Environments

Tripod humanizes neutral spaces with its colorful and functional simplicity. It is manually taped, turn after turn, and its base offers the best possible stability. When lit, it provides a characteristic warm light, rich in nuances. And when unlit, it constitutes a small volumetric sculpture that invites immediate use.

The GT5 pendant lamp, from 1994, was the first of a large family that emerged as an alternative to the use of cardboard, methacrylate, or continuous textile shades, recovering forgotten crafts through its handmade cotton ribbons.
As the Tripod family has grown to meet diverse needs, so have its wrapping options.
In 2013, together with the Raw Color studio in Eindhoven (Netherlands), new colors were developed based on three threads: a brick red, a mustard yellow, and a green, which were added to the basic colors that have been in place since 1994: off-white, amber red, and black. In 2022, for its 25th anniversary, we are presenting two new options designed by textile expert Júlia Esqué. Her intervention results in the Breton and Diplomatic stripes, two types of ribbons that provide rhythm and personality. A totem of contemporary design: understated, colorful, and functional.

Tripod humanizes neutral spaces with its colorful and functional simplicity. It is manually taped, turn after turn, and its base offers the best possible stability. When lit, it provides a characteristic warm light, rich in nuances. And when unlit, it constitutes a small volumetric sculpture that invites immediate use.

The GT5 pendant lamp, from 1994, was the first of a large family that emerged as an alternative to the use of cardboard, methacrylate, or continuous textile shades, recovering forgotten crafts through its handmade cotton ribbons.
As the Tripod family has grown to meet diverse needs, so have its wrapping options.
In 2013, together with the Raw Color studio in Eindhoven (Netherlands), new colors were developed based on three threads: a brick red, a mustard yellow, and a green, which were added to the basic colors that have been in place since 1994: off-white, amber red, and black. In 2022, for its 25th anniversary, we are presenting two new options designed by textile expert Júlia Esqué. Her intervention results in the Breton and Diplomatic stripes, two types of ribbons that provide rhythm and personality. A totem of contemporary design: understated, colorful, and functional.

Tripod humanizes neutral spaces with its colorful and functional simplicity. It is manually taped, turn after turn, and its base offers the best possible stability. When lit, it provides a characteristic warm light, rich in nuances. And when unlit, it constitutes a small volumetric sculpture that invites immediate use.

The GT5 pendant lamp, from 1994, was the first of a large family that emerged as an alternative to the use of cardboard, methacrylate, or continuous textile shades, recovering forgotten crafts through its handmade cotton ribbons.
As the Tripod family has grown to meet diverse needs, so have its wrapping options.
In 2013, together with the Raw Color studio in Eindhoven (Netherlands), new colors were developed based on three threads: a brick red, a mustard yellow, and a green, which were added to the basic colors that have been in place since 1994: off-white, amber red, and black. In 2022, for its 25th anniversary, we are presenting two new options designed by textile expert Júlia Esqué. Her intervention results in the Breton and Diplomatic stripes, two types of ribbons that provide rhythm and personality. A totem of contemporary design: understated, colorful, and functional.

Tripod humanizes neutral spaces with its colorful and functional simplicity. It is manually taped, turn after turn, and its base offers the best possible stability. When lit, it provides a characteristic warm light, rich in nuances. And when unlit, it constitutes a small volumetric sculpture that invites immediate use.

The GT5 pendant lamp, from 1994, was the first of a large family that emerged as an alternative to the use of cardboard, methacrylate, or continuous textile shades, recovering forgotten crafts through its handmade cotton ribbons.
As the Tripod family has grown to meet diverse needs, so have its wrapping options.
In 2013, together with the Raw Color studio in Eindhoven (Netherlands), new colors were developed based on three threads: a brick red, a mustard yellow, and a green, which were added to the basic colors that have been in place since 1994: off-white, amber red, and black. In 2022, for its 25th anniversary, we are presenting two new options designed by textile expert Júlia Esqué. Her intervention results in the Breton and Diplomatic stripes, two types of ribbons that provide rhythm and personality. A totem of contemporary design: understated, colorful, and functional.

Tripod humanizes neutral spaces with its colorful and functional simplicity. It is manually taped, turn after turn, and its base offers the best possible stability. When lit, it provides a characteristic warm light, rich in nuances. And when unlit, it constitutes a small volumetric sculpture that invites immediate use.

