Environments
Discover our products in a real-life context and find the inspiration you need.
Immerse yourself in a unique experience where you can explore our designer products in a real-life setting. Visualize how they fit into your home and discover their versatility. Be inspired by the different options and find the furniture that best suits your tastes and needs.
Explore, imagine and create your ideal home.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
VL45 Radiohus Ceiling Lamp
The VL45 Radiohus by Louis Poulsen is an icon of Scandinavian design, combining history, functionality, and exceptional lighting. Designed in the 1930s by renowned Danish architect Vilhelm Lauritzen for the iconic Radiohus building, this pendant light was originally conceived as an "office lamp." Its refined aesthetic and luminous quality made it a staple of Danish modernist architecture.
Its three-layered, hand-blown opal glass shade guarantees soft, even light, creating a warm and inviting atmosphere in any space. The raw brass details provide a subtle contrast, adding a sense of timeless luxury that blends seamlessly into contemporary and classic interiors alike.
The VL 45 Radiohus maintains its iconic legacy while adapting to current trends, with new color variations that add character and personality to every room:
- Opal White: Pure elegance, ideal for those seeking a timeless design.
- Pale Pink: A sophisticated and contemporary touch with an enveloping light.
- Pale Yellow: Warm and vibrant, evoking the tones of mid-century design.
- Amber: Deep and enveloping, creating a cozy and refined atmosphere.
With its timeless design and ability to provide immersive light, the VL45 Radiohus transcends eras and styles, establishing itself as a must-have for those seeking quality, history, and a design that never goes out of style.
*This product typically has a 2-3 week delivery time. Occasionally, some versions may require several more weeks to deliver. If this is the case, we will inform you immediately.
PH 4/3 ceiling lamp
Poul Henningsen designed the three-shade system in 1925–1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. He continued to work with Louis Poulsen until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows. The PH 4/3 Metal Suspension Lamp was created in 1966. Its design follows the general three-shade system, based on the lituus curve, with the axis of the light source located in the center of the curve. It is a simplified version of the lamp PH designed in 1929. Thanks to this light, he achieved the highest award at the World's Fair in Barcelona at the time. The metal suspension lamps were produced in various formats and colors. The underside of the shade was painted white to create a diffused light. To achieve warmer lighting, metal pendant lamps were once also available with a gold underside. Over the years, metal pendant lamps have been offered in a range of sizes and colors.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
PH 4/3 ceiling lamp
Poul Henningsen designed the three-shade system in 1925–1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. He continued to work with Louis Poulsen until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows. The PH 4/3 Metal Suspension Lamp was created in 1966. Its design follows the general three-shade system, based on the lituus curve, with the axis of the light source located in the center of the curve. It is a simplified version of the lamp PH designed in 1929. Thanks to this light, he achieved the highest award at the World's Fair in Barcelona at the time. The metal suspension lamps were produced in various formats and colors. The underside of the shade was painted white to create a diffused light. To achieve warmer lighting, metal pendant lamps were once also available with a gold underside. Over the years, metal pendant lamps have been offered in a range of sizes and colors.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
PH 4/3 ceiling lamp
Poul Henningsen designed the three-shade system in 1925–1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. He continued to work with Louis Poulsen until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows. The PH 4/3 Metal Suspension Lamp was created in 1966. Its design follows the general three-shade system, based on the lituus curve, with the axis of the light source located in the center of the curve. It is a simplified version of the lamp PH designed in 1929. Thanks to this light, he achieved the highest award at the World's Fair in Barcelona at the time. The metal suspension lamps were produced in various formats and colors. The underside of the shade was painted white to create a diffused light. To achieve warmer lighting, metal pendant lamps were once also available with a gold underside. Over the years, metal pendant lamps have been offered in a range of sizes and colors.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
PH 4/3 ceiling lamp
Poul Henningsen designed the three-shade system in 1925–1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. He continued to work with Louis Poulsen until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows. The PH 4/3 Metal Suspension Lamp was created in 1966. Its design follows the general three-shade system, based on the lituus curve, with the axis of the light source located in the center of the curve. It is a simplified version of the lamp PH designed in 1929. Thanks to this light, he achieved the highest award at the World's Fair in Barcelona at the time. The metal suspension lamps were produced in various formats and colors. The underside of the shade was painted white to create a diffused light. To achieve warmer lighting, metal pendant lamps were once also available with a gold underside. Over the years, metal pendant lamps have been offered in a range of sizes and colors.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
