Environments

Muuto's Attach hanger combines Scandinavian sobriety and material warmth in a pared-down design. Its cylindrical shape is based on a minimal design but combines two contrasting materials: a solid wood hook resting on an anodized aluminum base, creating a functional piece with a graphic presence.

Designed for hallways, bathrooms, or workspaces, the Attach is easy to install and offers a practical solution for hanging clothes, bags, or accessories without disrupting the aesthetics of the space. Available in various finishes, it comes in sets of two, allowing for clean, modular visual arrangements.

Selected by MIDIMAL for its formal honesty and subtle play of textures, the Attach is a clear example of how the everyday can be elevated when design and function dialogue in balance.

Discover more essential accessories in the collection Muuto in MIDIMAL and transforms daily order into an extension of style.

Ver producto relacionado

Muuto's Attach hanger combines Scandinavian sobriety and material warmth in a pared-down design. Its cylindrical shape is based on a minimal design but combines two contrasting materials: a solid wood hook resting on an anodized aluminum base, creating a functional piece with a graphic presence.

Designed for hallways, bathrooms, or workspaces, the Attach is easy to install and offers a practical solution for hanging clothes, bags, or accessories without disrupting the aesthetics of the space. Available in various finishes, it comes in sets of two, allowing for clean, modular visual arrangements.

Selected by MIDIMAL for its formal honesty and subtle play of textures, the Attach is a clear example of how the everyday can be elevated when design and function dialogue in balance.

Discover more essential accessories in the collection Muuto in MIDIMAL and transforms daily order into an extension of style.

Ver producto relacionado

Muuto's Attach hanger combines Scandinavian sobriety and material warmth in a pared-down design. Its cylindrical shape is based on a minimal design but combines two contrasting materials: a solid wood hook resting on an anodized aluminum base, creating a functional piece with a graphic presence.

Designed for hallways, bathrooms, or workspaces, the Attach is easy to install and offers a practical solution for hanging clothes, bags, or accessories without disrupting the aesthetics of the space. Available in various finishes, it comes in sets of two, allowing for clean, modular visual arrangements.

Selected by MIDIMAL for its formal honesty and subtle play of textures, the Attach is a clear example of how the everyday can be elevated when design and function dialogue in balance.

Discover more essential accessories in the collection Muuto in MIDIMAL and transforms daily order into an extension of style.

Ver producto relacionado

Muuto's Attach hanger combines Scandinavian sobriety and material warmth in a pared-down design. Its cylindrical shape is based on a minimal design but combines two contrasting materials: a solid wood hook resting on an anodized aluminum base, creating a functional piece with a graphic presence.

Designed for hallways, bathrooms, or workspaces, the Attach is easy to install and offers a practical solution for hanging clothes, bags, or accessories without disrupting the aesthetics of the space. Available in various finishes, it comes in sets of two, allowing for clean, modular visual arrangements.

Selected by MIDIMAL for its formal honesty and subtle play of textures, the Attach is a clear example of how the everyday can be elevated when design and function dialogue in balance.

Discover more essential accessories in the collection Muuto in MIDIMAL and transforms daily order into an extension of style.

Ver producto relacionado

Muuto's Attach hanger combines Scandinavian sobriety and material warmth in a pared-down design. Its cylindrical shape is based on a minimal design but combines two contrasting materials: a solid wood hook resting on an anodized aluminum base, creating a functional piece with a graphic presence.

Designed for hallways, bathrooms, or workspaces, the Attach is easy to install and offers a practical solution for hanging clothes, bags, or accessories without disrupting the aesthetics of the space. Available in various finishes, it comes in sets of two, allowing for clean, modular visual arrangements.

Selected by MIDIMAL for its formal honesty and subtle play of textures, the Attach is a clear example of how the everyday can be elevated when design and function dialogue in balance.

Discover more essential accessories in the collection Muuto in MIDIMAL and transforms daily order into an extension of style.

Ver producto relacionado

Muuto's Attach hanger combines Scandinavian sobriety and material warmth in a pared-down design. Its cylindrical shape is based on a minimal design but combines two contrasting materials: a solid wood hook resting on an anodized aluminum base, creating a functional piece with a graphic presence.

Designed for hallways, bathrooms, or workspaces, the Attach is easy to install and offers a practical solution for hanging clothes, bags, or accessories without disrupting the aesthetics of the space. Available in various finishes, it comes in sets of two, allowing for clean, modular visual arrangements.

Selected by MIDIMAL for its formal honesty and subtle play of textures, the Attach is a clear example of how the everyday can be elevated when design and function dialogue in balance.

Discover more essential accessories in the collection Muuto in MIDIMAL and transforms daily order into an extension of style.

Ver producto relacionado

Muuto's Attach hanger combines Scandinavian sobriety and material warmth in a pared-down design. Its cylindrical shape is based on a minimal design but combines two contrasting materials: a solid wood hook resting on an anodized aluminum base, creating a functional piece with a graphic presence.

Designed for hallways, bathrooms, or workspaces, the Attach is easy to install and offers a practical solution for hanging clothes, bags, or accessories without disrupting the aesthetics of the space. Available in various finishes, it comes in sets of two, allowing for clean, modular visual arrangements.

Selected by MIDIMAL for its formal honesty and subtle play of textures, the Attach is a clear example of how the everyday can be elevated when design and function dialogue in balance.

Discover more essential accessories in the collection Muuto in MIDIMAL and transforms daily order into an extension of style.

Ver producto relacionado

The TMD lamp has a metal structure supported by a circular base and a white linen shade. Whether switched on or off, the TMD brings warmth to any space. Following its iconic TMM lamp, Santa & Cole asked Miguel Milá for a tabletop version. The designer approached this project with the idea of a shade that would be raised like a flag on a flagpole.

To reduce the sections, he changed the wood for metal, and the cross-shaped feet for a circular base, less intrusive on the crowded surface of any work table, but he kept the ingenious system of a simple O-ring to fix the screen at the height.
desired, as well as the gesture of turning it on and off by pulling the cable. A metal washer on the shaft collects and guides this cable, integrating it into the whole. And its shade, made of elegant white linen, makes its tempered light accommodate its surroundings. This
The combination of materials and shapes ensures that, even when unlit, the TMD brings warmth to the space. Another example of Miguel Milá's timeless sobriety.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

The TMD lamp has a metal structure supported by a circular base and a white linen shade. Whether switched on or off, the TMD brings warmth to any space. Following its iconic TMM lamp, Santa & Cole asked Miguel Milá for a tabletop version. The designer approached this project with the idea of a shade that would be raised like a flag on a flagpole.

To reduce the sections, he changed the wood for metal, and the cross-shaped feet for a circular base, less intrusive on the crowded surface of any work table, but he kept the ingenious system of a simple O-ring to fix the screen at the height.
desired, as well as the gesture of turning it on and off by pulling the cable. A metal washer on the shaft collects and guides this cable, integrating it into the whole. And its shade, made of elegant white linen, makes its tempered light accommodate its surroundings. This
The combination of materials and shapes ensures that, even when unlit, the TMD brings warmth to the space. Another example of Miguel Milá's timeless sobriety.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

The TMD lamp has a metal structure supported by a circular base and a white linen shade. Whether switched on or off, the TMD brings warmth to any space. Following its iconic TMM lamp, Santa & Cole asked Miguel Milá for a tabletop version. The designer approached this project with the idea of a shade that would be raised like a flag on a flagpole.

To reduce the sections, he changed the wood for metal, and the cross-shaped feet for a circular base, less intrusive on the crowded surface of any work table, but he kept the ingenious system of a simple O-ring to fix the screen at the height.
desired, as well as the gesture of turning it on and off by pulling the cable. A metal washer on the shaft collects and guides this cable, integrating it into the whole. And its shade, made of elegant white linen, makes its tempered light accommodate its surroundings. This
The combination of materials and shapes ensures that, even when unlit, the TMD brings warmth to the space. Another example of Miguel Milá's timeless sobriety.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

The TMD lamp has a metal structure supported by a circular base and a white linen shade. Whether switched on or off, the TMD brings warmth to any space. Following its iconic TMM lamp, Santa & Cole asked Miguel Milá for a tabletop version. The designer approached this project with the idea of a shade that would be raised like a flag on a flagpole.

To reduce the sections, he changed the wood for metal, and the cross-shaped feet for a circular base, less intrusive on the crowded surface of any work table, but he kept the ingenious system of a simple O-ring to fix the screen at the height.
desired, as well as the gesture of turning it on and off by pulling the cable. A metal washer on the shaft collects and guides this cable, integrating it into the whole. And its shade, made of elegant white linen, makes its tempered light accommodate its surroundings. This
The combination of materials and shapes ensures that, even when unlit, the TMD brings warmth to the space. Another example of Miguel Milá's timeless sobriety.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

The TMD lamp has a metal structure supported by a circular base and a white linen shade. Whether switched on or off, the TMD brings warmth to any space. Following its iconic TMM lamp, Santa & Cole asked Miguel Milá for a tabletop version. The designer approached this project with the idea of a shade that would be raised like a flag on a flagpole.

To reduce the sections, he changed the wood for metal, and the cross-shaped feet for a circular base, less intrusive on the crowded surface of any work table, but he kept the ingenious system of a simple O-ring to fix the screen at the height.
desired, as well as the gesture of turning it on and off by pulling the cable. A metal washer on the shaft collects and guides this cable, integrating it into the whole. And its shade, made of elegant white linen, makes its tempered light accommodate its surroundings. This
The combination of materials and shapes ensures that, even when unlit, the TMD brings warmth to the space. Another example of Miguel Milá's timeless sobriety.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

The TMD lamp has a metal structure supported by a circular base and a white linen shade. Whether switched on or off, the TMD brings warmth to any space. Following its iconic TMM lamp, Santa & Cole asked Miguel Milá for a tabletop version. The designer approached this project with the idea of a shade that would be raised like a flag on a flagpole.

To reduce the sections, he changed the wood for metal, and the cross-shaped feet for a circular base, less intrusive on the crowded surface of any work table, but he kept the ingenious system of a simple O-ring to fix the screen at the height.
desired, as well as the gesture of turning it on and off by pulling the cable. A metal washer on the shaft collects and guides this cable, integrating it into the whole. And its shade, made of elegant white linen, makes its tempered light accommodate its surroundings. This
The combination of materials and shapes ensures that, even when unlit, the TMD brings warmth to the space. Another example of Miguel Milá's timeless sobriety.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

The TMD lamp has a metal structure supported by a circular base and a white linen shade. Whether switched on or off, the TMD brings warmth to any space. Following its iconic TMM lamp, Santa & Cole asked Miguel Milá for a tabletop version. The designer approached this project with the idea of a shade that would be raised like a flag on a flagpole.

To reduce the sections, he changed the wood for metal, and the cross-shaped feet for a circular base, less intrusive on the crowded surface of any work table, but he kept the ingenious system of a simple O-ring to fix the screen at the height.
desired, as well as the gesture of turning it on and off by pulling the cable. A metal washer on the shaft collects and guides this cable, integrating it into the whole. And its shade, made of elegant white linen, makes its tempered light accommodate its surroundings. This
The combination of materials and shapes ensures that, even when unlit, the TMD brings warmth to the space. Another example of Miguel Milá's timeless sobriety.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

The TMD lamp has a metal structure supported by a circular base and a white linen shade. Whether switched on or off, the TMD brings warmth to any space. Following its iconic TMM lamp, Santa & Cole asked Miguel Milá for a tabletop version. The designer approached this project with the idea of a shade that would be raised like a flag on a flagpole.

