Lucchi y Huub Ubbens, la lámpara Castore de suspensión combina tecnología y elegancia con un lenguaje formal suave y poético. Su esfera difusora de vidrio soplado blanco emite una luz cálida y envolvente, ideal para crear atmósferas serenas en comedores, dormitorios o espacios de descanso.

El tallo de resina termoplástica se estrecha de forma orgánica y continúa visualmente la curva de la esfera, aportando equilibrio y fluidez al conjunto. Esta transición entre materiales acentúa su estética escultórica, haciendo que la lámpara Castore no solo ilumine, sino que decore con sutileza.

Disponible en varios diámetros, se adapta a composiciones individuales o en grupo, permitiendo personalizar la luz según la escala del espacio.

Explora más luminarias contemporáneas en la colección Artemide en MIDIMAL y transforma tu hogar con un diseño de luz que fluye.

Ver producto relacionado

Diseñada por Michele De Lucchi y Huub Ubbens, la lámpara Castore de suspensión combina tecnología y elegancia con un lenguaje formal suave y poético. Su esfera difusora de vidrio soplado blanco emite una luz cálida y envolvente, ideal para crear atmósferas serenas en comedores, dormitorios o espacios de descanso.

El tallo de resina termoplástica se estrecha de forma orgánica y continúa visualmente la curva de la esfera, aportando equilibrio y fluidez al conjunto. Esta transición entre materiales acentúa su estética escultórica, haciendo que la lámpara Castore no solo ilumine, sino que decore con sutileza.

Disponible en varios diámetros, se adapta a composiciones individuales o en grupo, permitiendo personalizar la luz según la escala del espacio.

Explora más luminarias contemporáneas en la colección Artemide en MIDIMAL y transforma tu hogar con un diseño de luz que fluye.

Ver producto relacionado

Diseñada por Michele De Lucchi y Huub Ubbens, la lámpara Castore de suspensión combina tecnología y elegancia con un lenguaje formal suave y poético. Su esfera difusora de vidrio soplado blanco emite una luz cálida y envolvente, ideal para crear atmósferas serenas en comedores, dormitorios o espacios de descanso.

El tallo de resina termoplástica se estrecha de forma orgánica y continúa visualmente la curva de la esfera, aportando equilibrio y fluidez al conjunto. Esta transición entre materiales acentúa su estética escultórica, haciendo que la lámpara Castore no solo ilumine, sino que decore con sutileza.

Disponible en varios diámetros, se adapta a composiciones individuales o en grupo, permitiendo personalizar la luz según la escala del espacio.

Explora más luminarias contemporáneas en la colección Artemide en MIDIMAL y transforma tu hogar con un diseño de luz que fluye.

Ver producto relacionado

Diseñada en 1982 por Ettore Sottsass, la lámpara de pie Callimaco es una declaración visual de diseño radical. Con su combinación atrevida de colores primarios y formas geométricas, esta luminaria es una pieza escultórica que desafía las convenciones estéticas, reflejando el espíritu del movimiento Memphis liderado por su propio creador.

El cuerpo cilíndrico lacado en rojo se eleva sobre una base en acero gris, rematado por un reflector de aluminio amarillo mate que proyecta una luz directa, ideal para ambientes que buscan carácter, audacia y un punto de ironía. El tirador azul eléctrico facilita su manipulación, aportando además un toque de humor sofisticado.

Más allá de su función, Callimaco transforma el espacio en una galería doméstica donde el diseño se convierte en protagonista.

Descubre más iconos del diseño italiano en la colección Artemide en MIDIMAL y añade una obra de arte funcional a tu salón o estudio.

Ver producto relacionado

Diseñada en 1982 por Ettore Sottsass, la lámpara de pie Callimaco es una declaración visual de diseño radical. Con su combinación atrevida de colores primarios y formas geométricas, esta luminaria es una pieza escultórica que desafía las convenciones estéticas, reflejando el espíritu del movimiento Memphis liderado por su propio creador.

El cuerpo cilíndrico lacado en rojo se eleva sobre una base en acero gris, rematado por un reflector de aluminio amarillo mate que proyecta una luz directa, ideal para ambientes que buscan carácter, audacia y un punto de ironía. El tirador azul eléctrico facilita su manipulación, aportando además un toque de humor sofisticado.

Más allá de su función, Callimaco transforma el espacio en una galería doméstica donde el diseño se convierte en protagonista.