The GT5 pendant lamp, from 1994, was the first of a large family that emerged as an alternative to the use of cardboard, methacrylate, or continuous textile shades, recovering forgotten crafts through its handmade cotton ribbons.
As the Tripod family has grown to meet diverse needs, so have its wrapping options.
In 2013, together with the Raw Color studio in Eindhoven (Netherlands), new colors were developed based on three threads: a brick red, a mustard yellow, and a green, which were added to the basic colors that have been in place since 1994: off-white, amber red, and black. In 2022, for its 25th anniversary, we are presenting two new options designed by textile expert Júlia Esqué. Her intervention results in the Breton and Diplomatic stripes, two types of ribbons that provide rhythm and personality. A totem of contemporary design: understated, colorful, and functional.

Tripod humanizes neutral spaces with its colorful and functional simplicity. It is manually taped, turn after turn, and its base offers the best possible stability. When lit, it provides a characteristic warm light, rich in nuances. And when unlit, it constitutes a small volumetric sculpture that invites immediate use.

The GT5 pendant lamp, from 1994, was the first of a large family that emerged as an alternative to the use of cardboard, methacrylate, or continuous textile shades, recovering forgotten crafts through its handmade cotton ribbons.
As the Tripod family has grown to meet diverse needs, so have its wrapping options.
In 2013, together with the Raw Color studio in Eindhoven (Netherlands), new colors were developed based on three threads: a brick red, a mustard yellow, and a green, which were added to the basic colors that have been in place since 1994: off-white, amber red, and black. In 2022, for its 25th anniversary, we are presenting two new options designed by textile expert Júlia Esqué. Her intervention results in the Breton and Diplomatic stripes, two types of ribbons that provide rhythm and personality. A totem of contemporary design: understated, colorful, and functional.

Tripod humanizes neutral spaces with its colorful and functional simplicity. It is manually taped, turn after turn, and its base offers the best possible stability. When lit, it provides a characteristic warm light, rich in nuances. And when unlit, it constitutes a small volumetric sculpture that invites immediate use.

The GT5 pendant lamp, from 1994, was the first of a large family that emerged as an alternative to the use of cardboard, methacrylate, or continuous textile shades, recovering forgotten crafts through its handmade cotton ribbons.
As the Tripod family has grown to meet diverse needs, so have its wrapping options.
In 2013, together with the Raw Color studio in Eindhoven (Netherlands), new colors were developed based on three threads: a brick red, a mustard yellow, and a green, which were added to the basic colors that have been in place since 1994: off-white, amber red, and black. In 2022, for its 25th anniversary, we are presenting two new options designed by textile expert Júlia Esqué. Her intervention results in the Breton and Diplomatic stripes, two types of ribbons that provide rhythm and personality. A totem of contemporary design: understated, colorful, and functional.

Tripod humanizes neutral spaces with its colorful and functional simplicity. It is manually taped, turn after turn, and its base offers the best possible stability. When lit, it provides a characteristic warm light, rich in nuances. And when unlit, it constitutes a small volumetric sculpture that invites immediate use.

The GT5 pendant lamp, from 1994, was the first of a large family that emerged as an alternative to the use of cardboard, methacrylate, or continuous textile shades, recovering forgotten crafts through its handmade cotton ribbons.
As the Tripod family has grown to meet diverse needs, so have its wrapping options.
In 2013, together with the Raw Color studio in Eindhoven (Netherlands), new colors were developed based on three threads: a brick red, a mustard yellow, and a green, which were added to the basic colors that have been in place since 1994: off-white, amber red, and black. In 2022, for its 25th anniversary, we are presenting two new options designed by textile expert Júlia Esqué. Her intervention results in the Breton and Diplomatic stripes, two types of ribbons that provide rhythm and personality. A totem of contemporary design: understated, colorful, and functional.

Tripod humanizes neutral spaces with its colorful and functional simplicity. It is manually taped, turn after turn, and its base offers the best possible stability. When lit, it provides a characteristic warm light, rich in nuances. And when unlit, it constitutes a small volumetric sculpture that invites immediate use.

