Environments

The Afteroom coat rack by Audo is a tribute to simplicity and honesty, the collection's core values. Its timeless design, with clear references to Bauhaus and modernism, makes it a unique piece. The Afteroom coat rack combines aesthetics and functionality. Its hooks allow you to efficiently organize coats, clothes, or accessories. The hidden screws enhance the rack's minimalist aesthetic, creating a sense of order and cleanliness in your home.

This is the larger version of the collection, with more "points" for hanging clothes, bags, and other accessories in hallways, bedrooms, etc. It can also be hung horizontally or vertically, offering decorative freedom. Its elegant and minimalist design turns empty walls into blank canvases, allowing you to create unique and stylish compositions.

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The Afteroom coat rack by Audo is a tribute to simplicity and honesty, the collection's core values. Its timeless design, with clear references to Bauhaus and modernism, makes it a unique piece. The Afteroom coat rack combines aesthetics and functionality. Its hooks allow you to efficiently organize coats, clothes, or accessories. The hidden screws enhance the rack's minimalist aesthetic, creating a sense of order and cleanliness in your home.

This is the larger version of the collection, with more "points" for hanging clothes, bags, and other accessories in hallways, bedrooms, etc. It can also be hung horizontally or vertically, offering decorative freedom. Its elegant and minimalist design turns empty walls into blank canvases, allowing you to create unique and stylish compositions.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Evoke Pots are works of art that combine essential functionality with poetic charm to enhance the beauty of indoor and outdoor spaces. Inspired by nature, Evoke Pots feature soft, curved lines that mimic the organic shapes of plants. Their neutral, earthy colors blend seamlessly into any setting, from a minimalist living room to a lush garden.

Made from lightweight yet durable fiberglass, Evoke Pots are ideal for creating creative combinations. You can combine different sizes, shapes, and colors to create unique arrangements that reflect your personal style. Whether displayed alone or in combination, they'll add a touch of elegance and sophistication to any space.

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Evoke Pots are works of art that combine essential functionality with poetic charm to enhance the beauty of indoor and outdoor spaces. Inspired by nature, Evoke Pots feature soft, curved lines that mimic the organic shapes of plants. Their neutral, earthy colors blend seamlessly into any setting, from a minimalist living room to a lush garden.

Made from lightweight yet durable fiberglass, Evoke Pots are ideal for creating creative combinations. You can combine different sizes, shapes, and colors to create unique arrangements that reflect your personal style. Whether displayed alone or in combination, they'll add a touch of elegance and sophistication to any space.

Ver producto relacionado

Evoke Pots are works of art that combine essential functionality with poetic charm to enhance the beauty of indoor and outdoor spaces. Inspired by nature, Evoke Pots feature soft, curved lines that mimic the organic shapes of plants. Their neutral, earthy colors blend seamlessly into any setting, from a minimalist living room to a lush garden.

Made from lightweight yet durable fiberglass, Evoke Pots are ideal for creating creative combinations. You can combine different sizes, shapes, and colors to create unique arrangements that reflect your personal style. Whether displayed alone or in combination, they'll add a touch of elegance and sophistication to any space.

Ver producto relacionado

Evoke Pots are works of art that combine essential functionality with poetic charm to enhance the beauty of indoor and outdoor spaces. Inspired by nature, Evoke Pots feature soft, curved lines that mimic the organic shapes of plants. Their neutral, earthy colors blend seamlessly into any setting, from a minimalist living room to a lush garden.

Made from lightweight yet durable fiberglass, Evoke Pots are ideal for creating creative combinations. You can combine different sizes, shapes, and colors to create unique arrangements that reflect your personal style. Whether displayed alone or in combination, they'll add a touch of elegance and sophistication to any space.

Ver producto relacionado

Evoke Pots are works of art that combine essential functionality with poetic charm to enhance the beauty of indoor and outdoor spaces. Inspired by nature, Evoke Pots feature soft, curved lines that mimic the organic shapes of plants. Their neutral, earthy colors blend seamlessly into any setting, from a minimalist living room to a lush garden.