Descubre más iconos del diseño italiano en la colección Artemide en MIDIMAL y añade una obra de arte funcional a tu salón o estudio.

Ver producto relacionado

Diseñada en 1982 por Ettore Sottsass, la lámpara de pie Callimaco es una declaración visual de diseño radical. Con su combinación atrevida de colores primarios y formas geométricas, esta luminaria es una pieza escultórica que desafía las convenciones estéticas, reflejando el espíritu del movimiento Memphis liderado por su propio creador.

El cuerpo cilíndrico lacado en rojo se eleva sobre una base en acero gris, rematado por un reflector de aluminio amarillo mate que proyecta una luz directa, ideal para ambientes que buscan carácter, audacia y un punto de ironía. El tirador azul eléctrico facilita su manipulación, aportando además un toque de humor sofisticado.

Más allá de su función, Callimaco transforma el espacio en una galería doméstica donde el diseño se convierte en protagonista.

Descubre más iconos del diseño italiano en la colección Artemide en MIDIMAL y añade una obra de arte funcional a tu salón o estudio.

Ver producto relacionado

Tizio Micro es la versión compacta de la emblemática lámpara diseñada por Richard Sapper para Artemide en 1972. Conserva la ingeniería original basada en un sistema de contrapesos y brazos articulados sin cables visibles, permitiendo una orientación de luz precisa y estable, ahora en un formato más reducido ideal para espacios limitados o mesas auxiliares.

Esta reinterpretación minimalista mantiene la esencia técnica y estética de la Tizio clásica, pero con dimensiones más ligeras y proporciones ajustadas para entornos contemporáneos donde el espacio es un recurso valioso.

Su estructura refinada y su base con transformador integrado la convierten en una pieza de iluminación funcional y escultórica al mismo tiempo, pensada para quienes buscan diseño icónico en un formato discreto.

Descubre más luminarias de la colección Artemide en MIDIMAL y añade una pieza histórica con escala contemporánea a tu hogar u oficina.

Ver producto relacionado

Tizio Micro es la versión compacta de la emblemática lámpara diseñada por Richard Sapper para Artemide en 1972. Conserva la ingeniería original basada en un sistema de contrapesos y brazos articulados sin cables visibles, permitiendo una orientación de luz precisa y estable, ahora en un formato más reducido ideal para espacios limitados o mesas auxiliares.

Esta reinterpretación minimalista mantiene la esencia técnica y estética de la Tizio clásica, pero con dimensiones más ligeras y proporciones ajustadas para entornos contemporáneos donde el espacio es un recurso valioso.

Su estructura refinada y su base con transformador integrado la convierten en una pieza de iluminación funcional y escultórica al mismo tiempo, pensada para quienes buscan diseño icónico en un formato discreto.

Descubre más luminarias de la colección Artemide en MIDIMAL y añade una pieza histórica con escala contemporánea a tu hogar u oficina.

Ver producto relacionado

Tizio Micro es la versión compacta de la emblemática lámpara diseñada por Richard Sapper para Artemide en 1972. Conserva la ingeniería original basada en un sistema de contrapesos y brazos articulados sin cables visibles, permitiendo una orientación de luz precisa y estable, ahora en un formato más reducido ideal para espacios limitados o mesas auxiliares.

Esta reinterpretación minimalista mantiene la esencia técnica y estética de la Tizio clásica, pero con dimensiones más ligeras y proporciones ajustadas para entornos contemporáneos donde el espacio es un recurso valioso.

Su estructura refinada y su base con transformador integrado la convierten en una pieza de iluminación funcional y escultórica al mismo tiempo, pensada para quienes buscan diseño icónico en un formato discreto.

Descubre más luminarias de la colección Artemide en MIDIMAL y añade una pieza histórica con escala contemporánea a tu hogar u oficina.

Ver producto relacionado

Diseñada en 1972 por Richard Sapper para Artemide, la lámpara Tizio revolucionó la iluminación de sobremesa al combinar estética, innovación técnica y funcionalidad extrema. Su estructura articulada sin cables visibles y su sistema de contrapesos permiten orientar la luz con total precisión, manteniendo un equilibrio perfecto y un gesto visual inconfundible.

Tizio fue una de las primeras lámparas halógenas de bajo voltaje del mercado, y su transformador integrado en la base marcó un antes y un después en el diseño de luminarias. A día de hoy, sigue siendo una pieza imprescindible en oficinas, despachos y hogares contemporáneos que valoran la elegancia tecnológica.

