Environments

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

The tops and legs of the Solapa table are supplied in different boxes, so they can be combined as desired. Any top can be fitted with the desired 30 or 36 cm leg.

Innovations:

• Legs: the legs of La Solapa are made of polypropylene reinforced with white or black fiberglass with two different heights: 30 and 36 cm. Thanks to these two heights, the tables can be combined according to your wishes.
• Black Fenix ​​Lids: Fenix ​​is ​​an innovative supermatte nanotechnological material. The outer surface of Fenix ​​is ​​obtained with the application of nanotechnology with low light reflectance, its surface is extraordinarily matte, anti-fingerprint, pleasant and soft to the touch. Thanks to the use of nanotechnology, Fenix ​​is ​​capable of regenerating itself from possible superficial micro-scratches through a thermal repair process, as its name indicates. Furthermore, Fenix ​​is ​​highly resistant to scratching, abrasion, rubbing and dry heat. It resists very well to blows, acid solvents and household reagents. It has a high activity of abatement of the bacterial load that makes its surface hygienic and easy to clean. It is also waterproof and mold resistant.
• Oak, Walnut and White Tops: These tops are made of 19 mm thick formaldehyde-free MDF with: natural oak veneer, natural walnut veneer or white and lacquered laminate. Surfaces are protected with an acrylic coating for great durability. The lids have a beveled edge, which gives a feeling of lightness.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

With an intelligent modular system of shelves with a minimalist and light air, Zet invites us to experiment with its shape and visual expression to create a piece that meets our needs. While its possibilities are many, the philosophy behind the Zet system is one: every aspect of the concept, from its geometry to its materials, has been carefully chosen to offer us freedom and simplicity.

No matter how we use our spaces or what we put on our shelves, we all share a desire for that delicate balance between order, functionality, and style. Modern offices, libraries, lounges, shops, cafeterias: there are few settings that don't benefit from having thoughtfully designed support for those essential objects that define them. Whether it's books, magazines, artwork, a unique vase, or conversation-starting keepsakes, our belongings deserve a personalized platform that puts them in the spotlight.

Produced with materials selected for their beauty and durability, the Zet storage system is based on just two components: U-shaped shelves and a metal structure defined by diagonal Z-shaped uprights, to which this system owes its name.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Striking the perfect balance between geometric and organic shapes, the contoured curves of the seats in this collection offer maximum support, enveloping the body with its slim shell. Offering the kind of seating experience that energizes in the morning, helps connect during the day, and invites relaxation at night, the Harbor chair effortlessly blends into any setting, instantly becoming ideal for a kitchen, office, private dining room or busy cafeteria, and making us feel at home.

pure lines. Materials that are pleasant to the touch. Superior comfort. The Harbor collection was conceived with all this in mind. When a design concept is reduced to the essentials of comfort, utility and aesthetics, it becomes a banner. From its initial concept, it takes on endless forms, adapting its form and function to various needs, while its identity remains intact. Thus began the story of the evolution of the Harbor collection. The result is an infinitely versatile and comfortable collection of chairs and tables for contemporary spaces.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that made the Danish architect world-famous. In combination with the AJ Royal pendant light, the AJ lamp was part of Jacobsen's overall design concept for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and combination of oblique and right angles, is seen not only as a formal parallel to the silhouette of the Series 3300 seating, but also to the very geometry of the buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. Like the AJ pendant lamp, it was initially available in light gray, dark brown, and black. New colors have been introduced over the years in honor of the series' anniversaries. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underlines the lamp's distinctive, minimalist form and impeccable light emission.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

The upholstered Harbour Chair by Audo Copenhagen is a balance between functional design and enveloping aesthetics. Its generous, curved shape naturally hugs the body, while the solid oak base and upholstered seat provide warmth and visual comfort.

Designed with everyday versatility in mind, this version of the iconic Harbour incorporates fine materials and ergonomic proportions that adapt to both domestic and professional environments. Whether in dining rooms, meeting rooms, or hospitality spaces, its fluid silhouette provides a serene presence without being overbearing.

Selected by MIDIMAL for its balance of comfort and sophistication, the upholstered Harbour is a piece that combines contemporary Danish design with a timeless sensibility. Available in multiple finishes and fabrics, it integrates easily into any environment that values functional beauty.

Discover more pieces from the collection in the Audo Copenhagen selection at MIDIMAL and transform your space with honest and elegant design.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

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A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

A challenge between firmness and delicacy, the Metal Basket is an updated reissue of the metal version of the Basket, which boasts its own unique attributes. It comes with or without a handle, in this case made of leather, whose softness contrasts with the steely severity of the plates that gently hold an opal globe that has no opening at the top.

Miguel Milá mastered the expressiveness of steel, imbuing it with a fragile heart and the feel of soft leather, in a masterful expression of strength and emotion, the practical and the everyday. It is handcrafted by European artisans using traditional blow-molding techniques from its opal glass globe.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

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Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.

Crafted from recycled cast aluminum, the Oyster wall lamp has a decorative and organic form thanks to its soft, dynamic curves. Reminiscent of shells collected on the beach, the lamp's texture and finish have a rough, distinctive expression due to the casting process, and the interplay between its organic shape and the raw surface creates a compelling contrast. Designed with an LED light source, the Oyster wall lamp plays with light and shadow to highlight the uniqueness of the material, as well as its organic form.