To reduce the sections, he changed the wood for metal, and the cross-shaped feet for a circular base, less intrusive on the crowded surface of any work table, but he kept the ingenious system of a simple O-ring to fix the screen at the height.
desired, as well as the gesture of turning it on and off by pulling the cable. A metal washer on the shaft collects and guides this cable, integrating it into the whole. And its shade, made of elegant white linen, makes its tempered light accommodate its surroundings. This
The combination of materials and shapes ensures that, even when unlit, the TMD brings warmth to the space. Another example of Miguel Milá's timeless sobriety.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

The TMD lamp has a metal structure supported by a circular base and a white linen shade. Whether switched on or off, the TMD brings warmth to any space. Following its iconic TMM lamp, Santa & Cole asked Miguel Milá for a tabletop version. The designer approached this project with the idea of a shade that would be raised like a flag on a flagpole.

To reduce the sections, he changed the wood for metal, and the cross-shaped feet for a circular base, less intrusive on the crowded surface of any work table, but he kept the ingenious system of a simple O-ring to fix the screen at the height.
desired, as well as the gesture of turning it on and off by pulling the cable. A metal washer on the shaft collects and guides this cable, integrating it into the whole. And its shade, made of elegant white linen, makes its tempered light accommodate its surroundings. This
The combination of materials and shapes ensures that, even when unlit, the TMD brings warmth to the space. Another example of Miguel Milá's timeless sobriety.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

The TMD lamp has a metal structure supported by a circular base and a white linen shade. Whether switched on or off, the TMD brings warmth to any space. Following its iconic TMM lamp, Santa & Cole asked Miguel Milá for a tabletop version. The designer approached this project with the idea of a shade that would be raised like a flag on a flagpole.

To reduce the sections, he changed the wood for metal, and the cross-shaped feet for a circular base, less intrusive on the crowded surface of any work table, but he kept the ingenious system of a simple O-ring to fix the screen at the height.
desired, as well as the gesture of turning it on and off by pulling the cable. A metal washer on the shaft collects and guides this cable, integrating it into the whole. And its shade, made of elegant white linen, makes its tempered light accommodate its surroundings. This
The combination of materials and shapes ensures that, even when unlit, the TMD brings warmth to the space. Another example of Miguel Milá's timeless sobriety.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

The TMD lamp has a metal structure supported by a circular base and a white linen shade. Whether switched on or off, the TMD brings warmth to any space. Following its iconic TMM lamp, Santa & Cole asked Miguel Milá for a tabletop version. The designer approached this project with the idea of a shade that would be raised like a flag on a flagpole.

To reduce the sections, he changed the wood for metal, and the cross-shaped feet for a circular base, less intrusive on the crowded surface of any work table, but he kept the ingenious system of a simple O-ring to fix the screen at the height.
desired, as well as the gesture of turning it on and off by pulling the cable. A metal washer on the shaft collects and guides this cable, integrating it into the whole. And its shade, made of elegant white linen, makes its tempered light accommodate its surroundings. This
The combination of materials and shapes ensures that, even when unlit, the TMD brings warmth to the space. Another example of Miguel Milá's timeless sobriety.

Note: Some Santa & Cole products may temporarily have an estimated delivery time of 3-7 weeks due to high demand. For more information, please do not hesitate to contact us. We will be happy to help you.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

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La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

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La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

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La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

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La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

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La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

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La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

Ver producto relacionado

La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

Ver producto relacionado

La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

Ver producto relacionado

La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

Ver producto relacionado

La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

Ver producto relacionado

La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

Ver producto relacionado

La lámpara de mesa Gambosa de Marset, diseñada por Mathias Hahn en 2025, propone una reinterpretación contemporánea de la lámpara de sobremesa. Su diseño se concibe como una escultura en equilibrio, donde los distintos elementos parecen sostenerse de forma casi improbable.

Fabricada en acero, Gambosa simplifica los componentes esenciales de una lámpara —pantalla, tija y base— y los organiza en una composición donde cada pieza parece flotar de manera independiente. La pantalla curva aporta ligereza y dinamismo, mientras que la tija se apoya sobre una base plana que actúa como punto de estabilidad visual y estructural.

El carácter de Gambosa se define también por su paleta de colores cuidadosamente seleccionada. La pantalla puede presentarse en versiones opacas —rosa pálido o negro— que proyectan luz directa, o en metacrilato opal para una iluminación más difusa. Las tijas se ofrecen en tonos naranja o gris musgo, combinadas con una base en gris piedra que equilibra el conjunto.

Disponible en dos tamaños, Gambosa explora la relación entre geometría, color y equilibrio, dando lugar a una luminaria contemporánea que combina precisión formal con una presencia expresiva.

Descubra más luminarias de Marset disponibles en MIDIMAL.

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El Perchero Champions LaLiga de RS Barcelona convierte la pasión futbolera en diseño contemporáneo. Inspirado en los icónicos jugadores del futbolín, este colgador de pared traslada a tu hogar una pieza tan nostálgica como actual. Una barra con cuatro jugadores pintados a mano, rematada con el clásico mango de madera, recrea la estética inconfundible de un futbolín “arrancado” del campo de juego.

Cada modelo permite escoger tu equipo favorito de LaLiga, eligiendo además si los jugadores son masculinos o femeninos. Para los más creativos, existe la versión totalmente personalizable, donde puedes diseñar tu propio equipo y convertir el perchero en una pieza única.

La elaboración artesanal —especialmente la pintura manual de cada figura— aporta un carácter vintage, personal y distintivo. Su estética divertida y deportiva lo convierte en un accesorio tan útil como decorativo, ideal para entradas, dormitorios juveniles o zonas de ocio.

El Perchero Champions LaLiga forma parte de la colección playful de RS Barcelona, una marca que combina diseño, funcionalidad y actitud para crear objetos que transforman los momentos cotidianos en experiencias memorables.

Descubre más piezas de diseño lúdico y contemporáneo de RS Barcelona en MIDIMAL y deja que la emoción del juego vista tus paredes.

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El Perchero Champions LaLiga de RS Barcelona convierte la pasión futbolera en diseño contemporáneo. Inspirado en los icónicos jugadores del futbolín, este colgador de pared traslada a tu hogar una pieza tan nostálgica como actual. Una barra con cuatro jugadores pintados a mano, rematada con el clásico mango de madera, recrea la estética inconfundible de un futbolín “arrancado” del campo de juego.

Cada modelo permite escoger tu equipo favorito de LaLiga, eligiendo además si los jugadores son masculinos o femeninos. Para los más creativos, existe la versión totalmente personalizable, donde puedes diseñar tu propio equipo y convertir el perchero en una pieza única.

La elaboración artesanal —especialmente la pintura manual de cada figura— aporta un carácter vintage, personal y distintivo. Su estética divertida y deportiva lo convierte en un accesorio tan útil como decorativo, ideal para entradas, dormitorios juveniles o zonas de ocio.

El Perchero Champions LaLiga forma parte de la colección playful de RS Barcelona, una marca que combina diseño, funcionalidad y actitud para crear objetos que transforman los momentos cotidianos en experiencias memorables.

Descubre más piezas de diseño lúdico y contemporáneo de RS Barcelona en MIDIMAL y deja que la emoción del juego vista tus paredes.

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El Perchero Champions LaLiga de RS Barcelona convierte la pasión futbolera en diseño contemporáneo. Inspirado en los icónicos jugadores del futbolín, este colgador de pared traslada a tu hogar una pieza tan nostálgica como actual. Una barra con cuatro jugadores pintados a mano, rematada con el clásico mango de madera, recrea la estética inconfundible de un futbolín “arrancado” del campo de juego.

Cada modelo permite escoger tu equipo favorito de LaLiga, eligiendo además si los jugadores son masculinos o femeninos. Para los más creativos, existe la versión totalmente personalizable, donde puedes diseñar tu propio equipo y convertir el perchero en una pieza única.

La elaboración artesanal —especialmente la pintura manual de cada figura— aporta un carácter vintage, personal y distintivo. Su estética divertida y deportiva lo convierte en un accesorio tan útil como decorativo, ideal para entradas, dormitorios juveniles o zonas de ocio.

El Perchero Champions LaLiga forma parte de la colección playful de RS Barcelona, una marca que combina diseño, funcionalidad y actitud para crear objetos que transforman los momentos cotidianos en experiencias memorables.

Descubre más piezas de diseño lúdico y contemporáneo de RS Barcelona en MIDIMAL y deja que la emoción del juego vista tus paredes.

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El Perchero Champions LaLiga de RS Barcelona convierte la pasión futbolera en diseño contemporáneo. Inspirado en los icónicos jugadores del futbolín, este colgador de pared traslada a tu hogar una pieza tan nostálgica como actual. Una barra con cuatro jugadores pintados a mano, rematada con el clásico mango de madera, recrea la estética inconfundible de un futbolín “arrancado” del campo de juego.

Cada modelo permite escoger tu equipo favorito de LaLiga, eligiendo además si los jugadores son masculinos o femeninos. Para los más creativos, existe la versión totalmente personalizable, donde puedes diseñar tu propio equipo y convertir el perchero en una pieza única.

La elaboración artesanal —especialmente la pintura manual de cada figura— aporta un carácter vintage, personal y distintivo. Su estética divertida y deportiva lo convierte en un accesorio tan útil como decorativo, ideal para entradas, dormitorios juveniles o zonas de ocio.

El Perchero Champions LaLiga forma parte de la colección playful de RS Barcelona, una marca que combina diseño, funcionalidad y actitud para crear objetos que transforman los momentos cotidianos en experiencias memorables.

Descubre más piezas de diseño lúdico y contemporáneo de RS Barcelona en MIDIMAL y deja que la emoción del juego vista tus paredes.

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El Colgador Animales de Ferm Living Kids transforma la pared en una pequeña galería de arte artesanal. Cada pieza —disponible en versiones de jirafa, león, elefante e hipopótamo— está tallada y pintada a mano en madera, convirtiéndose en un objeto único que combina funcionalidad y carácter decorativo.

Sus ojos de vidrio, cuidadosamente incrustados, reflejan la luz con un brillo casi real, aportando un toque poético y juguetón. Más que un simple accesorio, el Colgador Animales invita al orden a través del juego, animando a los más pequeños a mantener su espacio cuidado con alegría y personalidad.

Puede colocarse de forma individual o combinando varios animales, creando una composición salvaje y divertida que aporta calidez y textura a la habitación infantil.

Descubre más piezas de decoración artesanal y diseño escandinavo de Ferm Living Kids  en MIDIMAL y deja que la naturaleza cobre vida en cada pared.