Disponible en varias versiones y acabados, la Tizio forma parte de la historia del diseño moderno y sigue siendo una de las lámparas más reconocidas internacionalmente.

Descubre más piezas emblemáticas de la colección Artemide y apuesta por diseño con carácter, precisión y legado.

Ver producto relacionado

Diseñada en 1972 por Richard Sapper para Artemide, la lámpara Tizio revolucionó la iluminación de sobremesa al combinar estética, innovación técnica y funcionalidad extrema. Su estructura articulada sin cables visibles y su sistema de contrapesos permiten orientar la luz con total precisión, manteniendo un equilibrio perfecto y un gesto visual inconfundible.

Tizio fue una de las primeras lámparas halógenas de bajo voltaje del mercado, y su transformador integrado en la base marcó un antes y un después en el diseño de luminarias. A día de hoy, sigue siendo una pieza imprescindible en oficinas, despachos y hogares contemporáneos que valoran la elegancia tecnológica.

Disponible en varias versiones y acabados, la Tizio forma parte de la historia del diseño moderno y sigue siendo una de las lámparas más reconocidas internacionalmente.

Descubre más piezas emblemáticas de la colección Artemide y apuesta por diseño con carácter, precisión y legado.

Ver producto relacionado

Diseñada en 1972 por Richard Sapper para Artemide, la lámpara Tizio revolucionó la iluminación de sobremesa al combinar estética, innovación técnica y funcionalidad extrema. Su estructura articulada sin cables visibles y su sistema de contrapesos permiten orientar la luz con total precisión, manteniendo un equilibrio perfecto y un gesto visual inconfundible.

Tizio fue una de las primeras lámparas halógenas de bajo voltaje del mercado, y su transformador integrado en la base marcó un antes y un después en el diseño de luminarias. A día de hoy, sigue siendo una pieza imprescindible en oficinas, despachos y hogares contemporáneos que valoran la elegancia tecnológica.

Disponible en varias versiones y acabados, la Tizio forma parte de la historia del diseño moderno y sigue siendo una de las lámparas más reconocidas internacionalmente.

Descubre más piezas emblemáticas de la colección Artemide y apuesta por diseño con carácter, precisión y legado.

Ver producto relacionado

Diseñada en 1972 por Richard Sapper para Artemide, la lámpara Tizio revolucionó la iluminación de sobremesa al combinar estética, innovación técnica y funcionalidad extrema. Su estructura articulada sin cables visibles y su sistema de contrapesos permiten orientar la luz con total precisión, manteniendo un equilibrio perfecto y un gesto visual inconfundible.

Tizio fue una de las primeras lámparas halógenas de bajo voltaje del mercado, y su transformador integrado en la base marcó un antes y un después en el diseño de luminarias. A día de hoy, sigue siendo una pieza imprescindible en oficinas, despachos y hogares contemporáneos que valoran la elegancia tecnológica.

Disponible en varias versiones y acabados, la Tizio forma parte de la historia del diseño moderno y sigue siendo una de las lámparas más reconocidas internacionalmente.

Descubre más piezas emblemáticas de la colección Artemide y apuesta por diseño con carácter, precisión y legado.

Ver producto relacionado

Diseñada en 1972 por Richard Sapper para Artemide, la lámpara Tizio revolucionó la iluminación de sobremesa al combinar estética, innovación técnica y funcionalidad extrema. Su estructura articulada sin cables visibles y su sistema de contrapesos permiten orientar la luz con total precisión, manteniendo un equilibrio perfecto y un gesto visual inconfundible.

Tizio fue una de las primeras lámparas halógenas de bajo voltaje del mercado, y su transformador integrado en la base marcó un antes y un después en el diseño de luminarias. A día de hoy, sigue siendo una pieza imprescindible en oficinas, despachos y hogares contemporáneos que valoran la elegancia tecnológica.

Disponible en varias versiones y acabados, la Tizio forma parte de la historia del diseño moderno y sigue siendo una de las lámparas más reconocidas internacionalmente.

Descubre más piezas emblemáticas de la colección Artemide y apuesta por diseño con carácter, precisión y legado.

Ver producto relacionado

Diseñada en 1972 por Richard Sapper para Artemide, la lámpara Tizio revolucionó la iluminación de sobremesa al combinar estética, innovación técnica y funcionalidad extrema. Su estructura articulada sin cables visibles y su sistema de contrapesos permiten orientar la luz con total precisión, manteniendo un equilibrio perfecto y un gesto visual inconfundible.