The GT5 pendant lamp, from 1994, was the first of a large family that emerged as an alternative to the use of cardboard, methacrylate, or continuous textile shades, recovering forgotten crafts through its handmade cotton ribbons.
As the Tripod family has grown to meet diverse needs, so have its wrapping options.
In 2013, together with the Raw Color studio in Eindhoven (Netherlands), new colors were developed based on three threads: a brick red, a mustard yellow, and a green, which were added to the basic colors that have been in place since 1994: off-white, amber red, and black. In 2022, for its 25th anniversary, we are presenting two new options designed by textile expert Júlia Esqué. Her intervention results in the Breton and Diplomatic stripes, two types of ribbons that provide rhythm and personality. A totem of contemporary design: understated, colorful, and functional.

The NJP Mini lamp represents a scaled-down version of the NJP table lamp, a modern interpretation of the classic architect's lamp. Designed in 2022 by the prestigious Japanese design studio Nendo, the NJP Mini brings even greater versatility to the NJP family of luminaires, the first series of which appeared in 2015.

The distinctive rear opening of the shade allows for progressive adjustment of the head, in addition to the smooth rotation of the arm, up to 342° around the base, allowing great freedom in directing the light. Its relatively small size allows it to fit perfectly into almost any location and create a relaxing atmosphere in the bedroom, living room, or home office, but also in cafés, hotels, or relaxation areas.

This new addition to the NJP family has been designed with a new palette of four warm colors (rose brown, light pink, petrol blue, and taupe) in addition to the three classic colors (black, white, and light aluminum gray). These seven colors bring a timeless character to this contemporary design, making it a versatile product suitable for any space.

The NJP Mini lamp represents a scaled-down version of the NJP table lamp, a modern interpretation of the classic architect's lamp. Designed in 2022 by the prestigious Japanese design studio Nendo, the NJP Mini brings even greater versatility to the NJP family of luminaires, the first series of which appeared in 2015.

The distinctive rear opening of the shade allows for progressive adjustment of the head, in addition to the smooth rotation of the arm, up to 342° around the base, allowing great freedom in directing the light. Its relatively small size allows it to fit perfectly into almost any location and create a relaxing atmosphere in the bedroom, living room, or home office, but also in cafés, hotels, or relaxation areas.

This new addition to the NJP family has been designed with a new palette of four warm colors (rose brown, light pink, petrol blue, and taupe) in addition to the three classic colors (black, white, and light aluminum gray). These seven colors bring a timeless character to this contemporary design, making it a versatile product suitable for any space.

The NJP Mini lamp represents a scaled-down version of the NJP table lamp, a modern interpretation of the classic architect's lamp. Designed in 2022 by the prestigious Japanese design studio Nendo, the NJP Mini brings even greater versatility to the NJP family of luminaires, the first series of which appeared in 2015.

The distinctive rear opening of the shade allows for progressive adjustment of the head, in addition to the smooth rotation of the arm, up to 342° around the base, allowing great freedom in directing the light. Its relatively small size allows it to fit perfectly into almost any location and create a relaxing atmosphere in the bedroom, living room, or home office, but also in cafés, hotels, or relaxation areas.

This new addition to the NJP family has been designed with a new palette of four warm colors (rose brown, light pink, petrol blue, and taupe) in addition to the three classic colors (black, white, and light aluminum gray). These seven colors bring a timeless character to this contemporary design, making it a versatile product suitable for any space.

The NJP Mini lamp represents a scaled-down version of the NJP table lamp, a modern interpretation of the classic architect's lamp. Designed in 2022 by the prestigious Japanese design studio Nendo, the NJP Mini brings even greater versatility to the NJP family of luminaires, the first series of which appeared in 2015.

The distinctive rear opening of the shade allows for progressive adjustment of the head, in addition to the smooth rotation of the arm, up to 342° around the base, allowing great freedom in directing the light. Its relatively small size allows it to fit perfectly into almost any location and create a relaxing atmosphere in the bedroom, living room, or home office, but also in cafés, hotels, or relaxation areas.

This new addition to the NJP family has been designed with a new palette of four warm colors (rose brown, light pink, petrol blue, and taupe) in addition to the three classic colors (black, white, and light aluminum gray). These seven colors bring a timeless character to this contemporary design, making it a versatile product suitable for any space.