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La Cable Villa de Pedestal transforma el caos de cables, regletas y adaptadores en una solución de almacenamiento impecable y estética. Fabricada en acero resistente con acabado mate, esta caja con ruedas oculta con elegancia todo lo que no deseas que se vea, manteniendo el orden visual en oficinas, despachos domésticos o espacios creativos.

Su diseño minimalista y discreto permite que se integre fácilmente en cualquier ambiente, mientras que sus ruedas incorporadas facilitan moverla según tus necesidades. Ya no tendrás que elegir entre funcionalidad y estilo: con la Cable Villa, los cables están organizados, protegidos y fuera de la vista, sin comprometer la armonía del espacio.

Cable Villa funciona perfectamente con la Power Bar, el módulo de conexión oculto de Pedestal. Nota: la Power Bar se vende por separado.

Seleccionada por MIDIMAL por su capacidad para resolver con elegancia los retos cotidianos de organización, esta caja para cables es un elemento indispensable para quienes aprecian los interiores bien cuidados.

Descubre más soluciones para ocultar, organizar y embellecer tu entorno en la colección Pedestal.

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La Cable Villa de Pedestal transforma el caos de cables, regletas y adaptadores en una solución de almacenamiento impecable y estética. Fabricada en acero resistente con acabado mate, esta caja con ruedas oculta con elegancia todo lo que no deseas que se vea, manteniendo el orden visual en oficinas, despachos domésticos o espacios creativos.

Su diseño minimalista y discreto permite que se integre fácilmente en cualquier ambiente, mientras que sus ruedas incorporadas facilitan moverla según tus necesidades. Ya no tendrás que elegir entre funcionalidad y estilo: con la Cable Villa, los cables están organizados, protegidos y fuera de la vista, sin comprometer la armonía del espacio.

Cable Villa funciona perfectamente con la Power Bar, el módulo de conexión oculto de Pedestal. Nota: la Power Bar se vende por separado.

Seleccionada por MIDIMAL por su capacidad para resolver con elegancia los retos cotidianos de organización, esta caja para cables es un elemento indispensable para quienes aprecian los interiores bien cuidados.

Descubre más soluciones para ocultar, organizar y embellecer tu entorno en la colección Pedestal.

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La Cable Villa de Pedestal transforma el caos de cables, regletas y adaptadores en una solución de almacenamiento impecable y estética. Fabricada en acero resistente con acabado mate, esta caja con ruedas oculta con elegancia todo lo que no deseas que se vea, manteniendo el orden visual en oficinas, despachos domésticos o espacios creativos.

Su diseño minimalista y discreto permite que se integre fácilmente en cualquier ambiente, mientras que sus ruedas incorporadas facilitan moverla según tus necesidades. Ya no tendrás que elegir entre funcionalidad y estilo: con la Cable Villa, los cables están organizados, protegidos y fuera de la vista, sin comprometer la armonía del espacio.

Cable Villa funciona perfectamente con la Power Bar, el módulo de conexión oculto de Pedestal. Nota: la Power Bar se vende por separado.

Seleccionada por MIDIMAL por su capacidad para resolver con elegancia los retos cotidianos de organización, esta caja para cables es un elemento indispensable para quienes aprecian los interiores bien cuidados.

Descubre más soluciones para ocultar, organizar y embellecer tu entorno en la colección Pedestal.

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La Cable Villa de Pedestal transforma el caos de cables, regletas y adaptadores en una solución de almacenamiento impecable y estética. Fabricada en acero resistente con acabado mate, esta caja con ruedas oculta con elegancia todo lo que no deseas que se vea, manteniendo el orden visual en oficinas, despachos domésticos o espacios creativos.

Su diseño minimalista y discreto permite que se integre fácilmente en cualquier ambiente, mientras que sus ruedas incorporadas facilitan moverla según tus necesidades. Ya no tendrás que elegir entre funcionalidad y estilo: con la Cable Villa, los cables están organizados, protegidos y fuera de la vista, sin comprometer la armonía del espacio.

Cable Villa funciona perfectamente con la Power Bar, el módulo de conexión oculto de Pedestal. Nota: la Power Bar se vende por separado.

Seleccionada por MIDIMAL por su capacidad para resolver con elegancia los retos cotidianos de organización, esta caja para cables es un elemento indispensable para quienes aprecian los interiores bien cuidados.

Descubre más soluciones para ocultar, organizar y embellecer tu entorno en la colección Pedestal.

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La Cable Villa de Pedestal transforma el caos de cables, regletas y adaptadores en una solución de almacenamiento impecable y estética. Fabricada en acero resistente con acabado mate, esta caja con ruedas oculta con elegancia todo lo que no deseas que se vea, manteniendo el orden visual en oficinas, despachos domésticos o espacios creativos.

Su diseño minimalista y discreto permite que se integre fácilmente en cualquier ambiente, mientras que sus ruedas incorporadas facilitan moverla según tus necesidades. Ya no tendrás que elegir entre funcionalidad y estilo: con la Cable Villa, los cables están organizados, protegidos y fuera de la vista, sin comprometer la armonía del espacio.

Cable Villa funciona perfectamente con la Power Bar, el módulo de conexión oculto de Pedestal. Nota: la Power Bar se vende por separado.

Seleccionada por MIDIMAL por su capacidad para resolver con elegancia los retos cotidianos de organización, esta caja para cables es un elemento indispensable para quienes aprecian los interiores bien cuidados.

Descubre más soluciones para ocultar, organizar y embellecer tu entorno en la colección Pedestal.

Ver producto relacionado

La Cable Villa de Pedestal transforma el caos de cables, regletas y adaptadores en una solución de almacenamiento impecable y estética. Fabricada en acero resistente con acabado mate, esta caja con ruedas oculta con elegancia todo lo que no deseas que se vea, manteniendo el orden visual en oficinas, despachos domésticos o espacios creativos.

Su diseño minimalista y discreto permite que se integre fácilmente en cualquier ambiente, mientras que sus ruedas incorporadas facilitan moverla según tus necesidades. Ya no tendrás que elegir entre funcionalidad y estilo: con la Cable Villa, los cables están organizados, protegidos y fuera de la vista, sin comprometer la armonía del espacio.

Cable Villa funciona perfectamente con la Power Bar, el módulo de conexión oculto de Pedestal. Nota: la Power Bar se vende por separado.

Seleccionada por MIDIMAL por su capacidad para resolver con elegancia los retos cotidianos de organización, esta caja para cables es un elemento indispensable para quienes aprecian los interiores bien cuidados.

Descubre más soluciones para ocultar, organizar y embellecer tu entorno en la colección Pedestal.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both its base and shade serve as reflectors. The Panthella 320 Table Lamp has a 320 mm diameter shade, making it ideal for generating exceptional light in many different environments.

*This product is usually in stock and delivers within 5 to 7 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both its base and shade serve as reflectors. The Panthella 320 Table Lamp has a 320 mm diameter shade, making it ideal for generating exceptional light in many different environments.

*This product is usually in stock and delivers within 5 to 7 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both its base and shade serve as reflectors. The Panthella 320 Table Lamp has a 320 mm diameter shade, making it ideal for generating exceptional light in many different environments.

*This product is usually in stock and delivers within 5 to 7 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both its base and shade serve as reflectors. The Panthella 320 Table Lamp has a 320 mm diameter shade, making it ideal for generating exceptional light in many different environments.

*This product is usually in stock and delivers within 5 to 7 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

With its unique expression, the Panthella lamp is one of Verner Panton's most recognizable design icons. Designed in 1971 with the Danish designer's signature organic forms, it features a unique expression in which both its base and shade serve as reflectors. The Panthella 320 Table Lamp has a 320 mm diameter shade, making it ideal for generating exceptional light in many different environments.

*This product is usually in stock and delivers within 5 to 7 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

Diseñada en 1967 por Giancarlo Mattioli y Gruppo Architetti Urbanisti Città Nuova, la lámpara Nesso es un icono del diseño italiano radical y futurista. Su silueta orgánica, inspirada en una seta, y su uso pionero del plástico inyectado la convierten en una pieza clave del movimiento pop en el diseño de interiores.

Fabricada en ABS moldeado en colores vibrantes como el naranja o blanco, la Nesso emite una luz cálida y difusa que se distribuye suavemente gracias a su gran pantalla en forma de cúpula. Su estructura escultural la hace tan funcional como decorativa, convirtiéndola en el centro de atención en cualquier estancia.

Expuesta en museos como el MoMA de Nueva York y el Museo del Diseño de Chicago, la Nesso es mucho más que una lámpara: es una pieza de colección que encapsula el espíritu experimental y optimista de los años 60.

Seleccionada por MIDIMAL por su atrevimiento formal y su legado cultural, la lámpara Nesso transforma los espacios con una luz envolvente y una presencia irrepetible.

Descubre más luminarias históricas en la colección Artemide y da carácter a tu hogar con iconos del diseño italiano.

Ver producto relacionado

Diseñada en 1967 por Giancarlo Mattioli y Gruppo Architetti Urbanisti Città Nuova, la lámpara Nesso es un icono del diseño italiano radical y futurista. Su silueta orgánica, inspirada en una seta, y su uso pionero del plástico inyectado la convierten en una pieza clave del movimiento pop en el diseño de interiores.

Fabricada en ABS moldeado en colores vibrantes como el naranja o blanco, la Nesso emite una luz cálida y difusa que se distribuye suavemente gracias a su gran pantalla en forma de cúpula. Su estructura escultural la hace tan funcional como decorativa, convirtiéndola en el centro de atención en cualquier estancia.

Expuesta en museos como el MoMA de Nueva York y el Museo del Diseño de Chicago, la Nesso es mucho más que una lámpara: es una pieza de colección que encapsula el espíritu experimental y optimista de los años 60.

Seleccionada por MIDIMAL por su atrevimiento formal y su legado cultural, la lámpara Nesso transforma los espacios con una luz envolvente y una presencia irrepetible.

Descubre más luminarias históricas en la colección Artemide y da carácter a tu hogar con iconos del diseño italiano.

Ver producto relacionado

Diseñada en 1967 por Giancarlo Mattioli y Gruppo Architetti Urbanisti Città Nuova, la lámpara Nesso es un icono del diseño italiano radical y futurista. Su silueta orgánica, inspirada en una seta, y su uso pionero del plástico inyectado la convierten en una pieza clave del movimiento pop en el diseño de interiores.

Fabricada en ABS moldeado en colores vibrantes como el naranja o blanco, la Nesso emite una luz cálida y difusa que se distribuye suavemente gracias a su gran pantalla en forma de cúpula. Su estructura escultural la hace tan funcional como decorativa, convirtiéndola en el centro de atención en cualquier estancia.

Expuesta en museos como el MoMA de Nueva York y el Museo del Diseño de Chicago, la Nesso es mucho más que una lámpara: es una pieza de colección que encapsula el espíritu experimental y optimista de los años 60.

Seleccionada por MIDIMAL por su atrevimiento formal y su legado cultural, la lámpara Nesso transforma los espacios con una luz envolvente y una presencia irrepetible.

Descubre más luminarias históricas en la colección Artemide y da carácter a tu hogar con iconos del diseño italiano.

