Environments

The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

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The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Ver producto relacionado

The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Ver producto relacionado

The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Ver producto relacionado

The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Ver producto relacionado

The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Ver producto relacionado

The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Ver producto relacionado

The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Ver producto relacionado

The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Ver producto relacionado

The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Ver producto relacionado

The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Ver producto relacionado

The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Ver producto relacionado

The inspiration for the Tearoom collection comes from Charles Rennie Mackintosh's Willow Chair, created between 1902 and 1904 for the Willow Tea Rooms in Glasgow. While creating these clean silhouettes, designer Nick Ross took exceptional care to imprint a shift in the mood toward comfort in every inch, ensuring that every curve conforms to our bodies. Its combination of wood frame and foam creates the ideal blend of sturdiness and comfortable luxury. Its sculptural form draws you in from afar, and when seated, it fulfills the experience you imagine upon seeing it. Timeless in its expression and execution, the Tearoom collection adapts elegantly to any environment. Its appealing, organic forms maintain a clear visual connection to the sculptural chair that sparked the designer's imagination.

A study in minimalist luxury, the Tearoom collection offers pieces for a multitude of spaces, from exclusive hotels, clubs, and lounges to private homes. Demonstrating the excellent potential of working with simple, geometric shapes, the armchair, loveseat, and sofa in this collection match the luxurious feel of fully upholstered pieces with a clean silhouette and are as pleasing to the touch as they are to the eye.

Ver producto relacionado

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

The Androgyne collection's proportions and blended materials provide a sense of harmony. The essence of the tables is their duality: elegant yet powerful; masculine yet feminine. Useful for everything from small restaurant spaces and private dining rooms to exhibition spaces, their sculptural forms add an artistic silhouette to any room.
The collection has expanded to include a coffee table and a dining table. A celebration of natural materials and honoring the ancient tradition of furniture craftsmanship, the sheen of polished marble against matte powder-coated steel results in a versatile visual identity that is both modernist and industrial. The use of rich, warm oak in the collection's dining table makes an elegant and intriguing combination in both classic and contemporary interiors, aging gracefully over time. The introduction of Kunis breccia, an artistic blend of different stones in warm hues, creates a subtle texture and adds a new dimension to the collection with its refined and solid expression.

Characterized by its formal interplays and elegant silhouette, Androgyne was originally designed as a side table for the former Audo Copenhagen showroom, but quickly went into production for public sale. The brainchild of Copenhagen-based Norwegian architect and designer Danielle Siggerud, its blend of masculine and feminine—true androgyny—gives the collection its name.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

This lightweight table is available with a rectangular, oval, or round top, all supported by a minimalist base and legs. The Snaregade table can be placed in a dining room or meeting room, and is equally at home as an office or other space requiring ample seating. The top can be finished in natural veneer, solid oak, or a thin linoleum bonded to a painted top, revealing the natural beauty of the wood structure.

This table was originally built for the home of Audo Copenhagen founder Bjarne Hansen, answering the question: what does the founder of a furniture company need in their dining room? He needed a table that was space-efficient, visually light, and, of course, sophisticated. The design has been in production ever since. Audo Copenhagen brings personality and intimacy to each of its pieces, and Snaregade is a great example of these values, adapting uniquely to each setting.

A very functional piece of furniture for a hallway or dressing room, where you can leave your keys and accessories when you get home. The mirror can be adjusted to two heights and positions.

Nomon Home's creations merge a passion for jewelry and furniture design, creating innovative pieces that take center stage in contemporary spaces. These designs bring elegance, style, and sophistication to interiors.

A very functional piece of furniture for a hallway or dressing room, where you can leave your keys and accessories when you get home. The mirror can be adjusted to two heights and positions.

Nomon Home's creations merge a passion for jewelry and furniture design, creating innovative pieces that take center stage in contemporary spaces. These designs bring elegance, style, and sophistication to interiors.

A very functional piece of furniture for a hallway or dressing room, where you can leave your keys and accessories when you get home. The mirror can be adjusted to two heights and positions.

Nomon Home's creations merge a passion for jewelry and furniture design, creating innovative pieces that take center stage in contemporary spaces. These designs bring elegance, style, and sophistication to interiors.

A very functional piece of furniture for a hallway or dressing room, where you can leave your keys and accessories when you get home. The mirror can be adjusted to two heights and positions.