Made from lightweight yet durable fiberglass, Evoke Pots are ideal for creating creative combinations. You can combine different sizes, shapes, and colors to create unique arrangements that reflect your personal style. Whether displayed alone or in combination, they'll add a touch of elegance and sophistication to any space.

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The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

Ver producto relacionado

The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

Ver producto relacionado

The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

Ver producto relacionado

The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

Ver producto relacionado

The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

Ver producto relacionado

The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

Ver producto relacionado

The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

Ver producto relacionado

The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

Ver producto relacionado

The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

Ver producto relacionado

The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

Ver producto relacionado

The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

Ver producto relacionado

The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

Ver producto relacionado

The Daiza planter is a modern reinterpretation of ancient amphorae, with an elegant shape inspired by stoneware and a glossy glaze finish that creates depth of color and a captivating texture. Inspired by the timeless beauty of classic ceramics, Daiza brings a sophisticated touch to any space.

Its elevated design on iron legs allows for dynamic arrangements by grouping several pieces together, making it an ideal choice for both indoor and outdoor decoration (following the care instructions). Available in four sizes, the Daiza planter adapts to your needs and preferences, whether as a decorative accent for a small side table or a striking piece for your garden.

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Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

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Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

Ver producto relacionado

Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

Ver producto relacionado

Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

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Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

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Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

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Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

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Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

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Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

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Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

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Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

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Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

Ver producto relacionado

Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

Ver producto relacionado

Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

Ver producto relacionado

Plantas planters are handcrafted pieces made from matte ivory stoneware. They feature a unique design with curves and an irregular, grooved surface, adding a natural, textured touch to your decor. Each piece is unique and unrepeatable, and although designed for indoor use, they can also be used outdoors following the care instructions. Available in four sizes to suit your needs, Plantas planters enhance the beauty of your plants and add a special touch to your home.

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Inspired by classic miner's lamps, the Ray table lamp by Daniel Schofield for Audo features a distinctive and functional silhouette. Its minimalist design, crafted from powder-coated metal and glass, is complemented by a top handle for easy carrying.
Whether on a living room shelf, a dining table, or a bedside table, the Ray lamp goes wherever you need it. Its energy-efficient LED light, dimmable in three intensity levels, creates a warm and inviting atmosphere. It's also available in two colors to match the aesthetics of any space.

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Inspired by classic miner's lamps, the Ray table lamp by Daniel Schofield for Audo features a distinctive and functional silhouette. Its minimalist design, crafted from powder-coated metal and glass, is complemented by a top handle for easy carrying.
Whether on a living room shelf, a dining table, or a bedside table, the Ray lamp goes wherever you need it. Its energy-efficient LED light, dimmable in three intensity levels, creates a warm and inviting atmosphere. It's also available in two colors to match the aesthetics of any space.

Ver producto relacionado

Inspired by classic miner's lamps, the Ray table lamp by Daniel Schofield for Audo features a distinctive and functional silhouette. Its minimalist design, crafted from powder-coated metal and glass, is complemented by a top handle for easy carrying.
Whether on a living room shelf, a dining table, or a bedside table, the Ray lamp goes wherever you need it. Its energy-efficient LED light, dimmable in three intensity levels, creates a warm and inviting atmosphere. It's also available in two colors to match the aesthetics of any space.

Ver producto relacionado

Inspired by classic miner's lamps, the Ray table lamp by Daniel Schofield for Audo features a distinctive and functional silhouette. Its minimalist design, crafted from powder-coated metal and glass, is complemented by a top handle for easy carrying.
Whether on a living room shelf, a dining table, or a bedside table, the Ray lamp goes wherever you need it. Its energy-efficient LED light, dimmable in three intensity levels, creates a warm and inviting atmosphere. It's also available in two colors to match the aesthetics of any space.

Ver producto relacionado

Inspired by classic miner's lamps, the Ray table lamp by Daniel Schofield for Audo features a distinctive and functional silhouette. Its minimalist design, crafted from powder-coated metal and glass, is complemented by a top handle for easy carrying.
Whether on a living room shelf, a dining table, or a bedside table, the Ray lamp goes wherever you need it. Its energy-efficient LED light, dimmable in three intensity levels, creates a warm and inviting atmosphere. It's also available in two colors to match the aesthetics of any space.