Tizio fue una de las primeras lámparas halógenas de bajo voltaje del mercado, y su transformador integrado en la base marcó un antes y un después en el diseño de luminarias. A día de hoy, sigue siendo una pieza imprescindible en oficinas, despachos y hogares contemporáneos que valoran la elegancia tecnológica.

Disponible en varias versiones y acabados, la Tizio forma parte de la historia del diseño moderno y sigue siendo una de las lámparas más reconocidas internacionalmente.

Descubre más piezas emblemáticas de la colección Artemide y apuesta por diseño con carácter, precisión y legado.

Ver producto relacionado

Diseñada en 1972 por Richard Sapper para Artemide, la lámpara Tizio revolucionó la iluminación de sobremesa al combinar estética, innovación técnica y funcionalidad extrema. Su estructura articulada sin cables visibles y su sistema de contrapesos permiten orientar la luz con total precisión, manteniendo un equilibrio perfecto y un gesto visual inconfundible.

Tizio fue una de las primeras lámparas halógenas de bajo voltaje del mercado, y su transformador integrado en la base marcó un antes y un después en el diseño de luminarias. A día de hoy, sigue siendo una pieza imprescindible en oficinas, despachos y hogares contemporáneos que valoran la elegancia tecnológica.

Disponible en varias versiones y acabados, la Tizio forma parte de la historia del diseño moderno y sigue siendo una de las lámparas más reconocidas internacionalmente.

Descubre más piezas emblemáticas de la colección Artemide y apuesta por diseño con carácter, precisión y legado.

Ver producto relacionado

Diseñada en 1972 por Richard Sapper para Artemide, la lámpara Tizio revolucionó la iluminación de sobremesa al combinar estética, innovación técnica y funcionalidad extrema. Su estructura articulada sin cables visibles y su sistema de contrapesos permiten orientar la luz con total precisión, manteniendo un equilibrio perfecto y un gesto visual inconfundible.

Tizio fue una de las primeras lámparas halógenas de bajo voltaje del mercado, y su transformador integrado en la base marcó un antes y un después en el diseño de luminarias. A día de hoy, sigue siendo una pieza imprescindible en oficinas, despachos y hogares contemporáneos que valoran la elegancia tecnológica.

Disponible en varias versiones y acabados, la Tizio forma parte de la historia del diseño moderno y sigue siendo una de las lámparas más reconocidas internacionalmente.

Descubre más piezas emblemáticas de la colección Artemide y apuesta por diseño con carácter, precisión y legado.

Ver producto relacionado

Diseñada en 1972 por Richard Sapper para Artemide, la lámpara Tizio revolucionó la iluminación de sobremesa al combinar estética, innovación técnica y funcionalidad extrema. Su estructura articulada sin cables visibles y su sistema de contrapesos permiten orientar la luz con total precisión, manteniendo un equilibrio perfecto y un gesto visual inconfundible.

Tizio fue una de las primeras lámparas halógenas de bajo voltaje del mercado, y su transformador integrado en la base marcó un antes y un después en el diseño de luminarias. A día de hoy, sigue siendo una pieza imprescindible en oficinas, despachos y hogares contemporáneos que valoran la elegancia tecnológica.

Disponible en varias versiones y acabados, la Tizio forma parte de la historia del diseño moderno y sigue siendo una de las lámparas más reconocidas internacionalmente.

Descubre más piezas emblemáticas de la colección Artemide y apuesta por diseño con carácter, precisión y legado.

Ver producto relacionado

Diseñada en 1972 por Richard Sapper para Artemide, la lámpara Tizio revolucionó la iluminación de sobremesa al combinar estética, innovación técnica y funcionalidad extrema. Su estructura articulada sin cables visibles y su sistema de contrapesos permiten orientar la luz con total precisión, manteniendo un equilibrio perfecto y un gesto visual inconfundible.

Tizio fue una de las primeras lámparas halógenas de bajo voltaje del mercado, y su transformador integrado en la base marcó un antes y un después en el diseño de luminarias. A día de hoy, sigue siendo una pieza imprescindible en oficinas, despachos y hogares contemporáneos que valoran la elegancia tecnológica.

Disponible en varias versiones y acabados, la Tizio forma parte de la historia del diseño moderno y sigue siendo una de las lámparas más reconocidas internacionalmente.