Ver producto relacionado

Diseñada en 1967 por Giancarlo Mattioli y Gruppo Architetti Urbanisti Città Nuova, la lámpara Nesso es un icono del diseño italiano radical y futurista. Su silueta orgánica, inspirada en una seta, y su uso pionero del plástico inyectado la convierten en una pieza clave del movimiento pop en el diseño de interiores.

Fabricada en ABS moldeado en colores vibrantes como el naranja o blanco, la Nesso emite una luz cálida y difusa que se distribuye suavemente gracias a su gran pantalla en forma de cúpula. Su estructura escultural la hace tan funcional como decorativa, convirtiéndola en el centro de atención en cualquier estancia.

Expuesta en museos como el MoMA de Nueva York y el Museo del Diseño de Chicago, la Nesso es mucho más que una lámpara: es una pieza de colección que encapsula el espíritu experimental y optimista de los años 60.

Seleccionada por MIDIMAL por su atrevimiento formal y su legado cultural, la lámpara Nesso transforma los espacios con una luz envolvente y una presencia irrepetible.

Descubre más luminarias históricas en la colección Artemide y da carácter a tu hogar con iconos del diseño italiano.

Ver producto relacionado

Diseñada en 1967 por Giancarlo Mattioli y Gruppo Architetti Urbanisti Città Nuova, la lámpara Nesso es un icono del diseño italiano radical y futurista. Su silueta orgánica, inspirada en una seta, y su uso pionero del plástico inyectado la convierten en una pieza clave del movimiento pop en el diseño de interiores.

Fabricada en ABS moldeado en colores vibrantes como el naranja o blanco, la Nesso emite una luz cálida y difusa que se distribuye suavemente gracias a su gran pantalla en forma de cúpula. Su estructura escultural la hace tan funcional como decorativa, convirtiéndola en el centro de atención en cualquier estancia.

Expuesta en museos como el MoMA de Nueva York y el Museo del Diseño de Chicago, la Nesso es mucho más que una lámpara: es una pieza de colección que encapsula el espíritu experimental y optimista de los años 60.

Seleccionada por MIDIMAL por su atrevimiento formal y su legado cultural, la lámpara Nesso transforma los espacios con una luz envolvente y una presencia irrepetible.

Descubre más luminarias históricas en la colección Artemide y da carácter a tu hogar con iconos del diseño italiano.

Ver producto relacionado

Diseñada en 1967 por Giancarlo Mattioli y Gruppo Architetti Urbanisti Città Nuova, la lámpara Nesso es un icono del diseño italiano radical y futurista. Su silueta orgánica, inspirada en una seta, y su uso pionero del plástico inyectado la convierten en una pieza clave del movimiento pop en el diseño de interiores.

Fabricada en ABS moldeado en colores vibrantes como el naranja o blanco, la Nesso emite una luz cálida y difusa que se distribuye suavemente gracias a su gran pantalla en forma de cúpula. Su estructura escultural la hace tan funcional como decorativa, convirtiéndola en el centro de atención en cualquier estancia.

Expuesta en museos como el MoMA de Nueva York y el Museo del Diseño de Chicago, la Nesso es mucho más que una lámpara: es una pieza de colección que encapsula el espíritu experimental y optimista de los años 60.

Seleccionada por MIDIMAL por su atrevimiento formal y su legado cultural, la lámpara Nesso transforma los espacios con una luz envolvente y una presencia irrepetible.

Descubre más luminarias históricas en la colección Artemide y da carácter a tu hogar con iconos del diseño italiano.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

Ver producto relacionado

Diseñada en 1965 por Vico Magistretti, la Eclisse es un icono del diseño italiano que juega con la forma y la función para ofrecer una experiencia lumínica única. Su innovador sistema de pantalla giratoria permite regular la intensidad de la luz de forma mecánica, sin necesidad de reguladores electrónicos: una solución brillante que simula el fenómeno astronómico del que toma su nombre.

Compuesta por una estructura esférica metálica con pantalla interior rotatoria, Eclisse puede generar desde una luz directa y funcional hasta una iluminación tenue y ambiental, simplemente desplazando su núcleo interior. Esta dualidad la convierte en una lámpara ideal tanto para mesillas de noche, estanterías, escritorios o rincones decorativos.

Disponible en varios colores (blanco, rojo, naranja, espejo…), la Eclisse combina el espíritu experimental de los años 60 con una estética atemporal. Su valor histórico y artístico fue reconocido en 1967 con el Compasso d’Oro, el premio de diseño industrial más importante de Italia.

Seleccionada por MIDIMAL por su audacia formal y su vigencia estética, la Eclisse no solo ilumina, sino que transforma el espacio con su sola presencia.

Descubre más luminarias de autor en la colección Artemide y elige piezas que ya son historia del diseño.

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Diseñada en 1987 por Michele De Lucchi y Giancarlo Fassina, la Tolomeo Micro es la versión más compacta de la lámpara de mesa más icónica de Artemide. Pensada para espacios reducidos, mantiene la precisión técnica y la estética atemporal que han convertido a la familia Tolomeo en un referente del diseño contemporáneo.

Su estructura articulada en aluminio brillante, con sistema de brazos tensados por cables de acero, garantiza una movilidad fluida y estable, permitiendo orientar la luz con precisión. La base circular ofrece firmeza, mientras que la pantalla cónica en aluminio dirige una luz directa y eficiente, ideal para mesas de trabajo, mesillas o rincones de lectura.

Disponible en múltiples colores, desde el aluminio natural hasta lacados vivos, la Tolomeo Micro equilibra elegancia industrial y funcionalidad absoluta, convirtiéndose en una luminaria versátil que encaja en entornos domésticos, profesionales o contract.

Seleccionada por MIDIMAL por su relevancia histórica, su lenguaje formal limpio y su capacidad de adaptarse a diferentes estilos de vida, la Tolomeo Micro es una pieza esencial para quienes valoran el buen diseño.

Descubre toda la colección Artemide en MIDIMAL y acompaña tu espacio con diseño italiano icónico.

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Diseñada en 1987 por Michele De Lucchi y Giancarlo Fassina, la Tolomeo Micro es la versión más compacta de la lámpara de mesa más icónica de Artemide. Pensada para espacios reducidos, mantiene la precisión técnica y la estética atemporal que han convertido a la familia Tolomeo en un referente del diseño contemporáneo.

Su estructura articulada en aluminio brillante, con sistema de brazos tensados por cables de acero, garantiza una movilidad fluida y estable, permitiendo orientar la luz con precisión. La base circular ofrece firmeza, mientras que la pantalla cónica en aluminio dirige una luz directa y eficiente, ideal para mesas de trabajo, mesillas o rincones de lectura.

Disponible en múltiples colores, desde el aluminio natural hasta lacados vivos, la Tolomeo Micro equilibra elegancia industrial y funcionalidad absoluta, convirtiéndose en una luminaria versátil que encaja en entornos domésticos, profesionales o contract.

Seleccionada por MIDIMAL por su relevancia histórica, su lenguaje formal limpio y su capacidad de adaptarse a diferentes estilos de vida, la Tolomeo Micro es una pieza esencial para quienes valoran el buen diseño.

Descubre toda la colección Artemide en MIDIMAL y acompaña tu espacio con diseño italiano icónico.

Ver producto relacionado

Diseñada en 1987 por Michele De Lucchi y Giancarlo Fassina, la Tolomeo Micro es la versión más compacta de la lámpara de mesa más icónica de Artemide. Pensada para espacios reducidos, mantiene la precisión técnica y la estética atemporal que han convertido a la familia Tolomeo en un referente del diseño contemporáneo.

Su estructura articulada en aluminio brillante, con sistema de brazos tensados por cables de acero, garantiza una movilidad fluida y estable, permitiendo orientar la luz con precisión. La base circular ofrece firmeza, mientras que la pantalla cónica en aluminio dirige una luz directa y eficiente, ideal para mesas de trabajo, mesillas o rincones de lectura.

Disponible en múltiples colores, desde el aluminio natural hasta lacados vivos, la Tolomeo Micro equilibra elegancia industrial y funcionalidad absoluta, convirtiéndose en una luminaria versátil que encaja en entornos domésticos, profesionales o contract.

Seleccionada por MIDIMAL por su relevancia histórica, su lenguaje formal limpio y su capacidad de adaptarse a diferentes estilos de vida, la Tolomeo Micro es una pieza esencial para quienes valoran el buen diseño.

Descubre toda la colección Artemide en MIDIMAL y acompaña tu espacio con diseño italiano icónico.

Ver producto relacionado

Diseñada en 1987 por Michele De Lucchi y Giancarlo Fassina, la Tolomeo Micro es la versión más compacta de la lámpara de mesa más icónica de Artemide. Pensada para espacios reducidos, mantiene la precisión técnica y la estética atemporal que han convertido a la familia Tolomeo en un referente del diseño contemporáneo.

Su estructura articulada en aluminio brillante, con sistema de brazos tensados por cables de acero, garantiza una movilidad fluida y estable, permitiendo orientar la luz con precisión. La base circular ofrece firmeza, mientras que la pantalla cónica en aluminio dirige una luz directa y eficiente, ideal para mesas de trabajo, mesillas o rincones de lectura.

Disponible en múltiples colores, desde el aluminio natural hasta lacados vivos, la Tolomeo Micro equilibra elegancia industrial y funcionalidad absoluta, convirtiéndose en una luminaria versátil que encaja en entornos domésticos, profesionales o contract.

Seleccionada por MIDIMAL por su relevancia histórica, su lenguaje formal limpio y su capacidad de adaptarse a diferentes estilos de vida, la Tolomeo Micro es una pieza esencial para quienes valoran el buen diseño.

Descubre toda la colección Artemide en MIDIMAL y acompaña tu espacio con diseño italiano icónico.

Ver producto relacionado

Diseñada en 1987 por Michele De Lucchi y Giancarlo Fassina, la Tolomeo Micro es la versión más compacta de la lámpara de mesa más icónica de Artemide. Pensada para espacios reducidos, mantiene la precisión técnica y la estética atemporal que han convertido a la familia Tolomeo en un referente del diseño contemporáneo.

Su estructura articulada en aluminio brillante, con sistema de brazos tensados por cables de acero, garantiza una movilidad fluida y estable, permitiendo orientar la luz con precisión. La base circular ofrece firmeza, mientras que la pantalla cónica en aluminio dirige una luz directa y eficiente, ideal para mesas de trabajo, mesillas o rincones de lectura.

Disponible en múltiples colores, desde el aluminio natural hasta lacados vivos, la Tolomeo Micro equilibra elegancia industrial y funcionalidad absoluta, convirtiéndose en una luminaria versátil que encaja en entornos domésticos, profesionales o contract.

Seleccionada por MIDIMAL por su relevancia histórica, su lenguaje formal limpio y su capacidad de adaptarse a diferentes estilos de vida, la Tolomeo Micro es una pieza esencial para quienes valoran el buen diseño.

Descubre toda la colección Artemide en MIDIMAL y acompaña tu espacio con diseño italiano icónico.

Ver producto relacionado

Diseñada en 1987 por Michele De Lucchi y Giancarlo Fassina, la Tolomeo Micro es la versión más compacta de la lámpara de mesa más icónica de Artemide. Pensada para espacios reducidos, mantiene la precisión técnica y la estética atemporal que han convertido a la familia Tolomeo en un referente del diseño contemporáneo.