Ver producto relacionado

Inspired by classic miner's lamps, the Ray table lamp by Daniel Schofield for Audo features a distinctive and functional silhouette. Its minimalist design, crafted from powder-coated metal and glass, is complemented by a top handle for easy carrying.
Whether on a living room shelf, a dining table, or a bedside table, the Ray lamp goes wherever you need it. Its energy-efficient LED light, dimmable in three intensity levels, creates a warm and inviting atmosphere. It's also available in two colors to match the aesthetics of any space.

Ver producto relacionado

Inspired by classic miner's lamps, the Ray table lamp by Daniel Schofield for Audo features a distinctive and functional silhouette. Its minimalist design, crafted from powder-coated metal and glass, is complemented by a top handle for easy carrying.
Whether on a living room shelf, a dining table, or a bedside table, the Ray lamp goes wherever you need it. Its energy-efficient LED light, dimmable in three intensity levels, creates a warm and inviting atmosphere. It's also available in two colors to match the aesthetics of any space.

Ver producto relacionado

Inspired by classic miner's lamps, the Ray table lamp by Daniel Schofield for Audo features a distinctive and functional silhouette. Its minimalist design, crafted from powder-coated metal and glass, is complemented by a top handle for easy carrying.
Whether on a living room shelf, a dining table, or a bedside table, the Ray lamp goes wherever you need it. Its energy-efficient LED light, dimmable in three intensity levels, creates a warm and inviting atmosphere. It's also available in two colors to match the aesthetics of any space.

Ver producto relacionado

Inspired by classic miner's lamps, the Ray table lamp by Daniel Schofield for Audo features a distinctive and functional silhouette. Its minimalist design, crafted from powder-coated metal and glass, is complemented by a top handle for easy carrying.
Whether on a living room shelf, a dining table, or a bedside table, the Ray lamp goes wherever you need it. Its energy-efficient LED light, dimmable in three intensity levels, creates a warm and inviting atmosphere. It's also available in two colors to match the aesthetics of any space.

Ver producto relacionado

Inspired by classic miner's lamps, the Ray table lamp by Daniel Schofield for Audo features a distinctive and functional silhouette. Its minimalist design, crafted from powder-coated metal and glass, is complemented by a top handle for easy carrying.
Whether on a living room shelf, a dining table, or a bedside table, the Ray lamp goes wherever you need it. Its energy-efficient LED light, dimmable in three intensity levels, creates a warm and inviting atmosphere. It's also available in two colors to match the aesthetics of any space.

Ver producto relacionado

Inspired by classic miner's lamps, the Ray table lamp by Daniel Schofield for Audo features a distinctive and functional silhouette. Its minimalist design, crafted from powder-coated metal and glass, is complemented by a top handle for easy carrying.
Whether on a living room shelf, a dining table, or a bedside table, the Ray lamp goes wherever you need it. Its energy-efficient LED light, dimmable in three intensity levels, creates a warm and inviting atmosphere. It's also available in two colors to match the aesthetics of any space.

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In this section, you'll find all the components and accessories you need to expand, add-ons, or purchase replacement parts for your String System.

If you prefer to create your own String System from scratch or visualize your expansion, you can also use the Build Your Own String® Configurator . String allows you to create a unique system that suits your style and needs. Planning your home has never been easier.

With a little creativity, you can create a system that's both functional and decorative. And if you need inspiration , visit our String Furniture Environments section, where you'll find String products in real-life settings to fully appreciate their potential.

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Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

Born from the mind of Norwegian architect and designer Danielle Siggerud, the Androgyne collection fuses simplicity and refined materials. Originally designed for Audo's former showroom café, this table celebrates craftsmanship and the natural beauty of wood.

Available in natural oak or walnut, or dark-stained oak, the Androgyne table offers a warm and inviting color palette. For those seeking a more sophisticated touch, there is also the option of a Kunis Breccia stone or Calacatta Viola marble top.