The NJP Mini lamp represents a scaled-down version of the NJP table lamp, a modern interpretation of the classic architect's lamp. Designed in 2022 by the prestigious Japanese design studio Nendo, the NJP Mini brings even greater versatility to the NJP family of luminaires, the first series of which appeared in 2015.

The distinctive rear opening of the shade allows for progressive adjustment of the head, in addition to the smooth rotation of the arm, up to 342° around the base, allowing great freedom in directing the light. Its relatively small size allows it to fit perfectly into almost any location and create a relaxing atmosphere in the bedroom, living room, or home office, but also in cafés, hotels, or relaxation areas.

This new addition to the NJP family has been designed with a new palette of four warm colors (rose brown, light pink, petrol blue, and taupe) in addition to the three classic colors (black, white, and light aluminum gray). These seven colors bring a timeless character to this contemporary design, making it a versatile product suitable for any space.

The NJP Mini lamp represents a scaled-down version of the NJP table lamp, a modern interpretation of the classic architect's lamp. Designed in 2022 by the prestigious Japanese design studio Nendo, the NJP Mini brings even greater versatility to the NJP family of luminaires, the first series of which appeared in 2015.

The distinctive rear opening of the shade allows for progressive adjustment of the head, in addition to the smooth rotation of the arm, up to 342° around the base, allowing great freedom in directing the light. Its relatively small size allows it to fit perfectly into almost any location and create a relaxing atmosphere in the bedroom, living room, or home office, but also in cafés, hotels, or relaxation areas.

This new addition to the NJP family has been designed with a new palette of four warm colors (rose brown, light pink, petrol blue, and taupe) in addition to the three classic colors (black, white, and light aluminum gray). These seven colors bring a timeless character to this contemporary design, making it a versatile product suitable for any space.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The Carrie portable lamp by Audo Copenhagen is a stylish and versatile lamp that's perfect for any space. Its simple, timeless design makes it perfect for any decor, and its portability makes it a great choice for any occasion.

The Carrie lamp is made of powder-coated steel and an opal glass shade. The LED light source provides a warm, inviting glow that's perfect for creating a relaxing atmosphere. The lamp also has a rechargeable battery that allows it to run for up to 12 hours on a single charge.

The Carrie lamp is available in a variety of colors, including black, white, olive green, and burnt red. Each color has its own unique style, so you can find the perfect one for your home.

The KUBUS T candle holder has been an icon of Danish design since its creation in 1962 by architect Mogens Lassen. Its simple and elegant design, featuring a metal cube on a pedestal, makes it a perfect addition to any home.

The KUBUS T candle holder is a versatile piece that can be used for a variety of occasions. It's perfect for a romantic dinner, a movie night, or simply enjoying a cup of coffee in the morning.

The KUBUS T candle holder has been an icon of Danish design since its creation in 1962 by architect Mogens Lassen. Its simple and elegant design, featuring a metal cube on a pedestal, makes it a perfect addition to any home.

The KUBUS T candle holder is a versatile piece that can be used for a variety of occasions. It's perfect for a romantic dinner, a movie night, or simply enjoying a cup of coffee in the morning.

The KUBUS T candle holder has been an icon of Danish design since its creation in 1962 by architect Mogens Lassen. Its simple and elegant design, featuring a metal cube on a pedestal, makes it a perfect addition to any home.

The KUBUS T candle holder is a versatile piece that can be used for a variety of occasions. It's perfect for a romantic dinner, a movie night, or simply enjoying a cup of coffee in the morning.

The KUBUS T candle holder has been an icon of Danish design since its creation in 1962 by architect Mogens Lassen. Its simple and elegant design, featuring a metal cube on a pedestal, makes it a perfect addition to any home.

The KUBUS T candle holder is a versatile piece that can be used for a variety of occasions. It's perfect for a romantic dinner, a movie night, or simply enjoying a cup of coffee in the morning.

The KUBUS T candle holder has been an icon of Danish design since its creation in 1962 by architect Mogens Lassen. Its simple and elegant design, featuring a metal cube on a pedestal, makes it a perfect addition to any home.

The KUBUS T candle holder is a versatile piece that can be used for a variety of occasions. It's perfect for a romantic dinner, a movie night, or simply enjoying a cup of coffee in the morning.

The KUBUS T candle holder has been an icon of Danish design since its creation in 1962 by architect Mogens Lassen. Its simple and elegant design, featuring a metal cube on a pedestal, makes it a perfect addition to any home.