Su estructura articulada en aluminio brillante, con sistema de brazos tensados por cables de acero, garantiza una movilidad fluida y estable, permitiendo orientar la luz con precisión. La base circular ofrece firmeza, mientras que la pantalla cónica en aluminio dirige una luz directa y eficiente, ideal para mesas de trabajo, mesillas o rincones de lectura.

Disponible en múltiples colores, desde el aluminio natural hasta lacados vivos, la Tolomeo Micro equilibra elegancia industrial y funcionalidad absoluta, convirtiéndose en una luminaria versátil que encaja en entornos domésticos, profesionales o contract.

Seleccionada por MIDIMAL por su relevancia histórica, su lenguaje formal limpio y su capacidad de adaptarse a diferentes estilos de vida, la Tolomeo Micro es una pieza esencial para quienes valoran el buen diseño.

Descubre toda la colección Artemide en MIDIMAL y acompaña tu espacio con diseño italiano icónico.

Ver producto relacionado

Designed by Lars Tornøe for Muuto, The Dots have redefined the concept of a coat rack, transforming it into a warm, functional, and graphic design gesture. This pack of 5 coat racks offers a complete and versatile solution for transforming your walls into a decorative composition that also organizes them.

Each set includes five pieces of varying sizes to create dynamic and personalized combinations: one coat rack measuring 17 cm in diameter, one measuring 13 cm in diameter, and three measuring 9 cm in diameter. Made from selected solid wood, The Dots add texture and character to entryways, bedrooms, kitchens, offices, or public spaces, adapting to any interior design style.

Its rounded silhouette protects clothing and complements the space with a friendly, sculptural presence. Available in multiple finishes—such as oak, walnut, or lacquered ash in soft or vibrant colors—they integrate easily with other members of the collection, such as The Dots Metal or The Dots Ceramic , to create functional and expressive murals.

Selected by MIDIMAL for their ability to combine Scandinavian design, everyday utility, and creative freedom, The Dots coat racks are not just hooks: they are small pieces of emotional architecture for the wall.

Discover more essential pieces in the collection Muuto and creates unique compositions with their own personality.

Ver producto relacionado

Designed by Lars Tornøe for Muuto, The Dots have redefined the concept of a coat rack, transforming it into a warm, functional, and graphic design gesture. This pack of 5 coat racks offers a complete and versatile solution for transforming your walls into a decorative composition that also organizes them.

Each set includes five pieces of varying sizes to create dynamic and personalized combinations: one coat rack measuring 17 cm in diameter, one measuring 13 cm in diameter, and three measuring 9 cm in diameter. Made from selected solid wood, The Dots add texture and character to entryways, bedrooms, kitchens, offices, or public spaces, adapting to any interior design style.

Its rounded silhouette protects clothing and complements the space with a friendly, sculptural presence. Available in multiple finishes—such as oak, walnut, or lacquered ash in soft or vibrant colors—they integrate easily with other members of the collection, such as The Dots Metal or The Dots Ceramic , to create functional and expressive murals.

Selected by MIDIMAL for their ability to combine Scandinavian design, everyday utility, and creative freedom, The Dots coat racks are not just hooks: they are small pieces of emotional architecture for the wall.

Discover more essential pieces in the collection Muuto and creates unique compositions with their own personality.

Ver producto relacionado

Designed by Lars Tornøe for Muuto, The Dots have redefined the concept of a coat rack, transforming it into a warm, functional, and graphic design gesture. This pack of 5 coat racks offers a complete and versatile solution for transforming your walls into a decorative composition that also organizes them.

Each set includes five pieces of varying sizes to create dynamic and personalized combinations: one coat rack measuring 17 cm in diameter, one measuring 13 cm in diameter, and three measuring 9 cm in diameter. Made from selected solid wood, The Dots add texture and character to entryways, bedrooms, kitchens, offices, or public spaces, adapting to any interior design style.

Its rounded silhouette protects clothing and complements the space with a friendly, sculptural presence. Available in multiple finishes—such as oak, walnut, or lacquered ash in soft or vibrant colors—they integrate easily with other members of the collection, such as The Dots Metal or The Dots Ceramic , to create functional and expressive murals.

Selected by MIDIMAL for their ability to combine Scandinavian design, everyday utility, and creative freedom, The Dots coat racks are not just hooks: they are small pieces of emotional architecture for the wall.

Discover more essential pieces in the collection Muuto and creates unique compositions with their own personality.

Ver producto relacionado

Designed by Lars Tornøe for Muuto, The Dots have redefined the concept of a coat rack, transforming it into a warm, functional, and graphic design gesture. This pack of 5 coat racks offers a complete and versatile solution for transforming your walls into a decorative composition that also organizes them.

Each set includes five pieces of varying sizes to create dynamic and personalized combinations: one coat rack measuring 17 cm in diameter, one measuring 13 cm in diameter, and three measuring 9 cm in diameter. Made from selected solid wood, The Dots add texture and character to entryways, bedrooms, kitchens, offices, or public spaces, adapting to any interior design style.

Its rounded silhouette protects clothing and complements the space with a friendly, sculptural presence. Available in multiple finishes—such as oak, walnut, or lacquered ash in soft or vibrant colors—they integrate easily with other members of the collection, such as The Dots Metal or The Dots Ceramic , to create functional and expressive murals.

Selected by MIDIMAL for their ability to combine Scandinavian design, everyday utility, and creative freedom, The Dots coat racks are not just hooks: they are small pieces of emotional architecture for the wall.

Discover more essential pieces in the collection Muuto and creates unique compositions with their own personality.

Ver producto relacionado

Designed by Lars Tornøe for Muuto, The Dots have redefined the concept of a coat rack, transforming it into a warm, functional, and graphic design gesture. This pack of 5 coat racks offers a complete and versatile solution for transforming your walls into a decorative composition that also organizes them.

Each set includes five pieces of varying sizes to create dynamic and personalized combinations: one coat rack measuring 17 cm in diameter, one measuring 13 cm in diameter, and three measuring 9 cm in diameter. Made from selected solid wood, The Dots add texture and character to entryways, bedrooms, kitchens, offices, or public spaces, adapting to any interior design style.

Its rounded silhouette protects clothing and complements the space with a friendly, sculptural presence. Available in multiple finishes—such as oak, walnut, or lacquered ash in soft or vibrant colors—they integrate easily with other members of the collection, such as The Dots Metal or The Dots Ceramic , to create functional and expressive murals.

Selected by MIDIMAL for their ability to combine Scandinavian design, everyday utility, and creative freedom, The Dots coat racks are not just hooks: they are small pieces of emotional architecture for the wall.

Discover more essential pieces in the collection Muuto and creates unique compositions with their own personality.

Ver producto relacionado

Designed by Lars Tornøe for Muuto, The Dots have redefined the concept of a coat rack, transforming it into a warm, functional, and graphic design gesture. This pack of 5 coat racks offers a complete and versatile solution for transforming your walls into a decorative composition that also organizes them.

Each set includes five pieces of varying sizes to create dynamic and personalized combinations: one coat rack measuring 17 cm in diameter, one measuring 13 cm in diameter, and three measuring 9 cm in diameter. Made from selected solid wood, The Dots add texture and character to entryways, bedrooms, kitchens, offices, or public spaces, adapting to any interior design style.

Its rounded silhouette protects clothing and complements the space with a friendly, sculptural presence. Available in multiple finishes—such as oak, walnut, or lacquered ash in soft or vibrant colors—they integrate easily with other members of the collection, such as The Dots Metal or The Dots Ceramic , to create functional and expressive murals.

Selected by MIDIMAL for their ability to combine Scandinavian design, everyday utility, and creative freedom, The Dots coat racks are not just hooks: they are small pieces of emotional architecture for the wall.

Discover more essential pieces in the collection Muuto and creates unique compositions with their own personality.

Ver producto relacionado

Designed by Lars Tornøe for Muuto, The Dots have redefined the concept of a coat rack, transforming it into a warm, functional, and graphic design gesture. This pack of 5 coat racks offers a complete and versatile solution for transforming your walls into a decorative composition that also organizes them.

Each set includes five pieces of varying sizes to create dynamic and personalized combinations: one coat rack measuring 17 cm in diameter, one measuring 13 cm in diameter, and three measuring 9 cm in diameter. Made from selected solid wood, The Dots add texture and character to entryways, bedrooms, kitchens, offices, or public spaces, adapting to any interior design style.

Its rounded silhouette protects clothing and complements the space with a friendly, sculptural presence. Available in multiple finishes—such as oak, walnut, or lacquered ash in soft or vibrant colors—they integrate easily with other members of the collection, such as The Dots Metal or The Dots Ceramic , to create functional and expressive murals.

Selected by MIDIMAL for their ability to combine Scandinavian design, everyday utility, and creative freedom, The Dots coat racks are not just hooks: they are small pieces of emotional architecture for the wall.

Discover more essential pieces in the collection Muuto and creates unique compositions with their own personality.

Ver producto relacionado

Designed by Lars Tornøe for Muuto, The Dots have redefined the concept of a coat rack, transforming it into a warm, functional, and graphic design gesture. This pack of 5 coat racks offers a complete and versatile solution for transforming your walls into a decorative composition that also organizes them.

Each set includes five pieces of varying sizes to create dynamic and personalized combinations: one coat rack measuring 17 cm in diameter, one measuring 13 cm in diameter, and three measuring 9 cm in diameter. Made from selected solid wood, The Dots add texture and character to entryways, bedrooms, kitchens, offices, or public spaces, adapting to any interior design style.

Its rounded silhouette protects clothing and complements the space with a friendly, sculptural presence. Available in multiple finishes—such as oak, walnut, or lacquered ash in soft or vibrant colors—they integrate easily with other members of the collection, such as The Dots Metal or The Dots Ceramic , to create functional and expressive murals.

Selected by MIDIMAL for their ability to combine Scandinavian design, everyday utility, and creative freedom, The Dots coat racks are not just hooks: they are small pieces of emotional architecture for the wall.

Discover more essential pieces in the collection Muuto and creates unique compositions with their own personality.

Ver producto relacionado

Designed by Lars Tornøe for Muuto, The Dots have redefined the concept of a coat rack, transforming it into a warm, functional, and graphic design gesture. This pack of 5 coat racks offers a complete and versatile solution for transforming your walls into a decorative composition that also organizes them.

Each set includes five pieces of varying sizes to create dynamic and personalized combinations: one coat rack measuring 17 cm in diameter, one measuring 13 cm in diameter, and three measuring 9 cm in diameter. Made from selected solid wood, The Dots add texture and character to entryways, bedrooms, kitchens, offices, or public spaces, adapting to any interior design style.

Its rounded silhouette protects clothing and complements the space with a friendly, sculptural presence. Available in multiple finishes—such as oak, walnut, or lacquered ash in soft or vibrant colors—they integrate easily with other members of the collection, such as The Dots Metal or The Dots Ceramic , to create functional and expressive murals.

Selected by MIDIMAL for their ability to combine Scandinavian design, everyday utility, and creative freedom, The Dots coat racks are not just hooks: they are small pieces of emotional architecture for the wall.