Descubre más piezas emblemáticas de la colección Artemide y apuesta por diseño con carácter, precisión y legado.

Ver producto relacionado

La lámpara de suspensión Falkland, diseñada por Bruno Munari en 1964, es un ejemplo sublime de cómo la belleza puede surgir de la sencillez estructural. Con una única malla tubular de tejido elástico tensada por anillos metálicos, la lámpara toma forma por la acción de la gravedad, generando una silueta fluida y orgánica que evoca la caída natural de una tela suspendida.

Al encenderse, su luz se difunde suavemente a través del tejido, aportando una calidez serena que transforma el ambiente con elegancia discreta. Su diseño, tan poético como funcional, encarna la filosofía de Munari: crear objetos que se expliquen por sí mismos, sin artificios ni excesos.

Disponible en varios tamaños, la versión de suspensión de la Falkland resulta ideal para presidir comedores, entradas o espacios de altura generosa, donde su verticalidad escultórica pueda desplegarse con plenitud. Ligera visualmente, pero con una fuerte presencia estética, es una luminaria que no impone: convive, flota y sugiere.

Esta pieza forma parte de la colección Falkland de Artemide, un tributo atemporal a la experimentación material y la elegancia sin esfuerzo.

Descubre más luminarias que combinan poesía y funcionalidad en la colección Artemide en MIDIMAL.

Ver producto relacionado

La lámpara de suspensión Falkland, diseñada por Bruno Munari en 1964, es un ejemplo sublime de cómo la belleza puede surgir de la sencillez estructural. Con una única malla tubular de tejido elástico tensada por anillos metálicos, la lámpara toma forma por la acción de la gravedad, generando una silueta fluida y orgánica que evoca la caída natural de una tela suspendida.

Al encenderse, su luz se difunde suavemente a través del tejido, aportando una calidez serena que transforma el ambiente con elegancia discreta. Su diseño, tan poético como funcional, encarna la filosofía de Munari: crear objetos que se expliquen por sí mismos, sin artificios ni excesos.

Disponible en varios tamaños, la versión de suspensión de la Falkland resulta ideal para presidir comedores, entradas o espacios de altura generosa, donde su verticalidad escultórica pueda desplegarse con plenitud. Ligera visualmente, pero con una fuerte presencia estética, es una luminaria que no impone: convive, flota y sugiere.

Esta pieza forma parte de la colección Falkland de Artemide, un tributo atemporal a la experimentación material y la elegancia sin esfuerzo.

Descubre más luminarias que combinan poesía y funcionalidad en la colección Artemide en MIDIMAL.

Ver producto relacionado

La lámpara de suspensión Falkland, diseñada por Bruno Munari en 1964, es un ejemplo sublime de cómo la belleza puede surgir de la sencillez estructural. Con una única malla tubular de tejido elástico tensada por anillos metálicos, la lámpara toma forma por la acción de la gravedad, generando una silueta fluida y orgánica que evoca la caída natural de una tela suspendida.

Al encenderse, su luz se difunde suavemente a través del tejido, aportando una calidez serena que transforma el ambiente con elegancia discreta. Su diseño, tan poético como funcional, encarna la filosofía de Munari: crear objetos que se expliquen por sí mismos, sin artificios ni excesos.

Disponible en varios tamaños, la versión de suspensión de la Falkland resulta ideal para presidir comedores, entradas o espacios de altura generosa, donde su verticalidad escultórica pueda desplegarse con plenitud. Ligera visualmente, pero con una fuerte presencia estética, es una luminaria que no impone: convive, flota y sugiere.

Esta pieza forma parte de la colección Falkland de Artemide, un tributo atemporal a la experimentación material y la elegancia sin esfuerzo.

Descubre más luminarias que combinan poesía y funcionalidad en la colección Artemide en MIDIMAL.

Ver producto relacionado

La lámpara de suspensión Falkland, diseñada por Bruno Munari en 1964, es un ejemplo sublime de cómo la belleza puede surgir de la sencillez estructural. Con una única malla tubular de tejido elástico tensada por anillos metálicos, la lámpara toma forma por la acción de la gravedad, generando una silueta fluida y orgánica que evoca la caída natural de una tela suspendida.

Al encenderse, su luz se difunde suavemente a través del tejido, aportando una calidez serena que transforma el ambiente con elegancia discreta. Su diseño, tan poético como funcional, encarna la filosofía de Munari: crear objetos que se expliquen por sí mismos, sin artificios ni excesos.