The KUBUS T candle holder is a versatile piece that can be used for a variety of occasions. It's perfect for a romantic dinner, a movie night, or simply enjoying a cup of coffee in the morning.

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

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With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

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With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

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With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

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With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

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With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

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With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

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With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

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With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

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With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both the base and the shade serve as reflectors. Combined with the opal white color, this makes it not only a piece of great beauty but also functional, providing a pleasantly diffused and reflected light. The Panthella 400 Table Lamp is a popular choice, with its opal white color combination and 400 mm diameter shade.

*This product is usually in stock and can be delivered within 5 to 7 days. Occasionally, delivery may take several weeks. If this is the case, we will notify you immediately.

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The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

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The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

Ver producto relacionado

The Santa & Cole G6 Tripod is one of those pieces that defines a style without overpowering it. Designed in 1997, this table lamp features a clear, structured silhouette: a three-legged, black-painted metal base supporting a striking textile shade.

Its light is warm, soft, and enveloping, ideal for adding atmosphere to intimate spaces such as living rooms, reading nooks, or bedrooms. The texture of its shade creates a warm visual effect even when it's off, blending elegantly into contemporary, eclectic, or understated interiors.

Selected by MIDIMAL for its essential style and ability to create atmospheres without excess, the G6 Tripod is a lamp that illuminates with character, without sacrificing simplicity.

Discover more luminaires with identity in the collection Santa & Cole in MIDIMAL and transform light into part of your spatial language.

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Inspired by vintage dressing room mirrors, the Norm Oval mirror is simple and stylish. A practical and versatile mirror, perfect for placing in the bathroom, hallway, or dressing room. This mirror is part of a collection by Norm Architects. Each mirror is made with a powder-coated metal frame and has gently rounded corners.

Inspired by vintage dressing room mirrors, the Norm Oval mirror is simple and stylish. A practical and versatile mirror, perfect for placing in the bathroom, hallway, or dressing room. This mirror is part of a collection by Norm Architects. Each mirror is made with a powder-coated metal frame and has gently rounded corners.

Inspired by vintage dressing room mirrors, the Norm Oval mirror is simple and stylish. A practical and versatile mirror, perfect for placing in the bathroom, hallway, or dressing room. This mirror is part of a collection by Norm Architects. Each mirror is made with a powder-coated metal frame and has gently rounded corners.

Inspired by vintage dressing room mirrors, the Norm Oval mirror is simple and stylish. A practical and versatile mirror, perfect for placing in the bathroom, hallway, or dressing room. This mirror is part of a collection by Norm Architects. Each mirror is made with a powder-coated metal frame and has gently rounded corners.

The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.

The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.

The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.

The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.

The compact design of this vanity-style bathroom mirror makes it a highly elegant accessory for a home's entryway, bedroom, or bathroom. Whether mounted on the wall or placed above a dresser or cupboard, it comes in two finishes: black and white. Its generous dimensions are designed to provide the right perspective while visually expanding a space.

Changing the shape of one of the brand's most timeless pieces, Plant Box Round brings an organic expression to the home. It retains the clean lines and sleek look of the Plant Box we know, but its round box presents a whole new range of styling options. Fill it with plants or combine it with the round lid to turn it into a stylish coffee table with practical storage.

Changing the shape of one of the brand's most timeless pieces, Plant Box Round brings an organic expression to the home. It retains the clean lines and sleek look of the Plant Box we know, but its round box presents a whole new range of styling options. Fill it with plants or combine it with the round lid to turn it into a stylish coffee table with practical storage.

Changing the shape of one of the brand's most timeless pieces, Plant Box Round brings an organic expression to the home. It retains the clean lines and sleek look of the Plant Box we know, but its round box presents a whole new range of styling options. Fill it with plants or combine it with the round lid to turn it into a stylish coffee table with practical storage.

Large, low, and deep, this powder-coated metal Plant Box is ideal for both housing plants and storing everyday clutter, from magazines and books to toys and office supplies. Set on a slim yet sturdy frame, this timeless design can also be used with the matching lid for extra surface space.

Large, low, and deep, this powder-coated metal Plant Box is ideal for both housing plants and storing everyday clutter, from magazines and books to toys and office supplies. Set on a slim yet sturdy frame, this timeless design can also be used with the matching lid for extra surface space.