Discover more essential pieces in the collection Muuto and creates unique compositions with their own personality.

Ver producto relacionado

Designed by Lars Tornøe for Muuto, The Dots have redefined the concept of a coat rack, transforming it into a warm, functional, and graphic design gesture. This pack of 5 coat racks offers a complete and versatile solution for transforming your walls into a decorative composition that also organizes them.

Each set includes five pieces of varying sizes to create dynamic and personalized combinations: one coat rack measuring 17 cm in diameter, one measuring 13 cm in diameter, and three measuring 9 cm in diameter. Made from selected solid wood, The Dots add texture and character to entryways, bedrooms, kitchens, offices, or public spaces, adapting to any interior design style.

Its rounded silhouette protects clothing and complements the space with a friendly, sculptural presence. Available in multiple finishes—such as oak, walnut, or lacquered ash in soft or vibrant colors—they integrate easily with other members of the collection, such as The Dots Metal or The Dots Ceramic , to create functional and expressive murals.

Selected by MIDIMAL for their ability to combine Scandinavian design, everyday utility, and creative freedom, The Dots coat racks are not just hooks: they are small pieces of emotional architecture for the wall.

Discover more essential pieces in the collection Muuto and creates unique compositions with their own personality.

Ver producto relacionado

The Phase Mobile, part of the exclusive Ferm Living x Utzon – Can Lis collection, interprets geometry as a visual language in constant motion, inspired by the lunar motifs of architect Jørn Utzon in his family home in Mallorca. This special collaboration fuses natural surroundings, architecture, and poetic sensibility, paying homage to the legacy of the creator of the Sydney Opera House.

Handcrafted in Denmark from high-quality paper, the mobile displays a harmonious sequence of shapes: thin triangles evolving into wider ones, culminating in a square suspended beneath a delicate golden disc symbolizing the moon. The pieces, suspended on fine threads and wires, subtly react to the movement of the air, generating changing compositions that invite contemplation.

A light, sculptural object that embodies the balance between geometry, light and movement.

Discover the entire collection Ferm Living x Utzon – Can Lis and learn more about their story in our article: Can Lis: light, matter, and memory. A collection that pays tribute to Utzon's legacy.

Ver producto relacionado

The Phase Mobile, part of the exclusive Ferm Living x Utzon – Can Lis collection, interprets geometry as a visual language in constant motion, inspired by the lunar motifs of architect Jørn Utzon in his family home in Mallorca. This special collaboration fuses natural surroundings, architecture, and poetic sensibility, paying homage to the legacy of the creator of the Sydney Opera House.

Handcrafted in Denmark from high-quality paper, the mobile displays a harmonious sequence of shapes: thin triangles evolving into wider ones, culminating in a square suspended beneath a delicate golden disc symbolizing the moon. The pieces, suspended on fine threads and wires, subtly react to the movement of the air, generating changing compositions that invite contemplation.

A light, sculptural object that embodies the balance between geometry, light and movement.

Discover the entire collection Ferm Living x Utzon – Can Lis and learn more about their story in our article: Can Lis: light, matter, and memory. A collection that pays tribute to Utzon's legacy.

Ver producto relacionado

The Phase Mobile, part of the exclusive Ferm Living x Utzon – Can Lis collection, interprets geometry as a visual language in constant motion, inspired by the lunar motifs of architect Jørn Utzon in his family home in Mallorca. This special collaboration fuses natural surroundings, architecture, and poetic sensibility, paying homage to the legacy of the creator of the Sydney Opera House.

Handcrafted in Denmark from high-quality paper, the mobile displays a harmonious sequence of shapes: thin triangles evolving into wider ones, culminating in a square suspended beneath a delicate golden disc symbolizing the moon. The pieces, suspended on fine threads and wires, subtly react to the movement of the air, generating changing compositions that invite contemplation.

A light, sculptural object that embodies the balance between geometry, light and movement.

Discover the entire collection Ferm Living x Utzon – Can Lis and learn more about their story in our article: Can Lis: light, matter, and memory. A collection that pays tribute to Utzon's legacy.

Ver producto relacionado

The Phase Mobile, part of the exclusive Ferm Living x Utzon – Can Lis collection, interprets geometry as a visual language in constant motion, inspired by the lunar motifs of architect Jørn Utzon in his family home in Mallorca. This special collaboration fuses natural surroundings, architecture, and poetic sensibility, paying homage to the legacy of the creator of the Sydney Opera House.

Handcrafted in Denmark from high-quality paper, the mobile displays a harmonious sequence of shapes: thin triangles evolving into wider ones, culminating in a square suspended beneath a delicate golden disc symbolizing the moon. The pieces, suspended on fine threads and wires, subtly react to the movement of the air, generating changing compositions that invite contemplation.

A light, sculptural object that embodies the balance between geometry, light and movement.

Discover the entire collection Ferm Living x Utzon – Can Lis and learn more about their story in our article: Can Lis: light, matter, and memory. A collection that pays tribute to Utzon's legacy.

Ver producto relacionado

The small Afteroom coat rack by Audo Copenhagen is a sober, sculptural expression of the essential. Inspired by the Bauhaus aesthetic, its silhouette is reduced to the bare essentials: circles and lines arranged in visual balance to offer a functional solution that also embodies style.

Made of powder-coated steel, its compact structure is ideal for entryways, bathrooms, or workspaces where space optimization is key without compromising on design. Its graphic shapes allow for hanging garments, bags, or accessories, transforming the wall into an active and elegant surface.

Selected by MIDIMAL for its honest simplicity and distinctive visual language, the Afteroom is more than just a coat rack: it's a design statement pared down to its bare bones. Available in various finishes, it can be combined with other pieces in the collection to create coherent and functional compositions.

Discover more pieces from this family in the Audo Copenhagen collection at MIDIMAL and transform your way of organizing with the beauty of the essentials.

Ver producto relacionado

The small Afteroom coat rack by Audo Copenhagen is a sober, sculptural expression of the essential. Inspired by the Bauhaus aesthetic, its silhouette is reduced to the bare essentials: circles and lines arranged in visual balance to offer a functional solution that also embodies style.

Made of powder-coated steel, its compact structure is ideal for entryways, bathrooms, or workspaces where space optimization is key without compromising on design. Its graphic shapes allow for hanging garments, bags, or accessories, transforming the wall into an active and elegant surface.

Selected by MIDIMAL for its honest simplicity and distinctive visual language, the Afteroom is more than just a coat rack: it's a design statement pared down to its bare bones. Available in various finishes, it can be combined with other pieces in the collection to create coherent and functional compositions.

Discover more pieces from this family in the Audo Copenhagen collection at MIDIMAL and transform your way of organizing with the beauty of the essentials.

Ver producto relacionado

The small Afteroom coat rack by Audo Copenhagen is a sober, sculptural expression of the essential. Inspired by the Bauhaus aesthetic, its silhouette is reduced to the bare essentials: circles and lines arranged in visual balance to offer a functional solution that also embodies style.

Made of powder-coated steel, its compact structure is ideal for entryways, bathrooms, or workspaces where space optimization is key without compromising on design. Its graphic shapes allow for hanging garments, bags, or accessories, transforming the wall into an active and elegant surface.

Selected by MIDIMAL for its honest simplicity and distinctive visual language, the Afteroom is more than just a coat rack: it's a design statement pared down to its bare bones. Available in various finishes, it can be combined with other pieces in the collection to create coherent and functional compositions.

Discover more pieces from this family in the Audo Copenhagen collection at MIDIMAL and transform your way of organizing with the beauty of the essentials.

Ver producto relacionado

The small Afteroom coat rack by Audo Copenhagen is a sober, sculptural expression of the essential. Inspired by the Bauhaus aesthetic, its silhouette is reduced to the bare essentials: circles and lines arranged in visual balance to offer a functional solution that also embodies style.

Made of powder-coated steel, its compact structure is ideal for entryways, bathrooms, or workspaces where space optimization is key without compromising on design. Its graphic shapes allow for hanging garments, bags, or accessories, transforming the wall into an active and elegant surface.

Selected by MIDIMAL for its honest simplicity and distinctive visual language, the Afteroom is more than just a coat rack: it's a design statement pared down to its bare bones. Available in various finishes, it can be combined with other pieces in the collection to create coherent and functional compositions.

Discover more pieces from this family in the Audo Copenhagen collection at MIDIMAL and transform your way of organizing with the beauty of the essentials.

Ver producto relacionado

The small Afteroom coat rack by Audo Copenhagen is a sober, sculptural expression of the essential. Inspired by the Bauhaus aesthetic, its silhouette is reduced to the bare essentials: circles and lines arranged in visual balance to offer a functional solution that also embodies style.

Made of powder-coated steel, its compact structure is ideal for entryways, bathrooms, or workspaces where space optimization is key without compromising on design. Its graphic shapes allow for hanging garments, bags, or accessories, transforming the wall into an active and elegant surface.

Selected by MIDIMAL for its honest simplicity and distinctive visual language, the Afteroom is more than just a coat rack: it's a design statement pared down to its bare bones. Available in various finishes, it can be combined with other pieces in the collection to create coherent and functional compositions.

Discover more pieces from this family in the Audo Copenhagen collection at MIDIMAL and transform your way of organizing with the beauty of the essentials.

Ver producto relacionado

The small Afteroom coat rack by Audo Copenhagen is a sober, sculptural expression of the essential. Inspired by the Bauhaus aesthetic, its silhouette is reduced to the bare essentials: circles and lines arranged in visual balance to offer a functional solution that also embodies style.

Made of powder-coated steel, its compact structure is ideal for entryways, bathrooms, or workspaces where space optimization is key without compromising on design. Its graphic shapes allow for hanging garments, bags, or accessories, transforming the wall into an active and elegant surface.

Selected by MIDIMAL for its honest simplicity and distinctive visual language, the Afteroom is more than just a coat rack: it's a design statement pared down to its bare bones. Available in various finishes, it can be combined with other pieces in the collection to create coherent and functional compositions.

Discover more pieces from this family in the Audo Copenhagen collection at MIDIMAL and transform your way of organizing with the beauty of the essentials.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

Inspired by traditional Japanese paper lanterns, the Hashira Collection by Norm Architects for Audo offers a unique ambient lighting experience.

This portable version, small in scale but big in impact, gives you the freedom to take Hashira's warm and inviting light anywhere you want, both indoors and outdoors. Equipped with a USB charger hidden in the base, the lamp offers 10 hours of adjustable light when fully charged.

Remember that to preserve battery life, it is recommended to turn off the lamp while charging and avoid leaving it plugged in when not in use.

Ver producto relacionado

The Relief coat rack consists of a finely textured lacquered aluminum bar with hooks for hanging. This accessory from the Relief collection is available in three different sizes to fit the width of the Relief dressers. This version measures 82 cm, the same width as the Relief dresser.

The new Relief system is composed of chests of drawers in various sizes and five different finish colors. These pieces can be connected to each other to form new arrangements with different dimensions and finishes. Every element of these chests, including the back, has been meticulously designed. This makes them ideal for use as room dividers as well. String Furniture 's Relief chests are functional both as standalone pieces and as connecting pieces to form larger groups of drawers.