Disponible en varios tamaños, la versión de suspensión de la Falkland resulta ideal para presidir comedores, entradas o espacios de altura generosa, donde su verticalidad escultórica pueda desplegarse con plenitud. Ligera visualmente, pero con una fuerte presencia estética, es una luminaria que no impone: convive, flota y sugiere.

Esta pieza forma parte de la colección Falkland de Artemide, un tributo atemporal a la experimentación material y la elegancia sin esfuerzo.

Descubre más luminarias que combinan poesía y funcionalidad en la colección Artemide en MIDIMAL.

Ver producto relacionado

Diseñada en 1964 por Bruno Munari, la lámpara de pie Falkland es una declaración de diseño que desafía las convenciones formales con una estructura sorprendentemente simple y expresiva. Un tubo de malla elástica, tensado por anillos de aluminio, crea una silueta orgánica que se despliega con fluidez vertical. La luz se filtra suavemente a través del tejido, generando una atmósfera cálida y envolvente que transforma el espacio.

Munari concebía el diseño como una síntesis de lógica y poesía, y la Falkland lo representa a la perfección: una pieza ligera pero con presencia, funcional pero cargada de simbolismo. Su verticalidad dinámica recuerda a una escultura textil suspendida, que se integra con naturalidad tanto en interiores contemporáneos como en espacios de carácter más íntimo.

Esta versión de pie mantiene la esencia del diseño original en suspensión, añadiendo una base metálica discreta que estabiliza su ligereza formal sin restarle protagonismo. Ideal para salones, dormitorios o rincones de lectura que necesitan un punto de luz con personalidad.

Forma parte de la colección Falkland de Artemide, una serie que rinde homenaje a los principios esenciales del diseño italiano de los años 60: innovación material, economía de recursos y belleza atemporal.

Descubre más luminarias firmadas por grandes nombres del diseño en la colección Artemide en MIDIMAL y deja que tu hogar hable con luz propia.

Ver producto relacionado

Diseñada en 1964 por Bruno Munari, la lámpara de pie Falkland es una declaración de diseño que desafía las convenciones formales con una estructura sorprendentemente simple y expresiva. Un tubo de malla elástica, tensado por anillos de aluminio, crea una silueta orgánica que se despliega con fluidez vertical. La luz se filtra suavemente a través del tejido, generando una atmósfera cálida y envolvente que transforma el espacio.

Munari concebía el diseño como una síntesis de lógica y poesía, y la Falkland lo representa a la perfección: una pieza ligera pero con presencia, funcional pero cargada de simbolismo. Su verticalidad dinámica recuerda a una escultura textil suspendida, que se integra con naturalidad tanto en interiores contemporáneos como en espacios de carácter más íntimo.

Esta versión de pie mantiene la esencia del diseño original en suspensión, añadiendo una base metálica discreta que estabiliza su ligereza formal sin restarle protagonismo. Ideal para salones, dormitorios o rincones de lectura que necesitan un punto de luz con personalidad.

Forma parte de la colección Falkland de Artemide, una serie que rinde homenaje a los principios esenciales del diseño italiano de los años 60: innovación material, economía de recursos y belleza atemporal.

Descubre más luminarias firmadas por grandes nombres del diseño en la colección Artemide en MIDIMAL y deja que tu hogar hable con luz propia.

Ver producto relacionado

Diseñada en 1964 por Bruno Munari, la lámpara de pie Falkland es una declaración de diseño que desafía las convenciones formales con una estructura sorprendentemente simple y expresiva. Un tubo de malla elástica, tensado por anillos de aluminio, crea una silueta orgánica que se despliega con fluidez vertical. La luz se filtra suavemente a través del tejido, generando una atmósfera cálida y envolvente que transforma el espacio.

Munari concebía el diseño como una síntesis de lógica y poesía, y la Falkland lo representa a la perfección: una pieza ligera pero con presencia, funcional pero cargada de simbolismo. Su verticalidad dinámica recuerda a una escultura textil suspendida, que se integra con naturalidad tanto en interiores contemporáneos como en espacios de carácter más íntimo.

Esta versión de pie mantiene la esencia del diseño original en suspensión, añadiendo una base metálica discreta que estabiliza su ligereza formal sin restarle protagonismo. Ideal para salones, dormitorios o rincones de lectura que necesitan un punto de luz con personalidad.