Large, low, and deep, this powder-coated metal Plant Box is ideal for both housing plants and storing everyday clutter, from magazines and books to toys and office supplies. Set on a slim yet sturdy frame, this timeless design can also be used with the matching lid for extra surface space.

Large, low, and deep, this powder-coated metal Plant Box is ideal for both housing plants and storing everyday clutter, from magazines and books to toys and office supplies. Set on a slim yet sturdy frame, this timeless design can also be used with the matching lid for extra surface space.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The architectural Pillar pedestal is made entirely of fiberglass-reinforced concrete. To give the piece a textured feel, grooves have been etched into the surface, creating a beautiful pattern reminiscent of tile. This sturdy pedestal has multiple uses, whether as an elegant plant stand, a versatile side table, or a striking nightstand.

The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.

Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.

Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.

Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.

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The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.

Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.

Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.

Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.

Ver producto relacionado

The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.

Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.

Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.

Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.

Ver producto relacionado

The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.

Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.

Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.

Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.

Ver producto relacionado

The Kubus T Candle Holder by Audo Copenhagen is a sculptural piece that transcends its functionality. Originally designed in 1962 by Mogens Lassen, this iconic object of Danish design encapsulates a pure architectural vision in its geometric form: straight lines, precise proportions, and an expression that balances form and silence.

Its matte-finished metal frame holds the candle in a restrained, almost graphic gesture, capable of transforming the environment with just a flick of a switch. Perfect for dining rooms, mantels, or side tables, the Kubus T is more than just a candle holder: it's a detail that reveals aesthetic sensitivity.

Selected by MIDIMAL for its timeless appeal and sculptural character, the Kubus T is a style statement for those who understand design as a way of living with intention. Available in a variety of finishes to blend harmoniously into any contemporary interior.

Discover more pieces from the Kubus collection in the Audo Copenhagen selection at MIDIMAL and transform the everyday into essential design.

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The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

The NM&.045 Museum Shelf by String is a minimalist and functional console shelf. It was originally designed in 1962 by Nisse Strinning for the National Museum of Sweden, where it was used to display artwork in the museum's café and restaurant.

The shelf is made of aluminum. It consists of two side supports, a horizontal bar, and a shelf. The side supports are fixed to the wall with two screws. The horizontal bar is placed on the side supports, and the shelf is placed on the horizontal bar.

The NM&.045 shelf from the Museum collection is a versatile product that can be used as a nightstand, a side table, or a decorative display. It's a timeless piece that fits into any decor style.

It is available in five colors: white, aluminum, beige, orange and dark brown.

Ver producto relacionado

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

This romantic scent is designed for our most intimate spaces. Private View achieves connection: mind, body, and desire. Tangerine zest meets a veil of smoky palo santo and earthy vetiver, layered with earthy leather and delicate vanilla nuances.

Each candle is responsibly crafted with natural essential oils and plant-based wax. Free of parabens and phthalates.

Olfactory notes

Top notes: eucalyptus, mandarin zest.
Middle notes: patchouli, vetiver, cypress.
Base notes: leather, palo santo, vanilla, cedar wood.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Poul Henningsen designed the three-shade system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps using this system for an exhibition in Paris. Their collaboration continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting where it was most needed. He also used incandescent bulbs as a light source to create soft shadows.

The PH 3/2 Table Lamp is part of the three-shade family, which currently comprises 30 lights, including three for outdoor use. PH therefore didn't simply design one light but an entire system; over the years, around 1,000 different models have been created. This wide selection included table lamps, floor lamps, and wall lights, as well as a series of chandeliers that were very popular in the 1930s for illuminating private homes with high ceilings. There were endless possible combinations. The lights came in different colors and sizes. The first shades were made of metal, with an inner surface painted white, gold, or silver, depending on whether a diffused, warm, or cool light was desired. Later, glass began to be used for the three-shade system. In addition to projecting light downwards, the glass lamps illuminated the rest of the room.
PH was the first to apply a scientific approach to light and base it on the Lituus curve. By using a design based on the Lituus curve, he achieved an even distribution of light across the entire curve of the screen. This even distribution, along with diffuse reflection through the glass, made it possible to control glare and shadows. Each screen reduces the amount of light equally thanks to its distance from the light source.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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