Ver producto relacionado

The Relief coat rack consists of a finely textured lacquered aluminum bar with hooks for hanging. This accessory from the Relief collection is available in three different sizes to fit the width of the Relief dressers. This version measures 82 cm, the same width as the Relief dresser.

The new Relief system is composed of chests of drawers in various sizes and five different finish colors. These pieces can be connected to each other to form new arrangements with different dimensions and finishes. Every element of these chests, including the back, has been meticulously designed. This makes them ideal for use as room dividers as well. String Furniture 's Relief chests are functional both as standalone pieces and as connecting pieces to form larger groups of drawers.

Ver producto relacionado

The Relief coat rack consists of a finely textured lacquered aluminum bar with hooks for hanging. This accessory from the Relief collection is available in three different sizes to fit the width of the Relief dressers. This version measures 82 cm, the same width as the Relief dresser.

The new Relief system is composed of chests of drawers in various sizes and five different finish colors. These pieces can be connected to each other to form new arrangements with different dimensions and finishes. Every element of these chests, including the back, has been meticulously designed. This makes them ideal for use as room dividers as well. String Furniture 's Relief chests are functional both as standalone pieces and as connecting pieces to form larger groups of drawers.

Ver producto relacionado

The Relief coat rack consists of a finely textured lacquered aluminum bar with hooks for hanging. This accessory from the Relief collection is available in three different sizes to fit the width of the Relief dressers. This version measures 82 cm, the same width as the Relief dresser.

The new Relief system is composed of chests of drawers in various sizes and five different finish colors. These pieces can be connected to each other to form new arrangements with different dimensions and finishes. Every element of these chests, including the back, has been meticulously designed. This makes them ideal for use as room dividers as well. String Furniture 's Relief chests are functional both as standalone pieces and as connecting pieces to form larger groups of drawers.

Ver producto relacionado

The Relief coat rack consists of a finely textured lacquered aluminum bar with hooks for hanging. This accessory from the Relief collection is available in three different sizes to fit the width of the Relief dressers. This version measures 82 cm, the same width as the Relief dresser.

The new Relief system is composed of chests of drawers in various sizes and five different finish colors. These pieces can be connected to each other to form new arrangements with different dimensions and finishes. Every element of these chests, including the back, has been meticulously designed. This makes them ideal for use as room dividers as well. String Furniture 's Relief chests are functional both as standalone pieces and as connecting pieces to form larger groups of drawers.

Ver producto relacionado

The Relief coat rack consists of a finely textured lacquered aluminum bar with hooks for hanging. This accessory from the Relief collection is available in three different sizes to fit the width of the Relief dressers. This version measures 82 cm, the same width as the Relief dresser.

The new Relief system is composed of chests of drawers in various sizes and five different finish colors. These pieces can be connected to each other to form new arrangements with different dimensions and finishes. Every element of these chests, including the back, has been meticulously designed. This makes them ideal for use as room dividers as well. String Furniture 's Relief chests are functional both as standalone pieces and as connecting pieces to form larger groups of drawers.

Ver producto relacionado

The Relief coat rack consists of a finely textured lacquered aluminum bar with hooks for hanging. This accessory from the Relief collection is available in three different sizes to fit the width of the Relief dressers. This version measures 82 cm, the same width as the Relief dresser.

The new Relief system is composed of chests of drawers in various sizes and five different finish colors. These pieces can be connected to each other to form new arrangements with different dimensions and finishes. Every element of these chests, including the back, has been meticulously designed. This makes them ideal for use as room dividers as well. String Furniture 's Relief chests are functional both as standalone pieces and as connecting pieces to form larger groups of drawers.

Ver producto relacionado

The Relief coat rack consists of a finely textured lacquered aluminum bar with hooks for hanging. This accessory from the Relief collection is available in three different sizes to fit the width of the Relief dressers. This version measures 82 cm, the same width as the Relief dresser.

The new Relief system is composed of chests of drawers in various sizes and five different finish colors. These pieces can be connected to each other to form new arrangements with different dimensions and finishes. Every element of these chests, including the back, has been meticulously designed. This makes them ideal for use as room dividers as well. String Furniture 's Relief chests are functional both as standalone pieces and as connecting pieces to form larger groups of drawers.

Ver producto relacionado

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

Arne Jacobsen designed the AJ lamp for the SAS Royal Hotel in Copenhagen (now the Radisson Collection) in 1957. Today, the AJ family is considered the design that has made this Danish architect famous throughout the world. In combination with the AJ Royal suspension lamp, the AJ lamp was part of the overall design concept that Jacobsen devised for the hotel. Arne Jacobsen not only designed the hotel down to the smallest detail for SAS (Scandinavian Airlines), but also designed almost all of the hotel's furniture and other utilitarian objects.

The silhouette of the AJ lamp, with its straight lines and its combination of oblique and right angles, is not only seen as a formal parallel to the silhouette of its Series 3300 seats, but also to the very geometry of its buildings. The AJ lamp, in copper and stainless steel, was used in various areas of the hotel. And, like the AJ suspension lamp, it was initially available in light grey, dark brown and black. Since then, new colors have been introduced over the years in homage to the anniversaries of the series. All versions of the AJ lamp have been reintroduced in their original stainless steel version, which reflects its surroundings in true Arne Jacobsen style and underscores this lamp's distinctive minimalist shape and impeccable light output.

*Currently the versions with Midnight Blue, Oxide Red and Dark Green finishes have a delivery time of more than 12 weeks. The rest of the versions within the term indicated above.

In 1958, Poul Henningsen designed the PH 5 in response to the constant changes manufacturers were making in the size and shape of incandescent light bulbs. He named it after the diameter of the pendant lamp's main shade: 50 centimeters. True to his controversial style, when the lamp was launched, he wrote down his crisis of faith in incandescent light bulb manufacturers, whom he no longer expected to learn to show common sense or consideration for the customer: "I have surrendered to fate and, with Louis Poulsen's permission, have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, given its current form, a fluorescent tube would be too much to ask!" At the time, no one knew that PH 5 would become a benchmark in PH's legacy, and as such remains a completely glare-free product, regardless of how it is installed or the light source used.

Today, the PH 5 continues to bring a leap of elegance to the most modern interior spaces, as does the PH 5 Mini with its 30 cm tall shade, launched in the wake of Poul Henningsen in 2017. Louis Poulsen aspired to serve a contemporary and creative lifestyle, and as such, adapted the size of this famous pendant light for the first time. In 2020, we launched the monochrome PH 5 Mini series to highlight its striking design and give it a more contemporary look. The matte-painted metal shades come in black, white, and ultra blue to delight even the most daring decorators.

In 2024, the PH 5 Mini Monochrome collection will be expanded with new colors for new interior styles. The two subtle colors fit perfectly with the Scandinavian style and offer a refined and calm alternative to the white versions. The dark, warm, and intense colors complement the black version.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

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In 1958, Poul Henningsen designed the PH 5 in response to the constant changes manufacturers were making in the size and shape of incandescent light bulbs. He named it after the diameter of the pendant lamp's main shade: 50 centimeters. True to his controversial style, when the lamp was launched, he wrote down his crisis of faith in incandescent light bulb manufacturers, whom he no longer expected to learn to show common sense or consideration for the customer: "I have surrendered to fate and, with Louis Poulsen's permission, have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, given its current form, a fluorescent tube would be too much to ask!" At the time, no one knew that PH 5 would become a benchmark in PH's legacy, and as such remains a completely glare-free product, regardless of how it is installed or the light source used.

Today, the PH 5 continues to bring a leap of elegance to the most modern interior spaces, as does the PH 5 Mini with its 30 cm tall shade, launched in the wake of Poul Henningsen in 2017. Louis Poulsen aspired to serve a contemporary and creative lifestyle, and as such, adapted the size of this famous pendant light for the first time. In 2020, we launched the monochrome PH 5 Mini series to highlight its striking design and give it a more contemporary look. The matte-painted metal shades come in black, white, and ultra blue to delight even the most daring decorators.

In 2024, the PH 5 Mini Monochrome collection will be expanded with new colors for new interior styles. The two subtle colors fit perfectly with the Scandinavian style and offer a refined and calm alternative to the white versions. The dark, warm, and intense colors complement the black version.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

In 1958, Poul Henningsen designed the PH 5 in response to the constant changes manufacturers were making in the size and shape of incandescent light bulbs. He named it after the diameter of the pendant lamp's main shade: 50 centimeters. True to his controversial style, when the lamp was launched, he wrote down his crisis of faith in incandescent light bulb manufacturers, whom he no longer expected to learn to show common sense or consideration for the customer: "I have surrendered to fate and, with Louis Poulsen's permission, have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, given its current form, a fluorescent tube would be too much to ask!" At the time, no one knew that PH 5 would become a benchmark in PH's legacy, and as such remains a completely glare-free product, regardless of how it is installed or the light source used.

Today, the PH 5 continues to bring a leap of elegance to the most modern interior spaces, as does the PH 5 Mini with its 30 cm tall shade, launched in the wake of Poul Henningsen in 2017. Louis Poulsen aspired to serve a contemporary and creative lifestyle, and as such, adapted the size of this famous pendant light for the first time. In 2020, we launched the monochrome PH 5 Mini series to highlight its striking design and give it a more contemporary look. The matte-painted metal shades come in black, white, and ultra blue to delight even the most daring decorators.

In 2024, the PH 5 Mini Monochrome collection will be expanded with new colors for new interior styles. The two subtle colors fit perfectly with the Scandinavian style and offer a refined and calm alternative to the white versions. The dark, warm, and intense colors complement the black version.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

In 1958, Poul Henningsen designed the PH 5 in response to the constant changes manufacturers were making in the size and shape of incandescent light bulbs. He named it after the diameter of the pendant lamp's main shade: 50 centimeters. True to his controversial style, when the lamp was launched, he wrote down his crisis of faith in incandescent light bulb manufacturers, whom he no longer expected to learn to show common sense or consideration for the customer: "I have surrendered to fate and, with Louis Poulsen's permission, have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, given its current form, a fluorescent tube would be too much to ask!" At the time, no one knew that PH 5 would become a benchmark in PH's legacy, and as such remains a completely glare-free product, regardless of how it is installed or the light source used.

Today, the PH 5 continues to bring a leap of elegance to the most modern interior spaces, as does the PH 5 Mini with its 30 cm tall shade, launched in the wake of Poul Henningsen in 2017. Louis Poulsen aspired to serve a contemporary and creative lifestyle, and as such, adapted the size of this famous pendant light for the first time. In 2020, we launched the monochrome PH 5 Mini series to highlight its striking design and give it a more contemporary look. The matte-painted metal shades come in black, white, and ultra blue to delight even the most daring decorators.