Forma parte de la colección Falkland de Artemide, una serie que rinde homenaje a los principios esenciales del diseño italiano de los años 60: innovación material, economía de recursos y belleza atemporal.

Descubre más luminarias firmadas por grandes nombres del diseño en la colección Artemide en MIDIMAL y deja que tu hogar hable con luz propia.

Ver producto relacionado

Diseñada en 1964 por Bruno Munari, la lámpara de pie Falkland es una declaración de diseño que desafía las convenciones formales con una estructura sorprendentemente simple y expresiva. Un tubo de malla elástica, tensado por anillos de aluminio, crea una silueta orgánica que se despliega con fluidez vertical. La luz se filtra suavemente a través del tejido, generando una atmósfera cálida y envolvente que transforma el espacio.

Munari concebía el diseño como una síntesis de lógica y poesía, y la Falkland lo representa a la perfección: una pieza ligera pero con presencia, funcional pero cargada de simbolismo. Su verticalidad dinámica recuerda a una escultura textil suspendida, que se integra con naturalidad tanto en interiores contemporáneos como en espacios de carácter más íntimo.

Esta versión de pie mantiene la esencia del diseño original en suspensión, añadiendo una base metálica discreta que estabiliza su ligereza formal sin restarle protagonismo. Ideal para salones, dormitorios o rincones de lectura que necesitan un punto de luz con personalidad.

Forma parte de la colección Falkland de Artemide, una serie que rinde homenaje a los principios esenciales del diseño italiano de los años 60: innovación material, economía de recursos y belleza atemporal.

Descubre más luminarias firmadas por grandes nombres del diseño en la colección Artemide en MIDIMAL y deja que tu hogar hable con luz propia.

Ver producto relacionado

Diseñada en 1967 por Giancarlo Mattioli y Gruppo Architetti Urbanisti Città Nuova, la lámpara Nesso es un icono del diseño italiano radical y futurista. Su silueta orgánica, inspirada en una seta, y su uso pionero del plástico inyectado la convierten en una pieza clave del movimiento pop en el diseño de interiores.

Fabricada en ABS moldeado en colores vibrantes como el naranja o blanco, la Nesso emite una luz cálida y difusa que se distribuye suavemente gracias a su gran pantalla en forma de cúpula. Su estructura escultural la hace tan funcional como decorativa, convirtiéndola en el centro de atención en cualquier estancia.

Expuesta en museos como el MoMA de Nueva York y el Museo del Diseño de Chicago, la Nesso es mucho más que una lámpara: es una pieza de colección que encapsula el espíritu experimental y optimista de los años 60.

Seleccionada por MIDIMAL por su atrevimiento formal y su legado cultural, la lámpara Nesso transforma los espacios con una luz envolvente y una presencia irrepetible.

Descubre más luminarias históricas en la colección Artemide y da carácter a tu hogar con iconos del diseño italiano.

Ver producto relacionado

Diseñada en 1967 por Giancarlo Mattioli y Gruppo Architetti Urbanisti Città Nuova, la lámpara Nesso es un icono del diseño italiano radical y futurista. Su silueta orgánica, inspirada en una seta, y su uso pionero del plástico inyectado la convierten en una pieza clave del movimiento pop en el diseño de interiores.

Fabricada en ABS moldeado en colores vibrantes como el naranja o blanco, la Nesso emite una luz cálida y difusa que se distribuye suavemente gracias a su gran pantalla en forma de cúpula. Su estructura escultural la hace tan funcional como decorativa, convirtiéndola en el centro de atención en cualquier estancia.

Expuesta en museos como el MoMA de Nueva York y el Museo del Diseño de Chicago, la Nesso es mucho más que una lámpara: es una pieza de colección que encapsula el espíritu experimental y optimista de los años 60.

Seleccionada por MIDIMAL por su atrevimiento formal y su legado cultural, la lámpara Nesso transforma los espacios con una luz envolvente y una presencia irrepetible.

Descubre más luminarias históricas en la colección Artemide y da carácter a tu hogar con iconos del diseño italiano.

Ver producto relacionado

Diseñada en 1967 por Giancarlo Mattioli y Gruppo Architetti Urbanisti Città Nuova, la lámpara Nesso es un icono del diseño italiano radical y futurista. Su silueta orgánica, inspirada en una seta, y su uso pionero del plástico inyectado la convierten en una pieza clave del movimiento pop en el diseño de interiores.