PH 4/3 ceiling lamp
Poul Henningsen designed the three-shade system in 1925–1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. He continued to work with Louis Poulsen until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows. The PH 4/3 Metal Suspension Lamp was created in 1966. Its design follows the general three-shade system, based on the lituus curve, with the axis of the light source located in the center of the curve. It is a simplified version of the lamp PH designed in 1929. Thanks to this light, he achieved the highest award at the World's Fair in Barcelona at the time. The metal suspension lamps were produced in various formats and colors. The underside of the shade was painted white to create a diffused light. To achieve warmer lighting, metal pendant lamps were once also available with a gold underside. Over the years, metal pendant lamps have been offered in a range of sizes and colors.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
Panthella 400 table lamp
With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.
*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
G6 Tripod Table Lamp
The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.
Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.
Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.
Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.
Hashira table lamp
The Hashira table lamp is inspired by fundamental geometric forms found in architecture. Its slender, cylindrical design is reminiscent of the translucent fabric used in Japanese lanterns and blinds, creating soft, diffused light in multiple directions. The lamp rests on an ash base, contributing to its minimalist aesthetic and overall expression.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira table lamp
The Hashira table lamp is inspired by fundamental geometric forms found in architecture. Its slender, cylindrical design is reminiscent of the translucent fabric used in Japanese lanterns and blinds, creating soft, diffused light in multiple directions. The lamp rests on an ash base, contributing to its minimalist aesthetic and overall expression.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira table lamp
The Hashira table lamp is inspired by fundamental geometric forms found in architecture. Its slender, cylindrical design is reminiscent of the translucent fabric used in Japanese lanterns and blinds, creating soft, diffused light in multiple directions. The lamp rests on an ash base, contributing to its minimalist aesthetic and overall expression.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira table lamp
The Hashira table lamp is inspired by fundamental geometric forms found in architecture. Its slender, cylindrical design is reminiscent of the translucent fabric used in Japanese lanterns and blinds, creating soft, diffused light in multiple directions. The lamp rests on an ash base, contributing to its minimalist aesthetic and overall expression.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira table lamp
The Hashira table lamp is inspired by fundamental geometric forms found in architecture. Its slender, cylindrical design is reminiscent of the translucent fabric used in Japanese lanterns and blinds, creating soft, diffused light in multiple directions. The lamp rests on an ash base, contributing to its minimalist aesthetic and overall expression.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira table lamp
The Hashira table lamp is inspired by fundamental geometric forms found in architecture. Its slender, cylindrical design is reminiscent of the translucent fabric used in Japanese lanterns and blinds, creating soft, diffused light in multiple directions. The lamp rests on an ash base, contributing to its minimalist aesthetic and overall expression.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira table lamp
The Hashira table lamp is inspired by fundamental geometric forms found in architecture. Its slender, cylindrical design is reminiscent of the translucent fabric used in Japanese lanterns and blinds, creating soft, diffused light in multiple directions. The lamp rests on an ash base, contributing to its minimalist aesthetic and overall expression.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira table lamp
The Hashira table lamp is inspired by fundamental geometric forms found in architecture. Its slender, cylindrical design is reminiscent of the translucent fabric used in Japanese lanterns and blinds, creating soft, diffused light in multiple directions. The lamp rests on an ash base, contributing to its minimalist aesthetic and overall expression.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira table lamp
The Hashira table lamp is inspired by fundamental geometric forms found in architecture. Its slender, cylindrical design is reminiscent of the translucent fabric used in Japanese lanterns and blinds, creating soft, diffused light in multiple directions. The lamp rests on an ash base, contributing to its minimalist aesthetic and overall expression.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Norm Floor Mirror
The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.