In 2024, the PH 5 Mini Monochrome collection will be expanded with new colors for new interior styles. The two subtle colors fit perfectly with the Scandinavian style and offer a refined and calm alternative to the white versions. The dark, warm, and intense colors complement the black version.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

In 1958, Poul Henningsen designed the PH 5 in response to the constant changes manufacturers were making in the size and shape of incandescent light bulbs. He named it after the diameter of the pendant lamp's main shade: 50 centimeters. True to his controversial style, when the lamp was launched, he wrote down his crisis of faith in incandescent light bulb manufacturers, whom he no longer expected to learn to show common sense or consideration for the customer: "I have surrendered to fate and, with Louis Poulsen's permission, have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, given its current form, a fluorescent tube would be too much to ask!" At the time, no one knew that PH 5 would become a benchmark in PH's legacy, and as such remains a completely glare-free product, regardless of how it is installed or the light source used.

Today, the PH 5 continues to bring a leap of elegance to the most modern interior spaces, as does the PH 5 Mini with its 30 cm tall shade, launched in the wake of Poul Henningsen in 2017. Louis Poulsen aspired to serve a contemporary and creative lifestyle, and as such, adapted the size of this famous pendant light for the first time. In 2020, we launched the monochrome PH 5 Mini series to highlight its striking design and give it a more contemporary look. The matte-painted metal shades come in black, white, and ultra blue to delight even the most daring decorators.

In 2024, the PH 5 Mini Monochrome collection will be expanded with new colors for new interior styles. The two subtle colors fit perfectly with the Scandinavian style and offer a refined and calm alternative to the white versions. The dark, warm, and intense colors complement the black version.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

In 1958, Poul Henningsen designed the PH 5 in response to the constant changes manufacturers were making in the size and shape of incandescent light bulbs. He named it after the diameter of the pendant lamp's main shade: 50 centimeters. True to his controversial style, when the lamp was launched, he wrote down his crisis of faith in incandescent light bulb manufacturers, whom he no longer expected to learn to show common sense or consideration for the customer: "I have surrendered to fate and, with Louis Poulsen's permission, have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, given its current form, a fluorescent tube would be too much to ask!" At the time, no one knew that PH 5 would become a benchmark in PH's legacy, and as such remains a completely glare-free product, regardless of how it is installed or the light source used.

Today, the PH 5 continues to bring a leap of elegance to the most modern interior spaces, as does the PH 5 Mini with its 30 cm tall shade, launched in the wake of Poul Henningsen in 2017. Louis Poulsen aspired to serve a contemporary and creative lifestyle, and as such, adapted the size of this famous pendant light for the first time. In 2020, we launched the monochrome PH 5 Mini series to highlight its striking design and give it a more contemporary look. The matte-painted metal shades come in black, white, and ultra blue to delight even the most daring decorators.

In 2024, the PH 5 Mini Monochrome collection will be expanded with new colors for new interior styles. The two subtle colors fit perfectly with the Scandinavian style and offer a refined and calm alternative to the white versions. The dark, warm, and intense colors complement the black version.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

In 1958, Poul Henningsen designed the PH 5 in response to the constant changes manufacturers were making in the size and shape of incandescent light bulbs. He named it after the diameter of the pendant lamp's main shade: 50 centimeters. True to his controversial style, when the lamp was launched, he wrote down his crisis of faith in incandescent light bulb manufacturers, whom he no longer expected to learn to show common sense or consideration for the customer: "I have surrendered to fate and, with Louis Poulsen's permission, have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, given its current form, a fluorescent tube would be too much to ask!" At the time, no one knew that PH 5 would become a benchmark in PH's legacy, and as such remains a completely glare-free product, regardless of how it is installed or the light source used.

Today, the PH 5 continues to bring a leap of elegance to the most modern interior spaces, as does the PH 5 Mini with its 30 cm tall shade, launched in the wake of Poul Henningsen in 2017. Louis Poulsen aspired to serve a contemporary and creative lifestyle, and as such, adapted the size of this famous pendant light for the first time. In 2020, we launched the monochrome PH 5 Mini series to highlight its striking design and give it a more contemporary look. The matte-painted metal shades come in black, white, and ultra blue to delight even the most daring decorators.

In 2024, the PH 5 Mini Monochrome collection will be expanded with new colors for new interior styles. The two subtle colors fit perfectly with the Scandinavian style and offer a refined and calm alternative to the white versions. The dark, warm, and intense colors complement the black version.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

In 1958, Poul Henningsen designed the PH 5 in response to the constant changes manufacturers were making in the size and shape of incandescent light bulbs. He named it after the diameter of the pendant lamp's main shade: 50 centimeters. True to his controversial style, when the lamp was launched, he wrote down his crisis of faith in incandescent light bulb manufacturers, whom he no longer expected to learn to show common sense or consideration for the customer: "I have surrendered to fate and, with Louis Poulsen's permission, have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, given its current form, a fluorescent tube would be too much to ask!" At the time, no one knew that PH 5 would become a benchmark in PH's legacy, and as such remains a completely glare-free product, regardless of how it is installed or the light source used.

Today, the PH 5 continues to bring a leap of elegance to the most modern interior spaces, as does the PH 5 Mini with its 30 cm tall shade, launched in the wake of Poul Henningsen in 2017. Louis Poulsen aspired to serve a contemporary and creative lifestyle, and as such, adapted the size of this famous pendant light for the first time. In 2020, we launched the monochrome PH 5 Mini series to highlight its striking design and give it a more contemporary look. The matte-painted metal shades come in black, white, and ultra blue to delight even the most daring decorators.

In 2024, the PH 5 Mini Monochrome collection will be expanded with new colors for new interior styles. The two subtle colors fit perfectly with the Scandinavian style and offer a refined and calm alternative to the white versions. The dark, warm, and intense colors complement the black version.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

In 1958, Poul Henningsen designed the PH 5 in response to the constant changes manufacturers were making in the size and shape of incandescent light bulbs. He named it after the diameter of the pendant lamp's main shade: 50 centimeters. True to his controversial style, when the lamp was launched, he wrote down his crisis of faith in incandescent light bulb manufacturers, whom he no longer expected to learn to show common sense or consideration for the customer: "I have surrendered to fate and, with Louis Poulsen's permission, have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, given its current form, a fluorescent tube would be too much to ask!" At the time, no one knew that PH 5 would become a benchmark in PH's legacy, and as such remains a completely glare-free product, regardless of how it is installed or the light source used.

Today, the PH 5 continues to bring a leap of elegance to the most modern interior spaces, as does the PH 5 Mini with its 30 cm tall shade, launched in the wake of Poul Henningsen in 2017. Louis Poulsen aspired to serve a contemporary and creative lifestyle, and as such, adapted the size of this famous pendant light for the first time. In 2020, we launched the monochrome PH 5 Mini series to highlight its striking design and give it a more contemporary look. The matte-painted metal shades come in black, white, and ultra blue to delight even the most daring decorators.

In 2024, the PH 5 Mini Monochrome collection will be expanded with new colors for new interior styles. The two subtle colors fit perfectly with the Scandinavian style and offer a refined and calm alternative to the white versions. The dark, warm, and intense colors complement the black version.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

In 1958, Poul Henningsen designed the PH 5 in response to the constant changes manufacturers were making in the size and shape of incandescent light bulbs. He named it after the diameter of the pendant lamp's main shade: 50 centimeters. True to his controversial style, when the lamp was launched, he wrote down his crisis of faith in incandescent light bulb manufacturers, whom he no longer expected to learn to show common sense or consideration for the customer: "I have surrendered to fate and, with Louis Poulsen's permission, have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, given its current form, a fluorescent tube would be too much to ask!" At the time, no one knew that PH 5 would become a benchmark in PH's legacy, and as such remains a completely glare-free product, regardless of how it is installed or the light source used.

Today, the PH 5 continues to bring a leap of elegance to the most modern interior spaces, as does the PH 5 Mini with its 30 cm tall shade, launched in the wake of Poul Henningsen in 2017. Louis Poulsen aspired to serve a contemporary and creative lifestyle, and as such, adapted the size of this famous pendant light for the first time. In 2020, we launched the monochrome PH 5 Mini series to highlight its striking design and give it a more contemporary look. The matte-painted metal shades come in black, white, and ultra blue to delight even the most daring decorators.

In 2024, the PH 5 Mini Monochrome collection will be expanded with new colors for new interior styles. The two subtle colors fit perfectly with the Scandinavian style and offer a refined and calm alternative to the white versions. The dark, warm, and intense colors complement the black version.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

In 1958, Poul Henningsen designed the PH 5 in response to the constant changes manufacturers were making in the size and shape of incandescent light bulbs. He named it after the diameter of the pendant lamp's main shade: 50 centimeters. True to his controversial style, when the lamp was launched, he wrote down his crisis of faith in incandescent light bulb manufacturers, whom he no longer expected to learn to show common sense or consideration for the customer: "I have surrendered to fate and, with Louis Poulsen's permission, have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, given its current form, a fluorescent tube would be too much to ask!" At the time, no one knew that PH 5 would become a benchmark in PH's legacy, and as such remains a completely glare-free product, regardless of how it is installed or the light source used.

Today, the PH 5 continues to bring a leap of elegance to the most modern interior spaces, as does the PH 5 Mini with its 30 cm tall shade, launched in the wake of Poul Henningsen in 2017. Louis Poulsen aspired to serve a contemporary and creative lifestyle, and as such, adapted the size of this famous pendant light for the first time. In 2020, we launched the monochrome PH 5 Mini series to highlight its striking design and give it a more contemporary look. The matte-painted metal shades come in black, white, and ultra blue to delight even the most daring decorators.

In 2024, the PH 5 Mini Monochrome collection will be expanded with new colors for new interior styles. The two subtle colors fit perfectly with the Scandinavian style and offer a refined and calm alternative to the white versions. The dark, warm, and intense colors complement the black version.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado

In 1958, Poul Henningsen designed the PH 5 in response to the constant changes manufacturers were making in the size and shape of incandescent light bulbs. He named it after the diameter of the pendant lamp's main shade: 50 centimeters. True to his controversial style, when the lamp was launched, he wrote down his crisis of faith in incandescent light bulb manufacturers, whom he no longer expected to learn to show common sense or consideration for the customer: "I have surrendered to fate and, with Louis Poulsen's permission, have designed a PH luminaire that can be used with all types of light sources, Christmas lights and 100W metal filament bulbs. Although, given its current form, a fluorescent tube would be too much to ask!" At the time, no one knew that PH 5 would become a benchmark in PH's legacy, and as such remains a completely glare-free product, regardless of how it is installed or the light source used.

Today, the PH 5 continues to bring a leap of elegance to the most modern interior spaces, as does the PH 5 Mini with its 30 cm tall shade, launched in the wake of Poul Henningsen in 2017. Louis Poulsen aspired to serve a contemporary and creative lifestyle, and as such, adapted the size of this famous pendant light for the first time. In 2020, we launched the monochrome PH 5 Mini series to highlight its striking design and give it a more contemporary look. The matte-painted metal shades come in black, white, and ultra blue to delight even the most daring decorators.

In 2024, the PH 5 Mini Monochrome collection will be expanded with new colors for new interior styles. The two subtle colors fit perfectly with the Scandinavian style and offer a refined and calm alternative to the white versions. The dark, warm, and intense colors complement the black version.

*This product is usually in stock and delivers within 3 to 5 days. Occasionally, some versions may require a delivery time of several weeks. If this is the case, we will notify you immediately.

Ver producto relacionado