More than just a table, Androgyne is a versatile piece that can adapt to different needs. Its modern design makes it an ideal choice for the living room, but it can also be used as a bench for books or decorative objects.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

This portable version offers great versatility. It features fully adjustable intensity with a continuous press, or three preset levels activated with a single touch.

The PH 2/1 lamp is a masterpiece of Danish design that perfectly combines elegance and functionality. Its hand-blown opal glass shade system creates a soft and harmonious light, perfect for any space. The shape of the shade is inspired by the lituus curve, found in nature. This unique shape provides even light distribution, preventing glare and creating a welcoming atmosphere.

The PH 2/1 lamp is made of high-quality materials, such as brass or chrome plating, and opal glass. This ensures a long lifespan and an elegant look that complements any style.

The Lager wall shelf combines essential functionality with a refined aesthetic inspired by industrial and brutalist styles. Its high-quality aluminum frame is strong, durable, and capable of supporting a considerable load, while maintaining a light and sophisticated appearance.

Its minimalist design—with smooth surfaces, straight lines, and balanced proportions—makes it a versatile piece that fits naturally into contemporary homes, offices, lofts, or commercial spaces. The French slat suspension system allows for a sturdy, height-adjustable installation, easily adapting to the needs of the space.

Ideal for displaying books, plants, frames, or decorative objects, it can be used individually or stacked vertically to create a library-style arrangement.

Discover more pieces from this series in Ferm Living's Lager collection and transform everyday storage into a design statement.

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The Lager wall shelf combines essential functionality with a refined aesthetic inspired by industrial and brutalist styles. Its high-quality aluminum frame is strong, durable, and capable of supporting a considerable load, while maintaining a light and sophisticated appearance.

Its minimalist design—with smooth surfaces, straight lines, and balanced proportions—makes it a versatile piece that fits naturally into contemporary homes, offices, lofts, or commercial spaces. The French slat suspension system allows for a sturdy, height-adjustable installation, easily adapting to the needs of the space.

Ideal for displaying books, plants, frames, or decorative objects, it can be used individually or stacked vertically to create a library-style arrangement.

Discover more pieces from this series in Ferm Living's Lager collection and transform everyday storage into a design statement.

Ver producto relacionado

The Lager wall shelf combines essential functionality with a refined aesthetic inspired by industrial and brutalist styles. Its high-quality aluminum frame is strong, durable, and capable of supporting a considerable load, while maintaining a light and sophisticated appearance.

Its minimalist design—with smooth surfaces, straight lines, and balanced proportions—makes it a versatile piece that fits naturally into contemporary homes, offices, lofts, or commercial spaces. The French slat suspension system allows for a sturdy, height-adjustable installation, easily adapting to the needs of the space.

Ideal for displaying books, plants, frames, or decorative objects, it can be used individually or stacked vertically to create a library-style arrangement.

Discover more pieces from this series in Ferm Living's Lager collection and transform everyday storage into a design statement.

Ver producto relacionado

The Lager wall shelf combines essential functionality with a refined aesthetic inspired by industrial and brutalist styles. Its high-quality aluminum frame is strong, durable, and capable of supporting a considerable load, while maintaining a light and sophisticated appearance.

Its minimalist design—with smooth surfaces, straight lines, and balanced proportions—makes it a versatile piece that fits naturally into contemporary homes, offices, lofts, or commercial spaces. The French slat suspension system allows for a sturdy, height-adjustable installation, easily adapting to the needs of the space.

Ideal for displaying books, plants, frames, or decorative objects, it can be used individually or stacked vertically to create a library-style arrangement.

Discover more pieces from this series in Ferm Living's Lager collection and transform everyday storage into a design statement.

Ver producto relacionado

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

Ver producto relacionado

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

Ver producto relacionado

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

Ver producto relacionado

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

Ver producto relacionado

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

Ver producto relacionado

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

Ver producto relacionado

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

Ver producto relacionado

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

Ver producto relacionado

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

Ver producto relacionado

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

Ver producto relacionado