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Norm Floor Mirror
The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.
Ver producto relacionado
Norm Floor Mirror
The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.
Ver producto relacionado
Norm Floor Mirror
The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.
Ver producto relacionado
Norm Floor Mirror
The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.
Ver producto relacionado
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Hashira ceiling lamp
The Hashira collection's pendant lamp is created in the same column shape as the floor and table lamps, carefully covered with translucent fabric that reveals the interior's graphic structure and suspended from the ceiling by a textile cord. Emitting a diffused light into the room, it becomes a functional pendant lamp over a dining table, in a reception area, or in a hotel room.
Audo Copenhagen's Hashira collection is a modern Nordic take on traditional Japanese rice paper lanterns. Fusing East and West, tradition and modernity, the luminaires designed by Norm Architects strike a perfect balance between simplicity and character.
Plant Box Round Planter
Changing the shape of one of the brand's most timeless pieces, Plant Box Round brings an organic expression to the home. It retains the clean lines and sleek look of the Plant Box we know, but its round box presents a whole new range of styling options. Fill it with plants or combine it with the round lid to turn it into a stylish coffee table with practical storage.
Plant Box Round Planter
Changing the shape of one of the brand's most timeless pieces, Plant Box Round brings an organic expression to the home. It retains the clean lines and sleek look of the Plant Box we know, but its round box presents a whole new range of styling options. Fill it with plants or combine it with the round lid to turn it into a stylish coffee table with practical storage.
Plant Box Round Planter
Changing the shape of one of the brand's most timeless pieces, Plant Box Round brings an organic expression to the home. It retains the clean lines and sleek look of the Plant Box we know, but its round box presents a whole new range of styling options. Fill it with plants or combine it with the round lid to turn it into a stylish coffee table with practical storage.
Plant Box Large Planter
Large, low, and deep, this powder-coated metal Plant Box is ideal for both housing plants and storing everyday clutter, from magazines and books to toys and office supplies. Set on a slim yet sturdy frame, this timeless design can also be used with the matching lid for extra surface space.
Plant Box Large Planter
Large, low, and deep, this powder-coated metal Plant Box is ideal for both housing plants and storing everyday clutter, from magazines and books to toys and office supplies. Set on a slim yet sturdy frame, this timeless design can also be used with the matching lid for extra surface space.
Plant Box Large Planter
Large, low, and deep, this powder-coated metal Plant Box is ideal for both housing plants and storing everyday clutter, from magazines and books to toys and office supplies. Set on a slim yet sturdy frame, this timeless design can also be used with the matching lid for extra surface space.
Plant Box Large Planter
Large, low, and deep, this powder-coated metal Plant Box is ideal for both housing plants and storing everyday clutter, from magazines and books to toys and office supplies. Set on a slim yet sturdy frame, this timeless design can also be used with the matching lid for extra surface space.
Buur Lounge Chair
The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.
Buur Lounge Chair
The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.
Buur Lounge Chair
The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.
Buur Lounge Chair
The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.
Buur Lounge Chair
The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.
Buur Lounge Chair
The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.
Buur Lounge Chair
The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.
Buur Lounge Chair
The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.
Buur Lounge Chair
The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.
Buur Lounge Chair
The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.
Buur Lounge Chair
The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.
Buur Lounge Chair
The Buur armchair effortlessly combines comfort and elegance, with a luxuriously padded seat and backrest. Designed in collaboration with Says Who, the armchair features distinctive curved armrests crafted from FSC™-certified oak that beautifully evoke natural movement, enhancing its rounded design. With its soft construction, the Buur armchair invites you to indulge in its luxurious upholstery and experience a truly enveloping embrace. With its vintage-inspired aesthetic, the Buur armchair is a show-stopping piece in any room.
Kubus T Candle Holder
The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.
Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.
Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.
Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.
Kubus T Candle Holder
The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.
Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.
Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.
Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.
Kubus T Candle Holder
The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.
Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.
Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.
Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.
Kubus T Candle Holder
The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.
Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.
Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.
Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.
Kubus T Candle Holder
The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.
Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.
Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.
Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.
Museum Shelf NM&.045
The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.
The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.
The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.
It is available in five colors: white, aluminum, beige, orange and dark brown.
Museum Shelf NM&.045
The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.
The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.
The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.
It is available in five colors: white, aluminum, beige, orange and dark brown.
Museum Shelf NM&.045
The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.
The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.
The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.
It is available in five colors: white, aluminum, beige, orange and dark brown.
Museum Shelf NM&.045
The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.
The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.
The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.
It is available in five colors: white, aluminum, beige, orange and dark brown.
Museum Shelf NM&.045
The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.
The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.
The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.
It is available in five colors: white, aluminum, beige, orange and dark brown.
Museum Shelf NM&.045
The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.
The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.
The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.
It is available in five colors: white, aluminum, beige, orange and dark brown.
Museum Shelf NM&.045
The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.
The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.
The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.
It is available in five colors: white, aluminum, beige, orange and dark brown.
Museum Shelf NM&.045
The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.
The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.
The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.
It is available in five colors: white, aluminum, beige, orange and dark brown.
Museum Shelf NM&.045
The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.
The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.
The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.
It is available in five colors: white, aluminum, beige, orange and dark brown.
Museum Shelf NM&.045
The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.
The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.
The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.
It is available in five colors: white, aluminum, beige, orange and dark brown.
Museum Shelf NM&.045
The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.
The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.
The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.
It is available in five colors: white, aluminum, beige, orange and dark brown.
Museum Shelf NM&.045
The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.
The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.
The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.
It is available in five colors: white, aluminum, beige, orange and dark brown.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Mesa Museum
The Museum ™ side table is a height-adjustable table made of aluminum and steel. It has a variety of uses: as a pedestal for vases, a side table next to the sofa, a nightstand, a hallway table, and more.
The side table has the following dimensions: 24x30x76.5 cm, its maximum height is 73 cm and the minimum is 32 cm.
Olfacte Private View Scented Candle
This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.
Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.
Olfactory notes
Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.
Olfacte Private View Scented Candle
This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.
Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.
Olfactory notes
Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.
Olfacte Private View Scented Candle
This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.
Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.
Olfactory notes
Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.
Olfacte Private View Scented Candle
This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.
Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.
Olfactory notes
Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.
Olfacte Private View Scented Candle
This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.
Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.
Olfactory notes
Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.
Olfacte Private View Scented Candle
This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.
Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.
Olfactory notes
Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.
Olfacte Private View Scented Candle
This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.
Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.
Olfactory notes
Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.
Olfacte Private View Scented Candle
This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.
Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.
Olfactory notes
Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.
Olfacte Private View Scented Candle
This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.
Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.
Olfactory notes
Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.
Olfacte Private View Scented Candle
This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.
Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.
Olfactory notes
Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Low shelf Zet Storing System
With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.
No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.
Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Floor Lamp AJ Pie
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.
*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.
Ver producto relacionado
Table Lamp PH 3/2
Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.
The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Table Lamp PH 3/2
Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.
The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Table Lamp PH 3/2
Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.
The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Table Lamp PH 3/2
Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.
The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Table Lamp PH 3/2
Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.
The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Table Lamp PH 3/2
Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.
The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Table Lamp PH 3/2
Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.
The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Table Lamp PH 3/2
Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.
The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Table Lamp PH 3/2
Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.
The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Table Lamp PH 3/2
Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.
The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Table Lamp PH 3/2
Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.
The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Table Lamp PH 3/2
Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.
The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
AJ Floor Lamp
Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.
The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.
*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Metal Basket Table Lamp
A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.
Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.
Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.
Oyster wall lamp
Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.
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Oyster wall lamp
Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.
Ver producto relacionado
Oyster wall lamp
Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.
Ver producto relacionado
Oyster wall lamp
Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.
Ver producto relacionado
Oyster wall lamp
Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.
Ver producto relacionado