Nomon Home's creations merge a passion for jewelry and furniture design, creating innovative pieces that take center stage in contemporary spaces. These designs bring elegance, style, and sophistication to interiors.

A very functional piece of furniture for a hallway or dressing room, where you can leave your keys and accessories when you get home. The mirror can be adjusted to two heights and positions.

Nomon Home's creations merge a passion for jewelry and furniture design, creating innovative pieces that take center stage in contemporary spaces. These designs bring elegance, style, and sophistication to interiors.

A very functional piece of furniture for a hallway or dressing room, where you can leave your keys and accessories when you get home. The mirror can be adjusted to two heights and positions.

Nomon Home's creations merge a passion for jewelry and furniture design, creating innovative pieces that take center stage in contemporary spaces. These designs bring elegance, style, and sophistication to interiors.

A very functional piece of furniture for a hallway or dressing room, where you can leave your keys and accessories when you get home. The mirror can be adjusted to two heights and positions.

Nomon Home's creations merge a passion for jewelry and furniture design, creating innovative pieces that take center stage in contemporary spaces. These designs bring elegance, style, and sophistication to interiors.

A very functional piece of furniture for a hallway or dressing room, where you can leave your keys and accessories when you get home. The mirror can be adjusted to two heights and positions.

Nomon Home's creations merge a passion for jewelry and furniture design, creating innovative pieces that take center stage in contemporary spaces. These designs bring elegance, style, and sophistication to interiors.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-leg table with a clean, minimalist design. The numerous possible combinations of frames and tops make the Zero table a perfect fit for any setting. Its central leg allows for maximum use of the surrounding space. This outdoor version features a stainless steel leg and HPL top.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Zero is a round, central-stem table with a clean, minimalist design. The numerous possible combinations of frames and tops allow the Zero table to fit into any setting. Its central stem allows for maximum utilization of the surrounding space. This version with a glass top includes two connecting discs. These connecting discs between the column and the glass are always made of matte stainless steel.

The Zero collection is a series of tables with a highly functional character and many possible uses.

Characteristics:

• Base: The base is rounded and the column is made of aluminum. The outer edge of the base is rounded. Under the base, six rubber pads protect delicate floors. Two base diameters are available: Ø45 cm and Ø55 cm.
• Column: The base column is made of extruded aluminum and has four screw holders. This is a completely innovative system created by Jesús Gasca.
• Lid: A matching edge has been designed for each lid material. Wooden lids have a smooth, rounded edge. Both HPL and glass have a straight edge for added strength.
• Glass Tops: The glass tops are made of 12 mm thick, highly resistant tempered safety glass. The glass is attached to the base using two stainless steel discs: one bonded to the glass using UV technology, and the other disc screwed to the column.
• Wood and HPL tops: Wood veneer tops are made of 19 mm thick MDF with: white and lacquered laminate, natural oak veneer, natural walnut veneer, or black-stained ash veneer. The surface is protected with an acrylic coating for long-lasting durability. STUA MDF is formaldehyde-free. White HPL tops are 12 mm thick with a black edge.

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado

Lau is a table made entirely of ash wood. Jesús Gasca sought to create a timeless design, unconfined by the specific spirit of a particular era or fashion. A restrained and stylized design created with the aim of enduring the test of time. Lau is available in round, rectangular, and a special console table.

In the Lau table, the formal focus lies on the connection between the legs and the tabletop. Inspired by living forms, the leg inclines and widens into a curve where it meets the tabletop. With this single gesture, the design adds greater strength to the connection while also imbuing the piece with personality. The Laclasica chairs are the ideal complement to these tables, as they are dyed in the same tones.

Characteristics:

• Design: The elegance of the Lau table comes from its slender silhouette. Lau is a table with a very Scandinavian style, which can take on a more casual look in light tones and a more elegant look in dark tones.
• Legs: The legs of the Lau table are made of natural ash wood from sustainably managed European forests.
  The detail of the curves of the wood gives it its own personality.
• Top: The Lau table top is made of 19 mm thick MDF with an ash veneer. This MDF is formaldehyde-free. The tops have beveled edges, giving a light feel.
• Stained: The ash is clean and contemporary, and STUA applies a very natural matte finish. The wood is first stained, and the color penetrates deeply into the ash. It is then protected with an acrylic coating. Both factors give it great durability.
• Rectangular tables: Large rectangular tables have hidden metal reinforcements. This is why their silhouette is thicker, for added stability.

Ver producto relacionado