Fabricada en ABS moldeado en colores vibrantes como el naranja o blanco, la Nesso emite una luz cálida y difusa que se distribuye suavemente gracias a su gran pantalla en forma de cúpula. Su estructura escultural la hace tan funcional como decorativa, convirtiéndola en el centro de atención en cualquier estancia.

Expuesta en museos como el MoMA de Nueva York y el Museo del Diseño de Chicago, la Nesso es mucho más que una lámpara: es una pieza de colección que encapsula el espíritu experimental y optimista de los años 60.

Seleccionada por MIDIMAL por su atrevimiento formal y su legado cultural, la lámpara Nesso transforma los espacios con una luz envolvente y una presencia irrepetible.

Descubre más luminarias históricas en la colección Artemide y da carácter a tu hogar con iconos del diseño italiano.

Ver producto relacionado

Diseñada en 1967 por Giancarlo Mattioli y Gruppo Architetti Urbanisti Città Nuova, la lámpara Nesso es un icono del diseño italiano radical y futurista. Su silueta orgánica, inspirada en una seta, y su uso pionero del plástico inyectado la convierten en una pieza clave del movimiento pop en el diseño de interiores.

Fabricada en ABS moldeado en colores vibrantes como el naranja o blanco, la Nesso emite una luz cálida y difusa que se distribuye suavemente gracias a su gran pantalla en forma de cúpula. Su estructura escultural la hace tan funcional como decorativa, convirtiéndola en el centro de atención en cualquier estancia.

Expuesta en museos como el MoMA de Nueva York y el Museo del Diseño de Chicago, la Nesso es mucho más que una lámpara: es una pieza de colección que encapsula el espíritu experimental y optimista de los años 60.

Seleccionada por MIDIMAL por su atrevimiento formal y su legado cultural, la lámpara Nesso transforma los espacios con una luz envolvente y una presencia irrepetible.

Descubre más luminarias históricas en la colección Artemide y da carácter a tu hogar con iconos del diseño italiano.

Ver producto relacionado

Diseñada en 1967 por Giancarlo Mattioli y Gruppo Architetti Urbanisti Città Nuova, la lámpara Nesso es un icono del diseño italiano radical y futurista. Su silueta orgánica, inspirada en una seta, y su uso pionero del plástico inyectado la convierten en una pieza clave del movimiento pop en el diseño de interiores.

Fabricada en ABS moldeado en colores vibrantes como el naranja o blanco, la Nesso emite una luz cálida y difusa que se distribuye suavemente gracias a su gran pantalla en forma de cúpula. Su estructura escultural la hace tan funcional como decorativa, convirtiéndola en el centro de atención en cualquier estancia.

Expuesta en museos como el MoMA de Nueva York y el Museo del Diseño de Chicago, la Nesso es mucho más que una lámpara: es una pieza de colección que encapsula el espíritu experimental y optimista de los años 60.

Seleccionada por MIDIMAL por su atrevimiento formal y su legado cultural, la lámpara Nesso transforma los espacios con una luz envolvente y una presencia irrepetible.

Descubre más luminarias históricas en la colección Artemide y da carácter a tu hogar con iconos del diseño italiano.

Ver producto relacionado

Diseñada en 1967 por Giancarlo Mattioli y Gruppo Architetti Urbanisti Città Nuova, la lámpara Nesso es un icono del diseño italiano radical y futurista. Su silueta orgánica, inspirada en una seta, y su uso pionero del plástico inyectado la convierten en una pieza clave del movimiento pop en el diseño de interiores.

Fabricada en ABS moldeado en colores vibrantes como el naranja o blanco, la Nesso emite una luz cálida y difusa que se distribuye suavemente gracias a su gran pantalla en forma de cúpula. Su estructura escultural la hace tan funcional como decorativa, convirtiéndola en el centro de atención en cualquier estancia.

Expuesta en museos como el MoMA de Nueva York y el Museo del Diseño de Chicago, la Nesso es mucho más que una lámpara: es una pieza de colección que encapsula el espíritu experimental y optimista de los años 60.

Seleccionada por MIDIMAL por su atrevimiento formal y su legado cultural, la lámpara Nesso transforma los espacios con una luz envolvente y una presencia irrepetible.

Descubre más luminarias históricas en la colección Artemide y da carácter a tu hogar con iconos del diseño italiano.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado